OCTOBER

(OCTOBER). Krauss, Rosalind, Douglas Crimp & Annette Michelson, Editors. OCTOBER 10: ART/ THEORY/ CRITICISM/ POLITICS - FALL 1979. Cambridge, MA: MIT Press Journals, 1979. First Edition. 8vo. Printed Wrappers. Journal. Very Good. 136pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over twenty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: The Duchamp Defense - Hubert Damisch; A Conversation about Glacial Deocy - Trisha Brown and Yvonne Rainer; A Portfolio of Photographs of Trisha Brown's Work - Babette Mangolte; The Function of the Studio - Daniel Buren; Preliminary Notes on the Pragmatic of Works: Daniel Buren - Jean-Francois Lyotard; Richard Serra's Films: An Interview - Annette Michelson, Richard Serra, and Clara Weyergraf; Vision in Process - Birgit Pelzer; Earthwords - Craig Owens. A handsome copy showing some light wear and soiling to the wrappers. Inventory Number: 021684 $ 60.00  order/inquire     (OCTOBER). Krauss, Rosalind, Annette Michelson, George Baker, Yve-Alain Bois, Benjamin H.D. Buchloh, Leah Dickerman, Hal Foster, Denis Hollier, Mignon Nixon, Malcolm Turvey, Lisa Pasquariello & Catherine de Zegher, Editors. OCTOBER 100: ART/ THEORY/ CRITICISM/ POLITICS - SPRING 2002: OBSOLESCENCE - A SPECIAL ISSUE. Cambridge, MA: MIT Press Journals, 2002. First Edition. 8vo. Printed Wrappers. Journal. Fine. 236pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this special thematic issue devoted to "Obsolescence" include: Artist Questionnaire: 21 Responses - George Baker; Digital Cinema: A False Revolution - John Belton; Round Table: Obsolescence and American Avant-Garde Film (with Malcolm Turvey, Ken Jacobs, Annette Michelson, Paul Arthur, Brian Frye, and Chrissie Iles); Modernism, Postmodernism, and Steam - T. J. Clark; Junkspace - Rem Koolhaas; The ABCs of Contemporary Design - Hal Foster; Round Table: The Present Conditions of Art Criticism (with George Baker, Rosalind Krauss, Benjamin H.D. Buchloh, Andrea Fraser, David Joselit, James Meyer, Robert Storr, Hal Foster, John Miller, and Helen Molesworth. A most handsome copy. 0-262-75250-6 Inventory Number: 021647 $ 25.00  order/inquire     (OCTOBER). Krauss, Rosalind, Annette Michelson, George Baker, Yve-Alain Bois, Benjamin H.D. Buchloh, Leah Dickerman, Hal Foster, Denis Hollier, Mignon Nixon, Malcolm Turvey, Lisa Pasquariello & Catherine de Zegher, Editors. OCTOBER 103: ART/ THEORY/ CRITICISM/ POLITICS - WINTER 2003. Cambridge, MA: MIT Press Journals, 2003. First Edition. 8vo. Printed Wrappers. Journal. Near Fine. 103pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: An Allegory of Criticism - David Joselit; The Material of Film and the Idea of Cinema: Contrasting Practices in Sixties and Seventies Avant-Garde Film - Jonathan Walley; Solecisms of Sight: Specular Speculations - Robert Morris; Line Describing a Cone and Related Films - Anthony McCall; Other Voices for a Second Sight - Vito Acconci. A handsome copy. 0-262-75253-0 Inventory Number: 014992 $ 25.00  order/inquire     (OCTOBER). Krauss, Rosalind, Annette Michelson, George Baker, Yve-Alain Bois, Benjamin H.D. Buchloh, Leah Dickerman, Hal Foster, Denis Hollier, Mignon Nixon, Malcolm Turvey, Lisa Pasquariello & Catherine de Zegher, Editors. OCTOBER 104: ART/ THEORY/ CRITICISM/ POLITICS - SPRING 2003. Cambridge, MA: MIT Press Journals, 2003. First Edition. 8vo. Printed Wrappers. Journal. Fine. 162pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: Girl Love - Kaja Silverman; Reanimations (I) - George Baker; The Projected Image in Contemporary Art - Round Table featuring Malcolm Turvey, Hal Foster, Chrissie Iles, George Baker, Matthew Buckingham, Anthony McCall; The Revolutionary Energy of the Outmoded - Christian Thorne; Beauty and the Status of Contemporary Criticism - Suzanne Perling Hudson; The Jesse Helms Theory of Art - Richard Meyer; Eva Hesse Retrospective: A Note on Milieu - Mignon Nixon; Letters and Responses: Juan Ignacio Vidarte & Allan Sekula. A most handsome copy. 0-262-75254-9 Inventory Number: 014348 $ 25.00  order/inquire     (OCTOBER). Krauss, Rosalind, Annette Michelson, George Baker, Yve-Alain Bois, Benjamin H.D. Buchloh, Leah Dickerman, Hal Foster, Denis Hollier, Mignon Nixon, Malcolm Turvey & Catherine de Zegher, Editors. OCTOBER 106: ART/ THEORY/ CRITICISM/ POLITICS - FALL 2003. Cambridge, MA: MIT Press Journals, 2003. First Edition. 8vo. Printed Wrappers. Journal. Poor. (Incomplete) 150pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: Geometry/Labor = Volume/Mass? - Darcy Grimaldo Grigsby; A Conversation with Kenneth Frampton - Interview by Stan Allen and Hal Foster; Toward a Theory of the Architectural Program - Anthony Vidler; Involuntary Prisoners of Architecture - Felicity D. Scott; The Edge of Darkness: On W. G. Sebald - Mark M. Anderson; W. G. Sebald - Tacita Dean; Not Fade Away: The Face of German History in Michael Schmidt's Ein-heit - Michael Jennings. PLEASE NOTE: The text portion of this copy is Fine and complete, but it is entirely LACKING the front cover and spine. We have priced this example accordingly and are offering it for sale strictly "AS IS", with no returns. If you have any questions or concerns about these details, please voice them before purchasing this - we will be happy to answer any inquiry. 0-262-75256-5 Inventory Number: 018672 $ 10.00  order/inquire     (OCTOBER). Krauss, Rosalind, Annette Michelson, George Baker, Yve-Alain Bois, Benjamin H.D. Buchloh, Leah Dickerman, Hal Foster, Denis Hollier, Mignon Nixon, Malcolm Turvey, Catherine de Zegher & Lisa Pasquariello, Editors. OCTOBER 108: ART/ THEORY/ CRITICISM/ POLITICS - SPRING 2004. Cambridge, MA: MIT Press Journals, 2004. First Edition. 8vo. Printed Wrappers. Journal. Near Fine. 115pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: On Two Paintings by Barnett Newman - Yve-Alain Bois; Barnett Newman's Stations and the Memory of the Holocaust - Mark Godfrey; Jean Fautrier's Jolies Juives - Rachel Perry; Of the Public Born: Raymond Hains and La France déchirée - Hannah Feldman; Eichmann in New York: The New York Intellectuals and the Hannah Arendt Controversy - Anson Rabinbach; Stan Brakhage (1933-2003) - Annette Michelson. A handsome copy. 0-262-75258-1 Inventory Number: 012415 $ 25.00  order/inquire     (OCTOBER). Krauss, Rosalind, Annette Michelson, George Baker, Yve-Alain Bois, Benjamin H.D. Buchloh, Leah Dickerman, Hal Foster, Denis Hollier, Mignon Nixon, Malcolm Turvey, Catherine de Zegher & Lisa Pasquariello, Editors. OCTOBER 109: ART/ THEORY/ CRITICISM/ POLITICS - SUMMER 2004. Cambridge, MA: MIT Press Journals, 2004. First Edition. 8vo. Printed Wrappers. Journal. Fine. 150pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue featuring a special section on filmmaker Hollis Frampton include: Room-for-Play: Benjamin's Gamble with Cinema - Miriam Bratu ; They Might Be Giants: Carleton Watkins, Galen Clark, and the Big Tree - Elizabeth Hutchinson; The Invention Without a Future - Hollis Frampton; Words into Film: Toward a Genealogical Understanding of Hollis Frampton's Theory and Practice - Federico Windhausen; Hidden Noise: Strategies of Sound Montage in the Films of Hollis Frampton - Melissa Ragona; History and Ambivalence in Hollis Frampton's "Magellan" - Michael Zryd; The Music of His Music: Edward Said, 1936-2003 - Michael Wood. A most handsome copy. 0-262-75259-X Inventory Number: 012282 $ 25.00  order/inquire     (OCTOBER). Krauss, Rosalind, Douglas Crimp, Craig Owens & Annette Michelson, Editors. OCTOBER 11: ART/ THEORY/ CRITICISM/ POLITICS - WINTER 1979: ESSAYS IN HONOR OF JAY LEYDA. Cambridge, MA: MIT Press Journals, 1979. First Edition. 8vo. Printed Wrappers. Journal. Very Good. 168pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this special issue cum festschriften in honor of the seventieth birthday of the noted film historian and photographer Jay Leyda include: Walker Evans' Message from the Interior: A Reading - Alan Trachtenberg; Dr. Crase and Mr. Clair - Annette Michelson; An Interview - Mikhail Kaufman; Film's Institutional Mode of Representation and the Soviet Response - Noel Burch; Image and Title in Avant-Garde Cinema - P. Adams Sitney; El Lissitzky: Reading Lessons - Yve-Alain Bois; Stieglitz / Equivalents - Rosalind Krauss; Jay Leyda: A Portfolio of Photographs, A Brief Chronology, A Bibliography. A handsome copy of this uncommon early issue. ISSN 0162-2870 Inventory Number: 020045 $ 60.00  order/inquire     (RUSCHA, EDWARD) (OCTOBER). Krauss, Rosalind, Annette Michelson, George Baker, Yve-Alain Bois, Benjamin H.D. Buchloh, Leah Dickerman, Hal Foster, Denis Hollier, Mignon Nixon, Malcolm Turvey & Lisa Pasquariello, Editors. OCTOBER 111: ART/ THEORY/ CRITICISM/ POLITICS - WINTER 2005: ED RUSCHA. Cambridge, MA: MIT Press Journals, 2005. First Edition. 8vo. Printed Wrappers. Journal. Fine. 144pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this special thematic issue devoted to Ed Ruscha include: Language Between Performance and Photography - Liz Kotz, "Second City": Ed Ruscha and the Reception of Los Angeles Pop - Alexandra Schwartz, Blue Collar Drawings 1992 - Ed Ruscha, Thermometers Should Last Forever - Yve-Alain Bois, Ed Ruscha and the Language That He Used - Lisa Pasquariello, "Something Else": Ed Ruscha's Photographic Books - Kevin Hatch, and Ed Ruscha's One-Way Street - Jaleh Mansoor. A most handsome copy . 0-262-75261-1 Inventory Number: 021292 $ 30.00  order/inquire     (RUSCHA, EDWARD) (OCTOBER). Krauss, Rosalind, Annette Michelson, George Baker, Yve-Alain Bois, Benjamin H.D. Buchloh, Leah Dickerman, Hal Foster, Denis Hollier, Mignon Nixon, Malcolm Turvey & Lisa Pasquariello, Editors. OCTOBER 111: ART/ THEORY/ CRITICISM/ POLITICS - WINTER 2005: ED RUSCHA. Cambridge, MA: MIT Press Journals, 2005. First Edition. 8vo. Printed Wrappers. Journal. Fair. 144pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this special thematic issue devoted to Ed Ruscha include: Language Between Performance and Photography - Liz Kotz, "Second City": Ed Ruscha and the Reception of Los Angeles Pop - Alexandra Schwartz, Blue Collar Drawings 1992 - Ed Ruscha, Thermometers Should Last Forever - Yve-Alain Bois, Ed Ruscha and the Language That He Used - Lisa Pasquariello, "Something Else": Ed Ruscha's Photographic Books - Kevin Hatch, and Ed Ruscha's One-Way Street - Jaleh Mansoor. An otherwise handsome copy showing a dent to the upper foredge corner that is also missing the right half of its front cover. It has been priced accordingly. 0-262-75261-1 Inventory Number: 017761 $ 12.50  order/inquire     (OCTOBER). Krauss, Rosalind, Annette Michelson, George Baker, Yve-Alain Bois, Benjamin H.D. Buchloh, Leah Dickerman, Hal Foster, Denis Hollier, Mignon Nixon, Malcolm Turvey & Lisa Pasquariello, Editors. OCTOBER 112: ART/ THEORY/ CRITICISM/ POLITICS - SPRING 2005. Cambridge, MA: MIT Press Journals, 2005. First Edition. 8vo. Printed Wrappers. Journal. Very Good. 138pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: From The Neutral: Session of March 11, 1978 - Roland Barthes, Translated by Rosalind Krauss, Roland Barthes's Novel Antoine Compagnon, Translated by Rosalind Krauss, Notes (on the Index Card) - Denis Hollier, On Duchamp - Michel Leiris, Translated by Rosalind Krauss, Leiris / Nerval: A Few File Cards - Richard Sieburth, "These are not exercises in style": Le Chant du Styrène - Edward Dimendberg, Material Remains: Night and Fog - Emma Wilson, and Artists as Filmmakers in Los Angeles - David E. James. A handsome copy showing a slight dent to the crown of the spine. 0-262-75262-X Inventory Number: 019363 $ 25.00  order/inquire     (OCTOBER). Krauss, Rosalind, Annette Michelson, George Baker, Yve-Alain Bois, Benjamin H.D. Buchloh, Leah Dickerman, Hal Foster, Denis Hollier, Mignon Nixon, Malcolm Turvey & Lisa Pasquariello, Editors. OCTOBER 113: ART/ THEORY/ CRITICISM/ POLITICS - SUMMER 2005. Cambridge, MA: MIT Press Journals, 2005. First Edition. 8vo. Printed Wrappers. Journal. Fine. 134pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: Introduction - Mignon Nixon, A Conversation with Juliet Mitchell - Tamar Garb & Mignon Nixon, Theory as an Object - Juliet Mitchell, On the Couch - Mignon Nixon, An Interview with Thomas Hirschhorn - Benjamin H. D. Buchloh, and Another Geometry: Gego's Reticulárea, 1969-1982 - Mónica Amor. A most handsome copy. 0-262-75263-8 Inventory Number: 013277 $ 25.00  order/inquire     (SNOW, MICHAEL) (OCTOBER). Krauss, Rosalind, Annette Michelson, George Baker, Yve-Alain Bois, Benjamin H.D. Buchloh, Leah Dickerman, Hal Foster, Denis Hollier, Mignon Nixon, Malcolm Turvey & Lisa Pasquariello, Editors. OCTOBER 114: ART/ THEORY/ CRITICISM/ POLITICS - FALL 2005. Cambridge, MA: MIT Press Journals, 2005. First Edition. 8vo. Printed Wrappers. Journal. Fine. 150pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue that is heavily focused on Canadian filmaker/photographer/musician Michael Snow include: Touching to See - Jean Arnaud, Keaton and Snow - Erik Bullot, The Child in the Machine: On the Use of CGI in Michael Snow's Corpus Callosum - Malcolm Turvey, The Sound of Music: A Conversation with Michael Snow - Annette Michelson, The Art of Darkness: On Steve McQueen - T. J. Demos, Photography Found and Lost: On Tacita Dean's Floh - Mark Godfrey, and Photography's Expanded Field - George Baker. A most handsome copy. 0-262-75264-6 Inventory Number: 012636 $ 25.00  order/inquire     (BALAZS, BELA) (OCTOBER). Krauss, Rosalind, Annette Michelson, George Baker, Yve-Alain Bois, Benjamin H.D. Buchloh, Leah Dickerman, Hal Foster, Denis Hollier, Mignon Nixon, Malcolm Turvey & Lisa Pasquariello, Editors. OCTOBER 115: ART/ THEORY/ CRITICISM/ POLITICS - WINTER 2006. Cambridge, MA: MIT Press Journals, 2006. First Edition. 8vo. Printed Wrappers. Journal. Near Fine. 114pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue that is heavily focused on the late Hungarian film theoretician Bela Balazs include: An Exchange on Afflicted Powers: Capital and Spectacle in a New Age of War - Retort, Terres Inconnues: Cartographies of a Landscape to Be Invented - Anthony Vidler, The Lessons of Guy Debord - Vincent Kaufmann, Guy Debord, or The Revolutionary Without a Halo - Tom McDonough, Selected Translations - Malcolm Turvey, Radio Drama - Bela Balazs, Wireless Chaos - Bela Balazs, Compulsive Cameramen - Bela Balazs, Chaplin, or The American Simpleton - Bela Balazs, Film Criticism! - Bela Balazs, On the Train at Night - Bela Balazs, On Foot - Bela Balazs, Space, Time, and "Rites de Passage": Bela Balazs' Paths to Film - Hanno Loewy, Balazs: Realist or Modernist? - Malcolm Turvey, Diary of a Buren Spectator - Silvia Kolbowski, Letters and Responses - Liam Gillick, and Letters and Responses - Claire Bishop Responds. A most handsome copy. 0-262-75265-4 Inventory Number: 018168 $ 25.00  order/inquire     (OCTOBER). Krauss, Rosalind, Annette Michelson, George Baker, Yve-Alain Bois, Benjamin H.D. Buchloh, Leah Dickerman, Hal Foster, Denis Hollier, Mignon Nixon, Malcolm Turvey & Lisa Pasquariello, Editors. OCTOBER 116: ART/ THEORY/ CRITICISM/ POLITICS - SPRING 2006. Cambridge, MA: MIT Press Journals, 2006. First Edition. 8vo. Printed Wrappers. Journal. Very Good. 126pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: Notes on Love and Photography - Eduardo Cadava & Paola Cortes-Rocca, Paper Tigress - Yve-Alain Bois, Two Moments from the Post-Medium Condition - Rosalind Krauss, Dream Dust - Mignon Nixon, The Caves of Gallizio and Hirschhorn: Excavations of the Present - Frances Stracey, and Doctor Hypnison and the Case of Written Cinema - Pavle Levi. A handsome copy showing a slight dent to the lower foredge corner. 0-262-75266-2 Inventory Number: 013786 $ 25.00  order/inquire     (OCTOBER). Krauss, Rosalind, Annette Michelson, George Baker, Yve-Alain Bois, Benjamin H.D. Buchloh, Leah Dickerman, Hal Foster, Denis Hollier, Mignon Nixon, Malcolm Turvey & Lisa Pasquariello, Editors. OCTOBER 117: ART/ THEORY/ CRITICISM/ POLITICS - SUMMER 2006. Cambridge, MA: MIT Press Journals, 2006. First Edition. 8vo. Printed Wrappers. Journal. Fine. 126pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: The Anthropology of Exit: Bataille on Heidegger and Fascism - Stefanos Geroulanos, Critique of Heidegger - Georges Bataille, Company - Daniel Heller-Roazen, The Gap and the Frame - Branden W. Joseph, How to Make Analogies in a Digital Age - Whitney Davis, and Suspicious Packages - Yates McKee. A most handsome copy. 0-262-75267-0 Inventory Number: 021231 $ 25.00  order/inquire     (TRET'IAKOV, SERGEI) (OCTOBER). Krauss, Rosalind, Annette Michelson, George Baker, Yve-Alain Bois, Benjamin H.D. Buchloh, Leah Dickerman, Hal Foster, Denis Hollier, Mignon Nixon, Malcolm Turvey, Devin Fore & Rachel Churner, Editors. OCTOBER 118: ART/ THEORY/ CRITICISM/ POLITICS - FALL 2006: SOVIET FACTOGRAPHY - A SPECIAL ISSUE. Cambridge, MA: MIT Press Journals, 2006. First Edition. 8vo. Printed Wrappers. Journal. Near Fine. 186pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this special thematic issue devoted to Sergei Tret'iakov and Soviet Factography include: Introduction - Devin Fore, Art In The Revolution And The Revolution In Art (Aesthetic Consumption And Production)- Sergei Tret'iakov, The Theater Of Attractions - Sergei Tret'iakov, Our Cinema - Sergei Tret'iakov, The New Leo Tolstoy - Sergei Tret'iakov, To Be Continued - Sergei Tret'iakov, The Biography Of The Object - Sergei Tret'iakov, The Writer And The Socialist Village - Sergei Tret'iakov, From The Photo-Series To Extended Photo-Observation - Sergei Tret'iakov, A Writer's Handbook - Nikolai Chuzhak, The Operative Word In Soviet Factography - Devin Fore, The Fact And The Photograph - Leah Dickerman, The Revolutionary Archive Of A. R. - Aleksandr Rodchenko, and Radical Tourism: Sergei Tret'iakov At The Communist Lighthouse - Maria Gough. A most handsome copy. 0-262-752689 Inventory Number: 021712 $ 25.00  order/inquire     (OCTOBER). Krauss, Rosalind, Annette Michelson, George Baker, Yve-Alain Bois, Benjamin H.D. Buchloh, Leah Dickerman, Hal Foster, Denis Hollier, Mignon Nixon, Malcolm Turvey & Rachel Churner, Editors. OCTOBER 119: ART/ THEORY/ CRITICISM/ POLITICS - WINTER 2007. Cambridge, MA: MIT Press Journals, 2007. First Edition. 8vo. Printed Wrappers. Journal. Fine. 160pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: Editor's Note - Mignon Nixon, o + x - Mignon Nixon, Eva Hesse and Color - Briony Fer, No Exit: Video and the Readymade - David Joselit, Jean Dubuffet: The Butterfly Man - Sarah K. Rich, Klein's Relevance for Today - Yve-Alain Bois, "Frank Stella is a Constructivist" - Maria Gough, Robert Ryman's Pragmatism - Suzanne Hudson, and October Portfolio Three - Sophie Calle, Tacita Dean, Renée Green, Gabriel Orozco, Andrea Robbins, Max Becher, Martha Rosler. A most handsome copy. 0-262-75269-7 Inventory Number: 012641 $ 25.00  order/inquire     (OCTOBER). Krauss, Rosalind, Annette Michelson, George Baker, Yve-Alain Bois, Benjamin H.D. Buchloh, Leah Dickerman, Hal Foster, Denis Hollier, Mignon Nixon, Malcolm Turvey & Rachel Churner, Editors. OCTOBER 120: ART/ THEORY/ CRITICISM/ POLITICS - WINTER 2007. Cambridge, MA: MIT Press Journals, 2007. First Edition. 8vo. Printed Wrappers. Journal. Fine. 192pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: Quai Branly in Process - James Clifford, Place: A Constructed Abstract Situation in the Urban Cultural Continuum of the 1960s - Eric De Chassey, Nauman's Body of Sculpture - Anne M. Wagner, Perpetually Out of Place: Michael Asher and Jean-Antoine Houdon at the Art Institute of Chicago - Jennifer King, Skulptur Projekte in Munster: Excerpts from Correspondence 1976-1997 - Michael Asher, The Other Side of the Wall - George Baker, sculpture in a constricted space - Tom Burr, The Artist as Historian - Mark Godfrey, Muhheakantuck: Everything Has a Name - Matthew Buckingham, and Index: Numbers 113-120 (Summer 2005-Spring 2007). A most handsome copy. 0-262-75270-0 Inventory Number: 015827 $ 25.00  order/inquire     (OCTOBER). Krauss, Rosalind, Annette Michelson, George Baker, Yve-Alain Bois, Benjamin H.D. Buchloh, Leah Dickerman, Hal Foster, Denis Hollier, Mignon Nixon, Malcolm Turvey & Rachel Churner, Editors. OCTOBER 121: ART/ THEORY/ CRITICISM/ POLITICS - SUMMER 2007: NEW VERTOV STUDIES. Cambridge, MA: MIT Press Journals, 2007. First Edition. 8vo. Printed Wrappers. Journal. Fine. 120pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: Introduction - Malcolm Turvey , Vertov: Between the Organism and the Machine - Malcolm Turvey, Across One Sixth of the World: Dziga Vertov, Travel Cinema, and Soviet Patriotism - Oksana Sarkisova, Film Energy: Process and Metanarrative in Dziga Vertov's The Eleventh Year (1928) - John MacKay, "Our Eyes, Spinning Like Propellers": Wheel of Life, Curve of Velocities, and Dziga Vertov's "Theory of the Interval" - Simon Cook, Turning Objects, Toppled Pictures: Give and Take between Vertov's Films and Constructivist Art - Yuri Tsivian, LeWitt's Ark - Rosalind Krauss, and Letter of Correction. A most handsome copy. 0-262-75271-9 Inventory Number: 014988 $ 25.00  order/inquire     (OCTOBER). Krauss, Rosalind, Annette Michelson, George Baker, Yve-Alain Bois, Benjamin H.D. Buchloh, Leah Dickerman, Hal Foster, Denis Hollier, Mignon Nixon, Malcolm Turvey & Rachel Churner, Editors. OCTOBER 122: ART/ THEORY/ CRITICISM/ POLITICS - FALL 2007. Cambridge, MA: MIT Press Journals, 2007. First Edition. 8vo. Printed Wrappers. Journal. Fine. 132pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: Spero's Curses - Mignon Nixon, Dorothea Rockburne: Intersection - Anna Lovatt, Make Life Beautiful! The Diabolic in the Work of Isa Genzken (A Tour through Berlin, Paris, and New York) - Lisa Lee, What's in a Face? Blankness and Significance in Contemporary Art Photography - Julian Stallabrass, An Elegy for Theory - D. N. Rodowick, Theory, Philosophy, and Film Studies: A Response to D. N. Rodowick's "An Elegy for Theory" - Malcolm Turvey, and Memory Text: Philippe Lacoue-Labarthe (1940-2007)- Susan Bernstein. A most handsome copy. 0-262-75272-7 Inventory Number: 021213 $ 25.00  order/inquire     (OCTOBER). Krauss, Rosalind, Annette Michelson, George Baker, Yve-Alain Bois, Benjamin H.D. Buchloh, Leah Dickerman, Hal Foster, Denis Hollier, Mignon Nixon, Malcolm Turvey & Adam Lehner, Editors. OCTOBER 124: ART/ THEORY/ CRITICISM/ POLITICS - SPRING 2008: POSTWAR ITALIAN ART - A SPECIAL ISSUE. Cambridge, MA: MIT Press Journals, 2008. First Edition. 8vo. Printed Wrappers. Journal. Fine. 196pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this special Claire Gilman-edited thematic issue devoted to Postwar Italian Art include: Introduction - Claire Gilman, From Vietnam to Fiat-nam: The Politics of Arte Povera - Nicholas Cullinan, Making Art Matter: Alberto Burri's Sacchi - Jaimey Hamilton, Pistoletto's Staged Subjects - Claire Gilman, Substantive Thoughts? The Early Work of Alighiero Boetti - Christopher G. Bennett, Industrial Painting's Utopias: Lucio Fontana's "Expectations" - Anthony White, Giovanni Anselmo: Matter and Monochrome - Rosalind Krauss, Fontana's Atomic Age Abstraction: The Spatial Concepts and the Television Manifesto - Jaleh Mansoor, The Irony of Marisa Merz - Dieter Schwarz, Disencumbered Objects - Alex Potts, and Index: Numbers 121-124 (Summer 2007 - Spring 2008). A most handsome copy. 0-262-75274-3 Inventory Number: 019721 $ 25.00  order/inquire     (OCTOBER). Krauss, Rosalind, Annette Michelson, George Baker, Yve-Alain Bois, Benjamin H.D. Buchloh, Hal Foster, Denis Hollier, David Joselit, Carrie Lambert-Beatty, Mignon Nixon, Malcolm Turvey & Adam Lehner, Editors . OCTOBER 125: ART/ THEORY/ CRITICISM/ POLITICS - SUMMER 2008. Cambridge, MA: MIT Press Journals, 2008. First Edition. 8vo. Printed Wrappers. Journal. Fine. 146pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: Art in the Face of Radical Evil - Thierry De Duve, Introduction: Markets and Networks - David Joselit, Television Art's Abstract Starts: Europe circa 1944-1969 - Christine Mehring, Television in Contemporary Chinese Art - Wu Hung, Feedback in the Amazon - Nicolas Guagnini, and A Conversation with Peter Fend - David Joselit, Rachel Harrison. A most handsome copy. 0-262-75275-1 Inventory Number: 018426 $ 25.00  order/inquire     (OCTOBER). Krauss, Rosalind, Annette Michelson, George Baker, Yve-Alain Bois, Benjamin H.D. Buchloh, Hal Foster, Denis Hollier, David Joselit, Carrie Lambert-Beatty, Mignon Nixon, Malcolm Turvey & Adam Lehner, Editors . OCTOBER 127: ART/ THEORY/ CRITICISM/ POLITICS - WINTER 2009. Cambridge, MA: MIT Press Journals, 2009. First Edition. 8vo. Printed Wrappers. Journal. Fine. 166pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: Drawing Blanks: Notes on Andy Warhol's Late Works - Benjamin H.D. Buchloh, Flou: Rayographs and the Dada Automatic - Susan Laxton, Speak, Painting: Word and Device in Early Johns - Harry Cooper, From Abstraction to Model: George Brecht's Events and the Conceptual Turn in Art of the 1960s - Julia Robinson, "It has to do with the theater": Bruce Conner's Ratbastards - Kevin Hatch, Remarks on Abstraction - Hubert Damisch, and In Memory of Robert Rauschenberg (1925-2008) - Rosalind Krauss. A most handsome copy. 0-262-75277-8 Inventory Number: 019989 $ 25.00  order/inquire     (OCTOBER). Krauss, Rosalind, Annette Michelson, George Baker, Yve-Alain Bois, Benjamin H.D. Buchloh, Hal Foster, Denis Hollier, David Joselit, Carrie Lambert-Beatty, Mignon Nixon, Malcolm Turvey & Adam Lehner, Editors . OCTOBER 128: ART/ THEORY/ CRITICISM/ POLITICS - SPRING 2009: POSTWAR ITALIAN CINEMA: NEW STUDIES. Cambridge, MA: MIT Press Journals, 2008. First Edition. 8vo. Printed Wrappers. Journal. Near Fine. 130pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this special Annette Michelson-edited thematic issue devoted to Postwar Italian Cinema include: Introduction - Annette Michelson, Winners and Losers in Italy at the End of the Second World War - Roberto Vivarelli, The Cinecitta Refugee Camp (1944-1950) - Noa Steimatsky, A Regional Charm: Italian Comedy versus Hollywood - Daniela Treveri Gennari, The Problem of Public Sensibility: A Review of the Film, The Open City - James T. Farrell, A Note on The Open City: Some Comments on Farrell's Review -Meyer Schapiro, Film Reviews - Michelangelo Antonioni, On Color - Michelangelo Antonioni, and Recessional Aesthetics?. A handsome copy. 0-262-75278-6 Inventory Number: 018424 $ 25.00  order/inquire     (OCTOBER). Krauss, Rosalind, Annette Michelson, George Baker, Yve-Alain Bois, Benjamin H.D. Buchloh, Hal Foster, Denis Hollier, David Joselit, Carrie Lambert-Beatty, Mignon Nixon, Malcolm Turvey & Adam Lehner, Editors . OCTOBER 129: ART/ THEORY/ CRITICISM/ POLITICS - SUMMER 2009. Cambridge, MA: MIT Press Journals, 2009. First Edition. 8vo. Printed Wrappers. Journal. Fine. 158pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: The Spirit of Recession - Paul Chan, Raymond Pettibon: After Laughter - Benjamin H.D. Buchloh, Make-Believe: Parafiction and Plausibility - Carrie Lambert-Beatty, The Third Citizen: On Models of Criticality in Contemporary Artistic Practices - Vered Maimon, The Right to Opacity: On the Otolith Group's Nervus Rerum - T. J. Demos, A Trialogue on Nervus Rerum - Irmgard Emmelhainz, The Otolith Group, To Sing Beside - Yve-Alain Bois, Our Literal Speed - Our Literal Speed, and Index: Numbers 125-129 (Summer 2008-Summer 2009). A most handsome copy. 0-262-75279-4 Inventory Number: 021214 $ 25.00  order/inquire     (OCTOBER). Krauss, Rosalind, Douglas Crimp, Craig Owens & Annette Michelson, Editors. OCTOBER 13: ART/ THEORY/ CRITICISM/ POLITICS - SUMMER 1980. Cambridge, MA & New York: MIT Press for the Institute for Architecture and Urban Studies, 1980. First Edition. 8vo. Printed Wrappers. Journal. Very Good -. 108pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: Observations on the Long Take - Pier Paolo Pasolini; What is Neo-Zhdanovism and What is Not - Pasolini; Pasolini: Murder of a Dissident - Maria-Antonietta Macciocchi; Merde Alors - Leo Bersani & Ulysse Dutoit; Poststructuralism and the "Paraliterary" - Rosalind Krauss; On the Museum's Ruins - Douglas Crimp; The Allegorical Impulse: Towards a Theory of Post-Modernism (Part 2) - Craig Owens; Against Intellectual Complexity in Music - Michael Nyman; "Son of a Bitch": Feminism, Humanism and Science in Alien - James H. Kavanaugh; Acknowledgments for a Book Not Yet Begun - Leo Steinberg. A most presentable copy showing a bit of light overall wear and soiling as well as "Anderson (Laurie) 1980" written in ink along its spine. It has been priced accordingly. ISSN 0162-2870 Inventory Number: 020167 $ 45.00  order/inquire     (OCTOBER). Krauss, Rosalind, Douglas Crimp, Craig Owens & Annette Michelson, Editors. OCTOBER 13: ART/ THEORY/ CRITICISM/ POLITICS - SUMMER 1980. Cambridge, MA & New York: MIT Press for the Institute for Architecture and Urban Studies, 1980. First Edition. 8vo. Printed Wrappers. Journal. Good +. 108pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: Observations on the Long Take - Pier Paolo Pasolini; What is Neo-Zhdanovism and What is Not - Pasolini; Pasolini: Murder of a Dissident - Maria-Antonietta Macciocchi; Merde Alors - Leo Bersani & Ulysse Dutoit; Poststructuralism and the "Paraliterary" - Rosalind Krauss; On the Museum's Ruins - Douglas Crimp; The Allegorical Impulse: Towards a Theory of Post-Modernism (Part 2) - Craig Owens; Against Intellectual Complexity in Music - Michael Nyman; "Son of a Bitch": Feminism, Humanism and Science in Alien - James H. Kavanaugh; Acknowledgments for a Book Not Yet Begun - Leo Steinberg. An internally handsome copy showing some ink stains and light brown spotting to the wrappers and top edge. It has been priced accordingly. ISSN 0162-2870 Inventory Number: 021683 $ 30.00  order/inquire     (OCTOBER). Krauss, Rosalind, Annette Michelson, George Baker, Yve-Alain Bois, Benjamin H.D. Buchloh, Hal Foster, Denis Hollier, David Joselit, Carrie Lambert-Beatty, Mignon Nixon, Malcolm Turvey & Adam Lehnner, Editors. OCTOBER 130: ART/ THEORY/ CRITICISM/ POLITICS - FALL 2009. Cambridge, MA: MIT Press Journals, 2009. First Edition. 8vo. Printed Wrappers. Journal. Fine. 202pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Its contributions include: Questionnaire on "The Contemporary": 32 Responses, Painting Beside Itself - David Joselit, "Why Would Anyone Want to Draw on the Wall?" - Mel Bochner, The Minimal Unconscious - James Meyer, and To Make an Inner Time: A Conversation with Gabriel Orozco - Benjamin H.D. Buchloh, Carrie Lambert-Beatty, Megan Sullivan. A most handsome copy. 0-262-75280-8 Inventory Number: 021713 $ 25.00  order/inquire     (OCTOBER). Krauss, Rosalind, Annette Michelson, George Baker, Yve-Alain Bois, Benjamin H.D. Buchloh, Leah Dickerman, Hal Foster, Denis Hollier, David Joselit, Carrie Lambert-Beatty, Mignon Nixon, Malcolm Turvey & Adam Lehnner, Editors. OCTOBER 131: ART/ THEORY/ CRITICISM/ POLITICS - WINTER 2010. Cambridge, MA: MIT Press Journals, 2010. First Edition. 8vo. Printed Wrappers. Journal. Fine. 154pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: Hiroshima After Iraq: A Study in Art and War - Rosalyn Deutsche, Advertising, Rhythm, and the Filmic Avant-Garde in Weimar: Guido Seeber and Julius Pinschewer's Kipho Film - Michael Cowan, Cinema by Other Means - Pavle Levi, "Big, Middle-Class Modernism" - Richard Meyer, and Leather and Lace - George Baker. A most handsome copy. 0-262-75281-6 Inventory Number: 021215 $ 25.00  order/inquire     (OCTOBER). Krauss, Rosalind, Annette Michelson, George Baker, Yve-Alain Bois, Benjamin H.D. Buchloh, Leah Dickerman, Hal Foster, Denis Hollier, David Joselit, Carrie Lambert-Beatty, Mignon Nixon, Malcolm Turvey & Adam Lehnner, Editors. OCTOBER 132: ART/ THEORY/ CRITICISM/ POLITICS - SPRING 2010: ANDY WARHOL - A SPECIAL ISSUE. Cambridge, MA: MIT Press Journals, 2010. First Edition. 8vo. Printed Wrappers. Journal. Fine. 170pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this special Benjamin H.D. Buchloh-edited thematic issue devoted to Andy Warhol include: Introduction - Benjamin H.D. Buchloh, Spacious - Douglas Crimp, Warhol's Subject? A Response to Douglas Crimp - Ewa Lajer-Burcharth, Test Subjects - Hal Foster, "That Screen Magnetism": Warhol's Glamour - Brigitte Weingart, Like: Collecting and Collectivity - Jonathan Flatley, When Life Goes to Work: Andy Warhol - Isabelle Graw, 1962 - Branden W. Joseph, and Wonder Waif Meets Super Neuter - Catherine Lord. A most handsome copy. 0-262-75282-4 Inventory Number: 020223 $ 25.00  order/inquire     (OCTOBER). Krauss, Rosalind, Douglas Crimp & Annette Michelson, Editors. OCTOBER 14: ART/ THEORY/ CRITICISM/ POLITICS - FALL 1980. Cambridge, MA & New York: MIT Press for the Institute for Architecture and Urban Studies, 1980. First Edition. 8vo. Printed Wrappers. Journal. Very Good. 120pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: An Introduction to the Notebook of Maya Deren, 1947 - Catrina Neiman; An Exchange of Letters - Maya Deren and Gregory Bateson; From the Notebook of 1947 - Maya Deren; On Reading Deren's Notebook - Annette Michelson; Letters from Mexico - Sergei Eisenstein; Bayreuth: The Centennial Ring - Annette Michelson; Chereau's Treachery - Jean-Jacques Nattiez; A Conversation - Pierre Boulez and Michel Fano. A handsome copy showing some light wear and soiling to the covers. ISSN 0162-2870 Inventory Number: 019764 $ 45.00  order/inquire     (OCTOBER). Krauss, Rosalind, Douglas Crimp & Annette Michelson, Editors. OCTOBER 14: ART/ THEORY/ CRITICISM/ POLITICS - FALL 1980. Cambridge, MA & New York: MIT Press for the Institute for Architecture and Urban Studies, 1980. First Edition. 8vo. Printed Wrappers. Journal. Good. 120pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: An Introduction to the Notebook of Maya Deren, 1947 - Catrina Neiman; An Exchange of Letters - Maya Deren and Gregory Bateson; From the Notebook of 1947 - Maya Deren; On Reading Deren's Notebook - Annette Michelson; Letters from Mexico - Sergei Eisenstein; Bayreuth: The Centennial Ring - Annette Michelson; Chereau's Treachery - Jean-Jacques Nattiez; A Conversation - Pierre Boulez and Michel Fano. A most presentable copy showing some light overall wear and soiling, a slight dent through the lower foredge tip of the textblock, and a diagonal cut that has removed the upper foredge tip of the front cover. It has been priced accordingly. ISSN 0162-2870 Inventory Number: 021682 $ 30.00  order/inquire     (OCTOBER). Krauss, Rosalind, Douglas Crimp & Annette Michelson, Editors. OCTOBER 14: ART/ THEORY/ CRITICISM/ POLITICS - FALL 1980. Cambridge, MA & New York: MIT Press for the Institute for Architecture and Urban Studies, 1980. First Edition. 8vo. Printed Wrappers. Journal. Good. 120pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: An Introduction to the Notebook of Maya Deren, 1947 - Catrina Neiman; An Exchange of Letters - Maya Deren and Gregory Bateson; From the Notebook of 1947 - Maya Deren; On Reading Deren's Notebook - Annette Michelson; Letters from Mexico - Sergei Eisenstein; Bayreuth: The Centennial Ring - Annette Michelson; Chereau's Treachery - Jean-Jacques Nattiez; A Conversation - Pierre Boulez and Michel Fano. A presentable copy only showing light overall wear and handling, some light foxing to the front and rear covers, and a diagonal soft crease through the lower foredge corner of the front cover. It has been priced accordingly. ISSN 0162-2870 Inventory Number: 018041 $ 25.00  order/inquire     (OCTOBER). Krauss, Rosalind, Annette Michelson, George Baker, Yve-Alain Bois, Benjamin H.D. Buchloh, Leah Dickerman, Devin Fore, Hal Foster, Denis Hollier, David Joselit, Carrie Lambert-Beatty, Mignon Nixon, Malcolm Turvey & Adam Lehner, Editors. OCTOBER 142: ART/ THEORY/ CRITICISM/ POLITICS - FALL 2012: OCCUPY WALL STREET. Cambridge, MA: MIT Press Journals, 2012. First Edition. 8vo. Printed Wrappers. Journal. As New. 168pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: Anatomic Explosion on Wall Street (Yayoi Kusama) - Mignon Nixon; Introduction - David Joselit and Carrie Lambert-Beatty; Alternative Economies Working Group; Occupy Response - Doug Ashford, Thomas Beard, Julia Bryan-Wilson, Paul Chan, Rosalyn Deutsche, Tidal, Coco Fusco, Jaleh Mansoor, Daniel Marcus, Daniel Spaulding, Yates McKee, Ariana Reines, Jackie Wang, Lara Weibgen, Martha Rosler, Andrew Ross, Martha Schwendener, and Gregory Sholette; Roundtable: The Social Artwork (with Matthew Friday, David Joselit and Silvia Kolbowski); Occupy Derivatives!/Politics "smallest p" - Emily Apter; Memory as Site in New Orleans and Beyond - Eva Diaz; Anabasis - Homay King; Unknown Knowns: Jenny Holzer's Redaction Paintings and the History of the War on Terror - Robert Bailey. A most handsome copy. ISSN 0162-2870 Inventory Number: 021688 $ 25.00  order/inquire     (OCTOBER). Krauss, Rosalind, Douglas Crimp, Annette Michelson & Sarah Clark-Langager, Editors. OCTOBER 15: ART/ THEORY/ CRITICISM/ POLITICS - WINTER 1980. Cambridge, MA: MIT Press for the Institute for Architecture and Urban Studies, 1980. First Edition. 8vo. Printed Wrappers. Journal. Good. 110pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: Film Review from Sur - Jorge Luis Borges; Reading Delacroix's Journal - Hubert Damisch; Nebula, The Powdered Sugar Princess - Joseph Cornell; Silently, by Means of a Flashing Light - Thomas Lawson; The New Adventures of the Avant-Garde in America - Serge Guilbaut; The Significance of Literature: The Importance of Being Earnest - Joel Fineman; The Photographic Activity of Postmodernism - Douglas Crimp; Jump over the Bauhaus - Rosalind Krauss. A most presentable copy showing some light overall wear and soiling, a slight dent through the lower foredge tip of the textblock, and a diagonal cut that has removed the upper foredge tip of the front cover. It has been priced accordingly. ISSN 0162-2879 Inventory Number: 021681 $ 35.00  order/inquire     (OCTOBER). Krauss, Rosalind, Douglas Crimp & Annette Michelson, Editors. OCTOBER 16: ART/ THEORY/ CRITICISM/ POLITICS - SPRING 1981: ART WORLD FOLLIES: A SPECIAL ISSUE. Cambridge, MA & New York: MIT Press for the Institute for Architecture and Urban Studies, 1981. First Edition. 8vo. Printed Wrappers. Journal. Good -. 128pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this special thematic issue devoted to "Art World Follies" include: In the Name of Picasso - Rosalind Krauss; The Holy Alliance: Populism and Feminism - Clara Weyergraf; Art and Authoritarianism: Walter De Maria's Lightning Field - John Beardsley; Figures of Authority, Ciphers of Regression - Benjamin H.D. Buchloh; The End of Painting - Douglas Crimp; American Art at Mid-Century: The Sandwiches of the Artist - E.A. Carmean; Photophilia: A conversation about the Photography Scene - Abigail Solomon-Godeau and Ben Lifson; The Prospect Before Us - Annette Michelson. A presentable copy only showing some light overall wear and handling as well as coffee stains and diagonal cuts that remove both the tips of the foredge corners of the front cover. It has been priced accordingly. ISSN 0162-2879 Inventory Number: 021680 $ 30.00  order/inquire     (OCTOBER). Copjec, Joan, Douglas Crimp, Rosalind Krauss & Annette Michelson, Editors. OCTOBER 18: ART/ THEORY/ CRITICISM/ POLITICS - FALL 1981. Cambridge, MA & New York: MIT Press for the Institute for Architecture and Urban Studies, 1981. First Edition. 8vo. Printed Wrappers. Journal. Very Good. 112pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: Nausea and Noesis: Some Philosophical Problems for Sartre - Arthur C. Danto; Flavit et Dissipati Sunt - Joan Copjec; Roland Barthes and the Moving Image - Dana B. Polan; The Originality of the Avant-Garde: A Postmodernist Repetition - Rosalind Krauss; Richard Serra: Sculpture Exceeded - Douglas Crimp; How Should Acconci Account for US? - Stephen Melville; A Photographer in Jerusalem, 1855: Auguste Salzmann and his Times - Abigail Solomon Godeau. A handsome copy showing light overall wear and soiling. ISSN 0162-2879 Inventory Number: 021679 $ 40.00  order/inquire     (OCTOBER). Copjec, Joan, Douglas Crimp, Rosalind Krauss & Annette Michelson, Editors. OCTOBER 19: ART/ THEORY/ CRITICISM/ POLITICS - WINTER 1981. Cambridge, MA & New York: MIT Press for the Institute for Architecture and Urban Studies, 1981. First Edition. 8vo. Printed Wrappers. Journal. Good -. 122pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: The Photographic Conditions of Surrealism - Rosalind Krauss; New Translations of Flowers of Evil - Richard Howard; Velazquez' Las Meninas - Leo Steinberg; Notes on the Reemergence of Allegory, the Forgetting of Modernism, the Necessity of Rhetoric, and the Conditions of Publicity in Art and Criticism - Stephen Melville; Rymans' Tact - Yve-Alain Bois; The New French Culture: An Interview with Guy Hocquenghem - Douglas Crimp. An internally handsome copy showing a series of pinhole-sized indentations across the front cover along with a dent running through the textblock at the upper foredge corner. It has been priced accordingly. ISSN 0162-2879 Inventory Number: 021678 $ 50.00  order/inquire     (OCTOBER). Copjec, Joan, Douglas Crimp, Rosalind Krauss & Annette Michelson, Editors. OCTOBER 22: ART/ THEORY/ CRITICISM/ POLITICS - FALL 1982. Cambridge, MA & New York: MIT Press for the Institute for Architecture and Urban Studies, 1982. First Edition. 8vo. Printed Wrappers. Journal. Near Fine. 138pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: De Stijl, Its Other Face: Abstraction and Cacophony, or What Was the Matter with Hegel? - Annette Michelson; The Judgment Seat of Photography - Christopher Phillips; The De-Politicization of Gustave Courbet: Transformation and Rehabilitation under the Third Republic - Linda Nochlin; Alienating Alienation: Fredric Jameson's Revisionary Romance - Perry Meisel; When Words Fail Rosalind Krauss; Documenta 7: A Dictionary of Received Ideas - Benjamin H.D. Buchloh. A most handsome copy. ISSN 0162-2870 Inventory Number: 018146 $ 50.00  order/inquire     (OCTOBER). Copjec, Joan, Douglas Crimp, Rosalind Krauss & Annette Michelson, Editors. OCTOBER 23: ART/ THEORY/ CRITICISM/ POLITICS - WINTER 1982: FILM BOOKS - A SPECIAL ISSUE. Cambridge, MA & New York: MIT Press for the Institute for Architecture and Urban Studies, 1982. First Edition. 8vo. Printed Wrappers. Journal. Fine. 166pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this special thematic issue devoted to film books include: Philosophy and/as Film and/as if Philosophy - Arthur C. Danto; Reading Hitchcock - Fredric Jameson; The Anxiety of the Influencing Machine - Joan Copjec; Documenting the Left - Stuart Liebman; The Formalist's Dreyer - Nick Browne; Address to the Heathen - Noël Carroll. A most handsome copy. 0-262-76013-4 Inventory Number: 021677 $ 40.00  order/inquire     (OCTOBER). Copjec, Joan, Douglas Crimp, Rosalind Krauss & Annette Michelson, Editors. OCTOBER 26: ART/ THEORY/ CRITICISM/ POLITICS - FALL 1983. Cambridge, MA & New York: MIT Press for the Institute for Architecture and Urban Studies, 1983. First Edition. 8vo. Printed Wrappers. Journal. Fine. 120pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: Arrangements of Pictures - Louise Lawler; The Dodecadedale, or In Praise of Heuristics - Pierre Rosenstiehl; Writer, Artisan, Narrator - Yves-Alain Bois; A Mnemonic Art?: Calotype Aesthetics at Princeton - Christopher Phillips; Le Pere Noel - Stephen Heath. A most handsome copy. 0-262-7517-63 Inventory Number: 021676 $ 60.00  order/inquire     (OCTOBER). Copjec, Joan, Douglas Crimp, Rosalind Krauss & Annette Michelson, Editors. OCTOBER 29: ART/ THEORY/ CRITICISM/ POLITICS - SUMMER 1984. Cambridge, MA & New York: MIT Press for the Institute for Architecture and Urban Studies, 1984. First Edition. 8vo. Printed Wrappers. Journal. Fine. 120pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: On the Eve of the Future: The Reasonable Facsimile and the Philosophical Toy - Annette Michelson; Cinematographic Views - Georges Melies; A Picturesque Stroll around Clara-Clara - Yve-Alain Bois; The Index of the Absent Wound (Monograph on a Stain) - Georges Didi-Huberman; Interview with Jonas Mekas - Scott MacDonald; On First Hearing about Hermeneutics - Joseph Rykwert. A most handsome copy. 0-262-75179-8 Inventory Number: 021675 $ 40.00  order/inquire     (OCTOBER). Copjec, Joan, Douglas Crimp, Rosalind Krauss & Annette Michelson, Editors. OCTOBER 30: ART/ THEORY/ CRITICISM/ POLITICS - FALL 1984. Cambridge, MA & New York: MIT Press for the Institute for Architecture and Urban Studies, 1984. First Edition. 8vo. Printed Wrappers. Journal. Fine. 132pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: Broadness and Diversity of the Ludwig Brigade - Hans Haacke; An Unpublished Text for an Unpainted Picture - Walter Grasskamp; A Conversation With Hans Haacke - Yve-Alain Bois, Douglas Crimp & Rosalind Krauss; From Faktura to Factography - Benjamin H.D. Buchloh; Francis Picabia: From Dada to Petain - Yve-Alain Bois. A most handsome copy. 0-262-75180-1 Inventory Number: 021674 $ 40.00  order/inquire     (OCTOBER). Copjec, Joan, Rosalind Krauss, Annette Michelson & Martha Buskirk, Editors. OCTOBER 33: ART/ THEORY/ CRITICISM/ POLITICS - SUMMER 1985. Cambridge, MA: MIT Press Journals, 1985. First Edition. 8vo. Printed Wrappers. Journal. Fair. 120pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: Michel Foucault - Erotics, Rosalind Krauss - Corpus Delicti; Denis Hollier - Bataille's Tomb: A Halloween Story; Jane Gallop - Annie Leclerc Writing a Letter, With Vermeer. A presentable copy only from the library of the late R.B. Kitaj showing light overall wear and soiling as well as underlining in both pencil and ink in the artist's hand throughout. It has been priced accordingly. 0-262-75183-6 Inventory Number: 021673 $ 15.00  order/inquire     (OCTOBER). Copjec, Joan, Douglas Crimp, Rosalind Krauss, Annette Michelson & Christopher Phillips, Editors. OCTOBER 34: ART/ THEORY/ CRITICISM/ POLITICS - FALL 1985. Cambridge, MA: MIT Press Journals, 1985. First Edition. 8vo. Printed Wrappers. Journal. Good +. 120pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: On Poetry and Trans-Sense Language - Viktor Shklovsky; Chapters from an Artist's Autobiography - Kazimir Malevich; The "Primitive" Unconscious of Modern Art - Hal Foster; Sly Civility - Homi K. Bhabha; Photography and Fetish - Christian Metz; An Interview with Bill Viola - Raymond Bellour. A most presentable copy showing some light overall soiling and handling along with two diagonal soft creases to the covers. It has been priced accordingly. 0-262-75184-4 Inventory Number: 021672 $ 35.00  order/inquire     (OCTOBER) (BENJAMIN, WALTER). Copjec, Joan, Douglas Crimp, Rosalind Krauss, Annette Michelson & Gary Smith, Editors. OCTOBER 35: ART/ THEORY/ CRITICISM/ POLITICS - WINTER 1985: MOSCOW DIARY BY WALTER BENJAMIN. Cambridge, MA: MIT Press Journals, 1985. First Edition. 8vo. Printed Wrappers. Journal. Near Fine. 146pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this special thematic issue devoted to Walter Benjamin's "Moscow Diary" include: Preface - Gershom Scholem; Moscow Diary, Russian Toys, Letters - Walter Benjamin; Afterword - Gary Smith. A most handsome copy. 0-262-75185-2 Inventory Number: 021671 $ 35.00  order/inquire     (OCTOBER). Copjec, Joan, Douglas Crimp, Rosalind Krauss & Annette Michelson, Editors. OCTOBER 37: ART/ THEORY/ CRITICISM/ POLITICS - SUMMER 1986. Cambridge, MA: MIT Press Journals, 1986. First Edition. 8vo. Printed Wrappers. Journal. Near Fine. 140pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: In Praise of Horizontality - Annette Michelson; The Religion of the Caves, The Hands of Gargas - Andre Leroi-Gourhan; Originality as Repetition - Rosalind Krauss; The Primary Colors for the Second Time - Benjamin H.D. Buchloh; Ready-Made Originals - Molly Nesbit; Repetition, Obsession - Steven Z. Levine; The Origin without an Original - Linda Nochlin; Antiquity Now - Michael Fried; In Praise of Appearance - Louis Marin; Manet's Imagery Reconstructed - Klaus Herding; Painting as Model - Yve-Alain Bois. A most handsome copy. 0-262-75187-9 Inventory Number: 018280 $ 50.00  order/inquire     (OCTOBER). Copjec, Joan, Douglas Crimp, Rosalind Krauss, Annette Michelson & Timothy Landers, Editors. OCTOBER 38: ART/ THEORY/ CRITICISM/ POLITICS - FALL 1986. Cambridge, MA: MIT Press Journals, 1986. First Edition. 8vo. Printed Wrappers. Journal. Near Fine. 130pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: Public Projections - Krzysztof Wodiczko; A Conversation with Krzysztof Wodiczko - Douglas Crimp, Rosalyn Deutsche, and Ewa Lajer-Burcharth; Foksal Gallery Documents - Wieslaw Borowski, Hanna Ptaszkowska, Mariusz Tchorek, and Andrzej Turowski; Krzysztof Wodiczko's Homeless Projection and the Site of Urban "Revitalization" - Rosalyn Deutsche; Hitchcock - Slavoj Zizek; Kinematography and the Analytic Text: A Reading of Persona - P. Adams Sitney. A most handsome copy showing a slight crease across the spine. 0-262-75188-7 Inventory Number: 021670 $ 45.00  order/inquire     (OCTOBER) (LACAN, JACQUES). Copjec, Joan, Douglas Crimp, Rosalind Krauss & Annette Michelson, Editors. OCTOBER 40: ART/ THEORY/ CRITICISM/ POLITICS - SPRING 1987: JACQUES LACAN: TELEVISION. Cambridge, MA: MIT Press Journals, 1987. First Edition. 8vo. Printed Wrappers. Journal. Very Good -. 134pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this special thematic issue devoted to Jacques Lacan and Television include: Prefatory Note - Jacques-Alain Miller; TELEVISION (PARTS I-VII) - Jacques Lacan (Translated by Denis Hollier, Rosalind Krauss, and Annette Michelson); Dossier on the Institutional Debate: An Introduction - Joan Copjec; Letter to Rudolph Loewenstein, Letter to Heinz Hartmann - Jacques Lacan; Report from the President, Dr. Heinz Hartmann - International Psychoanalytical Association; Letter to D.W. Winnicott - Jacques Lacan; Minute. The Study Group SFP - International Psychoanalytical Association; Introduction to the Names-of-the-Father Seminar, Founding Act, Responses to Students of Philosophy, Concerning the Object of Psychoanalysis, A Letter to Le Monde, Impromptu at Vincennes, Letter of Dissolution, The Other Is Missing - Jacques Lacan. A handsome copy showing some overall light soiling, handling and age-toning to the covers. It has been priced accordingly. 0-262-75188-7 Inventory Number: 021669 $ 40.00  order/inquire     (OCTOBER). Copjec, Joan, Douglas Crimp, Rosalind Krauss & Annette Michelson, Editors. OCTOBER 41: ART/ THEORY/ CRITICISM/ POLITICS - SUMMER 1987. Cambridge, MA: MIT Press Journals, 1987. First Edition. 8vo. Printed Wrappers. Journal. Very Good -. 118pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: Jeremy Bentham's Panoptic Device - Jacques-Alain Miller; Postmodern History at the Musee d'Orsay - Patricia Mainardi; Learn to Read, She Said - Ann Smock; Ramble City: Postmodernism and Blade Runner - Giuliana Bruno; An Interview with Steve Fagin - Peter Wollen; Gramophone, Film, Typewriter - Friedrich Kittler. A most presentable copy showing some light external wear and soiling along with some chipping to the wrappers at the crown of the spine. It has been priced accordingly. 0-262-75191-7 Inventory Number: 021668 $ 45.00  order/inquire     (BROODTHAERS, MARCEL) (OCTOBER). Copjec, Joan, Douglas Crimp, Rosalind Krauss, Annette Michelson & Benjamin H.D. Buchloh, Editors. OCTOBER 42: ART/ THEORY/ CRITICISM/ POLITICS - FALL 1987: BROODTHAERS - WRITINGS, INTERVIEWS, PHOTOGRAPHS - LIMITED HARDBOUND EDITION. Cambridge, MA: MIT Press Journals, 1987. First Edition. 8vo. Debossed Buckram. Artist Monograph. Fine/No Jacket - As Issued. 212pp, profusely illustrated in b&w. With a bibliography. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this special monographic issue devoted to Marcel Broodthaers include: Untitled Poem, Azure, Questions of Painting, Selections from Pense-Bete, Investigating Dreamland, Gare au defi: Pop Art, Jim Dine, and the Influence of Rene Magritte, To be bien pensant...or not to be. To be blind, An Interview by the Film Journal Trepied, Ten Thousand Francs Reward, A Portfolio of Photographs - Marcel Broodthaers; Look! Books in Plaster! - Dieter Schwarz; Open Letters, Industrial Poems - Benjamin H.D. Buchloh; The Exhibition at the MTL Gallery in Brussels - Anne Rorimer; The Figures - Dirk Snauwaert; Section des Figures: The Eagle from the Oligocene to the Present - Rainer Borgemeister; Eagle/Pipe/Urinal - Michael Oppitz; Recourse to the Letter - Birgit Pelzer; DÉCOR: A Conquest by Marcel Broodthaers - Marcel Broodthaers; Bibliography - Marie-Pascale Gildemyn. A most handsome copy of the exceedingly uncommon limited hardbound edition of this important document published with the assistance of the J. Paul Getty Trust. 0-262-02281-8 Inventory Number: 020748 $ 250.00  order/inquire     (OCTOBER). Copjec, Joan, Douglas Crimp, Rosalind Krauss, Annette Michelson & Terri Cafaro, Editors. OCTOBER 43: ART/ THEORY/ CRITICISM/ POLITICS - WINTER 1987: AIDS - CULTURAL ANALYSIS, CULTURAL ACTIVISM. Cambridge, MA: MIT Press Journals, 1987. First Edition. 8vo. Printed Wrappers. Journal. Very Good -. 272pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this special thematic issue devoted to AIDS and cultural activism include: AIDS: Cultural Analysis / Cultural Activism - Douglas Crimp; AIDS: Keywords - Jan Zita Grover; AIDS, Homophobia, and Biomedical Discourse: An Epidemic of Signification - Paula A. Treichler; The Spectacle of AIDS - Simon Watney; AIDS and Syphilis: the Iconography of Disease - Sander L. Gilman; Pictures of Sickness: Stuart Marshall's Bright Eyes - Martha Gever; The Second Epidemic - Amber Hollibaugh, Mitchell Karp, and Katy Taylor; Fighting the Victim Label - Max Navarre; PWA Coalition Portfolio; Needed (For Women and Children) - Suki Ports; Further Violations of Our Rights - Carol Leigh; Picture a Coalition - Gregg Bordowitz; Is the Rectum a Grave? - Leo Bersani; AIDS in the Two Berlins - John Borneman; How to Have Promiscuity in an Epidemic - Douglas Crimp. An internally most handsome copy showing some light overall soiling and handling along with a small diagonal soft crease to the front cover at the lower foredge corner. It has been priced accordingly. 0-262-75193-3 Inventory Number: 021667 $ 50.00  order/inquire     (OCTOBER). Copjec, Joan, Douglas Crimp, Rosalind Krauss, Annette Michelson & Terri L. Cafaro, Editors. OCTOBER 44: ART/ THEORY/ CRITICISM/ POLITICS - SPRING 1988. Cambridge, MA: MIT Press Journals, 1988. First Edition. 8vo. Printed Wrappers. Journal. Very Good -. 120pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: The Philosophical Brothel - Leo Steinberg; The Word of God: "I am dead" - Denis Hollier; Foucault's Art of Seeing - John Rajchman. A handsome copy showing some light overall wear and handling, a slight crease running along the top edge of the front cover, and a tiny ding to the lower foredge corner at the rear cover. It has been priced accordingly. 0-262-75194-1 Inventory Number: 021666 $ 35.00  order/inquire     (OCTOBER). Copjec, Joan, Douglas Crimp, Rosalind Krauss, Annette Michelson & Terri L. Cafaro, Editors. OCTOBER 44: ART/ THEORY/ CRITICISM/ POLITICS - SPRING 1988. Cambridge, MA: MIT Press Journals, 1988. First Edition. 8vo. Printed Wrappers. Journal. Good. 120pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: The Philosophical Brothel - Leo Steinberg; The Word of God: "I am dead" - Denis Hollier; Foucault's Art of Seeing - John Rajchman. A handsome copy from the library of the late R.B. Kitaj showing light overall wear and handling as well as some checkmarks and annotations in ink in the artist's distinctive hand throughout the Leo Steinberg contribution. It has been priced accordingly. 0-262-75194-1 Inventory Number: 018045 $ 25.00  order/inquire     (OCTOBER) (KLUGE, ALEXANDER). Copjec, Joan, Douglas Crimp, Rosalind Krauss, Annette Michelson, Terri Cafaro & Stuart Liebman, Editors. OCTOBER 46: ART/ THEORY/ CRITICISM/ POLITICS - FALL 1988: ALEXANDER KLUGE - THEORETICAL WRITINGS, STORIES, AND AN INTERVIEW. Cambridge, MA: MIT Press Journals, 1988. First Edition. 8vo. Printed Wrappers. Journal. Good +. 230pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this special thematic issue devoted to the work of noted East German filmmaker Alexander Kluge include: Why Kluge? & On New German Cinema, Art, Enlightenment, and the Public Sphere: An Interview with Alexander Kluge - Stuart Liebman; The Public Sphere and Experience: Selections - Oskar Negt and Alexander Kluge; Word and Film - Edgar Reitz, Alexander Kluge, and Wilfried Reinke; Why Should Film and Television Cooperate? & Selections from New Stories, Notebooks 1-18: "The Uncanniness of Time" - Alexander Kluge; An Analytic Storyteller in the Course of Time - Andreas Huyssen. A most presentable copy showing some creasing and chipping to the wrappers along the length of the spine. It has been priced accordingly. 0-262-75196-8 Inventory Number: 021664 $ 40.00  order/inquire     (OCTOBER). Copjec, Joan, Douglas Crimp, Rosalind Krauss & Annette Michelson, Editors. OCTOBER 47: ART/ THEORY/ CRITICISM/ POLITICS - SUMMER 1988. Cambridge, MA: MIT Press Journals, 1988. First Edition. 8vo. Printed Wrappers. Journal. Near Fine. 116pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: Uneven Development: Public Art in New York City - Rosalyn Deutsche; Homeless Vehicle Project - David V. Lurie, Krzysztof Wodiczko; Conversations about a Project for a Homeless Vehicle - Daniel, Krzystof, Oscar, and Victor; Walter Benjamin and the Theory of Art History - Thomas Y. Levin; Rigorous Study of Art - Walter Benjamin; The Garden of Scopic Perversion from Monet to Mirbeau - Emily Apter. A most handsome copy. 0-262-75197-6 Inventory Number: 018147 $ 35.00  order/inquire     (OCTOBER). Copjec, Joan, Douglas Crimp, Rosalind Krauss, Annette Michelson & Terri L. Cafaro, Editors. OCTOBER 48: ART/ THEORY/ CRITICISM/ POLITICS - SPRING 1989. Cambridge, MA: MIT Press Journals, 1989. First Edition. 8vo. Printed Wrappers. Journal. Good +. 120pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: Andy Warhol, or The Machine Perfected - Thierry de Duve; The Aesthetic Transformation of the Image of the Unimaginable - Gertrud Koch; Anselm Kiefer: The Terror of History, the Temptation of Myth - Andreas Huyssen; Fatal Attractions: Leni Riefenstahl's The Blue Light - Eric Rentschler; Contribution to Points of Reference 38/88 - Hans Haacke; The Monument is Invisible, the Sign Visible - Werner Fenz; A Note on Gerhard Richter's October 18, 1977 - Benjamin H. D. Buchloh. A handsome copy showing a slight dent through the textblock at the upper foredge corner. It has been priced accordingly. 0-262-75198-4 Inventory Number: 021663 $ 50.00  order/inquire     (OCTOBER). Copjec, Joan, Douglas Crimp, Rosalind Krauss, Annette Michelson & Terri L. Cafaro, Editors. OCTOBER 50: ART/ THEORY/ CRITICISM/ POLITICS - FALL 1989. Cambridge, MA: MIT Press Journals, 1989. First Edition. 8vo. Printed Wrappers. Journal. Good -. 117pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: The Body's Shadow Realm - Gertrud Koch; Looking Awry - Slavoj Zizek; The Sartorial Superego - Joan Copjec; Spectacle, Attention, Counter-Memory - Jonathan Crary; The Rock 'n' Roll Ghost - Andrew Ross. An internally most handsome copy showing a diagonal soft crease to the rear cover through the lower foredge corner and some chipping of the wrappers along the spine. It has been priced accordingly. 0-262-75200-X Inventory Number: 021662 $ 25.00  order/inquire     (OCTOBER). Copjec, Joan, Douglas Crimp, Rosalind Krauss, Annette Michelson & Terri L. Cafaro, Editors. OCTOBER 51: ART/ THEORY/ CRITICISM/ POLITICS - WINTER 1989. Cambridge, MA: MIT Press Journals, 1989. First Edition. 8vo. Printed Wrappers. Journal. Near Fine. 142pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: Mourning and Militancy - Douglas Crimp; Flaming Closets - Michael Moon; Kant with Sade - Jacques Lacan; From Breton to Dali: the Adventures of Automatism - Laurent Jenny; A Conversation with October - The V-Girls (Martha Baer, Erin Cramer, Jessica Chalmers, Andrea Fraser, Marianne Weems). A most handsome copy. 0-262-75201-8 Inventory Number: 021661 $ 40.00  order/inquire     (OCTOBER). Krauss, Rosalind, Annette Michelson, Joan Copjec, Yve-Alain Bois, Benjamin H.D. Buchloh, Hal Foster, Denis Hollier, John Rajchman, Homi Bhabha, Peter Wollen, Slavoj Zizek & Martha Buskirk, Editors. OCTOBER 58: ART/ THEORY/ CRITICISM/ POLITICS - FALL 1991: RENDERING THE REAL - A SPECIAL ISSUE. Cambridge, MA: MIT Press Journals, 1991. First Edition. 8vo. Printed Wrappers. Journal. Good. 144pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this special thematic issue guest-edited by Parveen Adams include: "I Shall be with You on Your Wedding Night": Lacan and the Uncanny - Mladen Dolar; Vampires, Breast Feeding and Anxiety - Joan Copjec; Grimaces of the Real, or When the Phallus Appears - Slavoj Zizek; Quiet Revolution... And Rigid Stagnation - Michael Chion; The Art of Analysis: Mary Kelly's Interim and the Discourse of the Analyst - Parveen Adams; Fetishism and Visual Seduction in Mary Kelly's Interim - Emily Apter; The Real Presence - Catherine Millot. An otherwise handsome copy showing a pronounced diagonal soft crease through the textblock near the crown of the spine. It has been priced accordingly. 0-262-75208-5 Inventory Number: 021660 $ 25.00  order/inquire     (OCTOBER). Krauss, Rosalind, Annette Michelson & Douglas Crimp, Editors. OCTOBER 6: ART/ THEORY/ CRITICISM/ POLITICS - FALL 1978. Cambridge, MA: MIT Press Journals, 1978. First Edition. 8vo. Printed Wrappers. Journal. Very Good -. 112pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: The U.S. Now: A Conversation - Julia Kristeva, Marcelin Pleynet and Philippe Sollers; The Agony of the French Left - Annette Michelson; ...but the clouds... - Samuel Beckett; The Loneliest Monologues: Beckett's Theatre in the Seventies - Tom Bishop; LeWitt in Progress - Rosalind Krauss; Society Against the State: The Fullness of the Primitive - Michael E. Brown; Robert Morris: Mirage, Reflection - Octavio Armand; Mind Over Matter - Hollis Frampton; Place Names - Julia Kristeva. A most presentable copy showing some light overall wear and soiling to the wrappers. ISSN 0162-2879 Inventory Number: 021687 $ 50.00  order/inquire     (OCTOBER). Krauss, Rosalind, Annette Michelson, Joan Copjec, Yve-Alain Bois, Benjamin H.D. Buchloh, Hal Foster, Denis Hollier, John Rajchman, Homi Bhabha, Slavoj Zizek & Martha Buskirk, Editors. OCTOBER 60: ART/ THEORY/ CRITICISM/ POLITICS - SPRING 1992. Cambridge, MA: MIT Press Journals, 1992. First Edition. 8vo. Printed Wrappers. Journal. Good +. 144pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: The Use Value of the Impossible - Denis Hollier; A Document Dossier: Essays by Georges Bataille, Carl Einstein, Marcel Griaule, Michel Leiris, Georges Limbour, Georges Monnet, Georges Ribemont-Dessaignes, Georges Henri Riviere and Andre Schaffer; "You Thrive on Mistaken Identity - Mignon Nixon; Commodification as Censor: Copyrights and Fair Use - Martha Buskirk; Streetwalking Around Plato's Cave - Giuliana Bruno. A most presentable copy showing some light overall wear and creasing to the covers along with slight dog-earing through the textblock at the lower foredge corner. It has been priced accordingly. 0-262-75210-7 Inventory Number: 021659 $ 32.50  order/inquire     (OCTOBER). Krauss, Rosalind, Annette Michelson, Joan Copjec, Yve-Alain Bois, Benjamin H.D. Buchloh, Hal Foster, Denis Hollier, John Rajchman, Homi Bhabha, Slavoj Zizek & Martha Buskirk, Editors. OCTOBER 61: ART/ THEORY/ CRITICISM/ POLITICS - SUMMER 1992: THE IDENTITY IN QUESTION - A SPECIAL ISSUE. Cambridge, MA: MIT Press Journals, 1992. First Edition. 8vo. Printed Wrappers. Journal. Very Good -. 136pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this special thematic issue include: John Rajchman, Joan Scott, Cornel West, Chantal Mouffe, Homi Bhabha, Jacques Ranciere, Andreas Huyssen, Ernesto Laclau, Stanley Aronowitz, and E.E. Smith. A most presentable copy showing some light overall wear and soiling to the covers along with slight dog-earing through the textblock at the lower foredge corner. It has been priced accordingly. 0-262-75211-5 Inventory Number: 021658 $ 40.00  order/inquire     (OCTOBER). Krauss, Rosalind, Annette Michelson, Yve-Alain Bois, Benjamin H.D. Buchloh, Hal Foster, Denis Hollier, Silvia Kolbowski, Mignon Nixon, Homi Bhabha & Melissa Mathis, Editors. OCTOBER 69: ART/ THEORY/ CRITICISM/ POLITICS - SUMMER 1994. Cambridge, MA: MIT Press Journals, 1994. First Edition. 8vo. Printed Wrappers. Journal. Near Fine. 144pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: Reception of the Sixties - Round Table (Rosalind Krauss, Denis Hollier, Annette Michelson, Silvia Kolbowski, Martha Buskirk, Benjamin Buchloh); In Defense of Abstract Expressionism - T.J. Clark; Another Hesse - Anne M. Wagner; Nostalgia of the Body - Lygia Clark; Surrealist Precipitates - Denis Hollier; Introduction to the Discourse on the Paucity of Reality - Andre Breton. A most handsome copy. 0-262-75219-0 Inventory Number: 021657 $ 40.00  order/inquire     (OCTOBER). Krauss, Rosalind, Annette Michelson & Douglas Crimp, Editors. OCTOBER 7: ART/ THEORY/ CRITICISM/ POLITICS - WINTER 1978: SOVIET REVOLUTIONARY CULTURE - A SPECIAL ISSUE. Cambridge, MA & New York: MIT Press for the Institute for Architecture and Urban Studies, 1978. First Edition. 8vo. Printed Wrappers. Journal. Very Good. 128pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this special thematic issue devoted to Soviet Revolutionary Culture include: A Specter and its Specter - Annette Michelson; Russian Diary 1927-28 - Alfred H. Barr, Jr.; Gogol-Meyerhold's The Inspector General - A.V. Lunacharsky; Discovering Meyerhold: Traces of a Search - Paul Schmidt; Vladimir Tatlin: Form / Faktura - Margit Rowell; The Factory of Facts and Other Writings - Dziga Vertov. A handsome copy showing some light overall soiling and age-toning along with a short surface abrasion to the front cover. ISSN 0162-2870 Inventory Number: 020237 $ 60.00  order/inquire     (OCTOBER). Krauss, Rosalind, Annette Michelson, Yve-Alain Bois, Benjamin H. D. Buchloh, Hal Foster, Denis Hollier, Silvia Kolbowski & Mignon Nixon, Editors. OCTOBER 74: ART/ THEORY/ CRITICISM/ POLITICS - FALL 1995. Cambridge, MA: MIT Press Journals, 1995. First Edition. 8vo. Printed Wrappers. Journal. Near Fine. 138pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: Excerpts from The Dutch Group Portrait - Alois Riegl; Postscript: Alois Riegl in the Presence of The Nightwatch - Benjamin Binstock; Haptical Cinema - Antonia Lant; Facturing Femininity: Manet's Before the Mirror - Carol Armstrong; Picasso's Endgame - Leo Steinberg; Dada by the Numbers - John Miller; Pater Nauman - Pamela M. Lee; Just Being Doesn't Amount to Anything (Some Themes in Bruce Nauman's Work) - Isabelle Graw. A most handsome copy. 0-262-75224-7 Inventory Number: 021656 $ 40.00  order/inquire     (OCTOBER). Krauss, Rosalind, Annette Michelson, Yve-Alain Bois, Benjamin H. D. Buchloh, Hal Foster, Denis Hollier, Silvia Kolbowski & Mignon Nixon, Editors. OCTOBER 75: ART/ THEORY/ CRITICISM/ POLITICS - WINTER 1996. Cambridge, MA: MIT Press Journals, 1996. First Edition. 8vo. Printed Wrappers. Journal. Fine. 133pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: Rodchenko in Paris - Christina Kiaer; Death in America - Hal Foster; Divided Memory and Post-Traditional Identity: Gerhard Richter's Work of Mourning - Benjamin H. D. Buchloh; Like the difference between Autumn/Winter '94/'95 and Spring/Summer '95 - Peter Eisenman and Silvia Kolbowski; On Uber Jazz: Replaying Adorno with the Grain - Harry Cooper. A most handsome copy. 0-262-75225-5 Inventory Number: 021655 $ 35.00  order/inquire     (OCTOBER). Krauss, Rosalind, Annette Michelson, Yve-Alain Bois, Benjamin H.D. Buchloh, Hal Foster, Denis Hollier, Silvia Kolbowski, Homi Bhabha & Melissa Mathis, Editors. OCTOBER 78: ART/ THEORY/ CRITICISM/ POLITICS - FALL 1996. Cambridge, MA: MIT Press Journals, 1996. First Edition. 8vo. Printed Wrappers. Journal. Very Good. 124pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: The Death of Paper: A Radio Play - Denis Hollier; Formless: A User's Guide, Excerpts To Introduce a User's Guide - Yve-Alain Bois; A User's Guide to Entropy - Yve-Alain Bois and Rosalind Krauss; Informe without Conclusion - Rosalind Krauss; Obscene, Abject, Traumatic - Hal Foster. A handsome copy. ISSN 0162-2870 Inventory Number: 013122 $ 25.00  order/inquire     (OCTOBER). Krauss, Rosalind, Annette Michelson & Douglas Crimp, Editors. OCTOBER 8: ART/ THEORY/ CRITICISM/ POLITICS - SPRING 1979 . Cambridge, MA & New York: MIT Press for the Institute for Architecture and Urban Studies, 1979. First Edition. 8vo. Printed Wrappers. Journal. Very Good. 128pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: Lecture in Inauguration of the Chair of Literary Semiology, College de France - Roland Barthes; Forms of Violence - Leo Bersani and Ulysse Dutoit; Sculpture in the Expanded Field - Rosalind Krauss; from Americans on the Move - Laurie Anderson; Stuart Sherman: Object Ritual - Berenice Reynaud; Pictures - Douglas Crimp; Seven Prolegomenae to a Brief Treatise on Magrittan Tropes - Jean Clair; About Snow - Annette Michelson. A handsome copy. ISSN 0162-2870 Inventory Number: 018145 $ 55.00  order/inquire     (OCTOBER). Krauss, Rosalind, Annette Michelson & Douglas Crimp, Editors. OCTOBER 8: ART/ THEORY/ CRITICISM/ POLITICS - SPRING 1979 . Cambridge, MA & New York: MIT Press for the Institute for Architecture and Urban Studies, 1979. First Edition. 8vo. Printed Wrappers. Journal. Good. 128pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: Lecture in Inauguration of the Chair of Literary Semiology, College de France - Roland Barthes; Forms of Violence - Leo Bersani and Ulysse Dutoit; Sculpture in the Expanded Field - Rosalind Krauss; from Americans on the Move - Laurie Anderson; Stuart Sherman: Object Ritual - Berenice Reynaud; Pictures - Douglas Crimp; Seven Prolegomenae to a Brief Treatise on Magrittan Tropes - Jean Clair; About Snow - Annette Michelson. A presentable copy showing some overall wear and soiling. It has been priced accordingly. ISSN 0162-2870 Inventory Number: 021686 $ 35.00  order/inquire     (OCTOBER). Krauss, Rosalind, Annette Michelson, Yve-Alain Bois, Benjamin H.D. Buchloh, Hal Foster, Denis Hollier, Silvia Kolbowski, Malcolm Turvey & Catherine de Zegher, Editors. OCTOBER 84: ART/ THEORY/ CRITICISM/ POLITICS - SPRING 1998. Cambridge, MA: MIT Press Journals, 1998. First Edition. 8vo. Printed Wrappers. Journal. Very Good. 144pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: The MoMA Expansion: A Conversation with Terence Riley - Hal Foster, Denis Hollier, Silvia Kolbowski and Rosalind Krauss; Cezanne: Words and Deeds - Yve-Alain Bois; Arche-tectures: Matisse and the End of (Art) History - Alastair Wright; Figures of the Pseudorevolution - Brigid Doherty; In the Laboratory of Constructivism: Karl Ioganson's Cold Structures - Maria Gough; and Mondrian, Hegel, Boogie - Harry Cooper. A handsome copy showing some slight wear to the covers along with a slight dent to the crown of the spine. It has been priced accordingly ISSN 0162-2870 Inventory Number: 021654 $ 25.00  order/inquire     (OCTOBER). Krauss, Rosalind, Annette Michelson & Douglas Crimp, Editors. OCTOBER 9: ART/ THEORY/ CRITICISM/ POLITICS - SUMMER 1979 . Cambridge, MA & New York: MIT Press for the Institute for Architecture and Urban Studies, 1979. First Edition. 8vo. Printed Wrappers. Journal. Fair. 128pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over twenty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: Jacques Derrida - The Parergon; Craig Owens - Detachment from the parergon; Rosalind Krauss - Grids; Louis Marin - The "I" as Autobiographical Eye: Reading Notes on a Few Pages of Stendahl's Life of Henry Brulard; Yvonne Rainer - Working Title: Journeys from Berlin / 1971; Hans Magnus Enzensberger - Civil Liberties and Repression in Germany Today. A serviceable copy only showing moderate rippling (but no sticking or tearing) to the covers and bottom edge of the textblock due to contact with moisture. It has been priced accordingly. ISSN 0162-2879 Inventory Number: 021685 $ 17.50  order/inquire     (OCTOBER). Krauss, Rosalind, Annette Michelson & Douglas Crimp, Editors. OCTOBER 9: ART/ THEORY/ CRITICISM/ POLITICS - SUMMER 1979 . Cambridge, MA & New York: MIT Press for the Institute for Architecture and Urban Studies, 1979. First Edition. 8vo. Printed Wrappers. Journal. Very Good. 128pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: Jacques Derrida - The Parergon; Craig Owens - Detachment from the parergon; Rosalind Krauss - Grids; Louis Marin - The "I" as Autobiographical Eye: Reading Notes on a Few Pages of Stendahl's Life of Henry Brulard; Yvonne Rainer - Working Title: Journeys from Berlin / 1971; Hans Magnus Enzensberger - Civil Liberties and Repression in Germany Today. A most presentable copy showing some light overall soiling and handling. ISSN 0162-2870 Inventory Number: 015014 $ 55.00  order/inquire     (OCTOBER). Krauss, Rosalind, Annette Michelson, Yve-Alain Bois, Benjamin H. D. Buchloh, Hal Foster, Denis Hollier, Silvia Kolbowski & Malcolm Turvey, Editors. OCTOBER 90: ART/ THEORY/ CRITICISM/ POLITICS - FALL 1999. Cambridge, MA: MIT Press Journals, 1999. First Edition. 8vo. Printed Wrappers. Journal. Very Good. 135pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: Hollywood Extras: One Tradition of 'Avant-Garde' Film in Los Angeles - David E. James; Notes on the Images of the Camps - Nicolas Losson; Documentary Journey to the Land of the Head Shrinkers - Jean-Louis Comolli; Kawara On Kawara - Kathryn Chiong; Dissociated Objects: The Statements/Sculptures of Lawrence Weiner - Birgit Pelzer; Elemental Forces, Elemental Dispositions: fire/water - Dara Birnbaum. A handsome copy showing a slight crimp to the lower foredge. It has been priced accordingly. ISSN 0162-2870 Inventory Number: 021653 $ 25.00  order/inquire     (OCTOBER). Krauss, Rosalind, Annette Michelson, Yve-Alain Bois, Benjamin H.D. Buchloh, Hal Foster, Denis Hollier, Silvia Kolbowski & Carrie Lambert, Editors. OCTOBER 91: ART/ THEORY/ CRITICISM/ POLITICS - WINTER 2000. Cambridge, MA: MIT Press Journals, 2000. First Edition. 8vo. Printed Wrappers. Journal. Fine. 148pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: Round Table: Independence in the Cinema - Stuart Klawans, Annette Michelson, Richard Pena, James Schamus and Malcolm Turvey; Hantai, Villegle and the Dialectics of Painting's Dispersal - Benjamin H. D. Buchloh; Play-tactics of the Internationale Situationiste - Libero Andreotti; Performance, Video and the Rhetoric of Presence - Anne M. Wagner; Los Angeles Photographs 1976-78 - James Welling; From Clementina to Kasebier: The Photographic Attainment of the 'Lady Amateur' - Carol Armstrong; The Estates General of the Documentary Film - Annette Michelson. ISSN 0162-2870 Inventory Number: 021652 $ 30.00  order/inquire     (OCTOBER). Krauss, Rosalind, Annette Michelson, Yve-Alain Bois, Benjamin H.D. Buchloh, Hal Foster, Denis Hollier, Sylvia Kolbowski & Carrie Lambert, Editors. OCTOBER 92: ART/ THEORY/ CRITICISM/ POLITICS - SPRING 2000. Cambridge, MA: MIT Press Journals, 2000. First Edition. 8vo. Printed Wrappers. Journal. Fine. 168pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: "The Rock": William Kentridge's Drawings for Projection - Rosalind Krauss; Raymond Pettibon: Return to Disorder and Disfiguration - Benjamin H.D. Buchloh; an inadequate history of conceptual art - Silvia Kolbowski; House Work and Art Work - Helen Molesworth; Posing the Phallus - Mignon Nixon; An Art of Missing Parts -Hal Foster; Stops and Starts - Helen Molesworth. A most handsome copy. ISSN 0162-2870 Inventory Number: 021651 $ 30.00  order/inquire     (OCTOBER). Krauss, Rosalind, Annette Michelson, Yve-Alain Bois, Benjamin H.D. Buchloh, Hal Foster, Denis Hollier & Carrie Lambert, Editors. OCTOBER 93: ART/ THEORY/ CRITICISM/ POLITICS - SUMMER 2000 . Cambridge, MA: MIT Press Journals, 2000. First Edition. 8vo. Printed Wrappers. Journal. Fine. 153pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: Mea Culpa - Mary Kelly; Agriculture, Industry, and the Birth of the Photo-Essay in the Late Weimar Republic - Michael Jennings; The Art of the Day (1925) - Nikolai Tarabukin; Tarabukin, Spengler, and the Art of Production - Maria Gough; Portrait of the Artist as a Monkey-Hand - Paul Galvez; Camera Obscura: Socialist Realism in the Shadow of Photography - Leah Dickerman. A most handsome copy. ISSN 0162-2870 Inventory Number: 012280 $ 25.00  order/inquire     (OCTOBER). Krauss, Rosalind, Annette Michelson, Yve-Alain Bois, Benjamin H. D. Buchloh, Hal Foster, Denis Hollier & Carrie Lambert, Editors. OCTOBER 94: ART/ THEORY/ CRITICISM/ POLITICS - FALL 2000: THE INDEPENDENT GROUP - A SPECIAL ISSUE. Cambridge, MA: MIT Press Journals, 2000. First Edition. 8vo. Printed Wrappers. Journal. Fine. 128pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this special thematic issue devoted to Britain's Independent Group include: Friends of the Future: A Conversation with Peter Smithson - Beatriz Colomina; The Architectural Cult of Synchronization - Mark Wigley; The Future as Fetish - Julian Meyers; 'A Horror of Abstract Thought': Postwar Britain and Hamilton's 1951 Growth and Form Exhibition - Isabelle Moffat; Richard Hamilton's Tabular Image - William R. Kaizen. A most handsome copy. ISSN 0162-2870 Inventory Number: 021649 $ 25.00  order/inquire     (OCTOBER). Krauss, Rosalind, Annette Michelson, Yve-Alain Bois, Benjamin H. D. Buchloh, Hal Foster, Denis Hollier & Carrie Lambert, Editors. OCTOBER 94: ART/ THEORY/ CRITICISM/ POLITICS - FALL 2000: THE INDEPENDENT GROUP - A SPECIAL ISSUE. Cambridge, MA: MIT Press Journals, 2000. First Edition. 8vo. Printed Wrappers. Journal. Very Good. 128pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this special thematic issue devoted to Britain's Independent Group include: Friends of the Future: A Conversation with Peter Smithson - Beatriz Colomina; The Architectural Cult of Synchronization - Mark Wigley; The Future as Fetish - Julian Meyers; 'A Horror of Abstract Thought': Postwar Britain and Hamilton's 1951 Growth and Form Exhibition - Isabelle Moffat; Richard Hamilton's Tabular Image - William R. Kaizen. A most handsome copy showing a tiny crimp to the lower foredge corner along with some minor spotting to the front cover. It has been priced accordingly. ISSN 0162-2870 Inventory Number: 021650 $ 20.00  order/inquire     (OCTOBER). Krauss, Rosalind, Annette Michelson, Yve-Alain Bois, Benjamin H.D. Buchloh, Hal Foster, Denis Hollier, Mignon Nixon, Carrie Lambert & Catherine de Zegher, Editors. OCTOBER 95: ART/ THEORY/ CRITICISM/ POLITICS - WINTER 2001. Cambridge, MA: MIT Press Journals, 2001. First Edition. 8vo. Printed Wrappers. Journal. Near Fine. 130pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: 'A Duplication Containing Duplications': Robert Rauschenberg's Split Screens - Branden W. Joseph; 'We Want to Organicize Disintegration' - Jaleh Mansoor and Piero Manzoni; Post-Cagean Aesthetics and the 'Event' Score - Liz Kotz; Fugitive Signs - Craig Dworkin; Gray Zone: Watching Shoot - Frazer Ward. A most handsome copy. 0-262-75245-X Inventory Number: 007565 $ 25.00  order/inquire     (OCTOBER). Krauss, Rosalind, Annette Michelson, Yve-Alain Bois, Benjamin H.D. Buchloh, Hal Foster, Denis Hollier, Mignon Nixon & Carrie Lambert, Editors. OCTOBER 97: ART/ THEORY/ CRITICISM/ POLITICS - SUMMER 2001 . Cambridge, MA: MIT Press Journals, 2001. First Edition. 8vo. Printed Wrappers. Journal. Fine. 130pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: Blinded Insights: On the Modernist Reception of the Art of the Mentally Ill - Hal Foster; Tactile Translucence: Miró, Leiris, Einstein - Charles Palermo; The Artwork Caught by the Tail - George Baker; Duchamp's Labyrinth: First Papers of Surrealism, 1942 - T.J. Demos; Remarks on Some Tendencies of the "Vienna Group" - Oswald Wiener. A most handsome copy. 0-262-75245-X Inventory Number: 014994 $ 25.00  order/inquire     (OCTOBER). Krauss, Rosalind, Annette Michelson, Yve-Alain Bois, Benjamin H.D. Buchloh, Hal Foster, Denis Hollier, Mignon Nixon & Carrie Lambert, Editors. OCTOBER 97: ART/ THEORY/ CRITICISM/ POLITICS - SUMMER 2001. Cambridge, MA: MIT Press Journals, 2001. First Edition. 8vo. Printed Wrappers. Journal. Near Fine. 130pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: Blinded Insights: On the Modernist Reception of the Art of the Mentally Ill - Hal Foster; Tactile Translucence: Miro, Leiris, Einstein - Charles Palermo; The Artwork Caught by the Tail - George Baker; Duchamp's Labyrinth: First Papers of Surrealism, 1942 - T.J. Demos; Remarks on Some Tendencies of the "Vienna Group" - Oswald Wiener. An otherwise most handsome copy showing two lines of whited-out annotation on page fourteen. It has been priced accordingly 0-262-75245-X Inventory Number: 021648 $ 15.00  order/inquire     (OCTOBER). Krauss, Rosalind, Annette Michelson, George Baker, Yve-Alain Bois, Benjamin H.D. Buchloh, Hal Foster, Denis Hollier, Mignon Nixon, Lisa Pasquariello & Catherine de Zegher, Editors. OCTOBER 98: ART/ THEORY/ CRITICISM/ POLITICS - FALL 2001. Cambridge, MA: MIT Press Journals, 2001. First Edition. 8vo. Printed Wrappers. Journal. Near Fine. 111pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: Round Table: Tate Modern - Briony Fer, Antony Hudek, Mignon Nixon, Alex Potts and Julian Stallabrass; Bridget Riley's Eye/Body Problem - Pamela M. Lee; Filming Israel: A Conversation - Amos Gitai and Annette Michelson; Chabrol and the Execution of the Deed - Jean-Claude Polack and Annette Michelson; From Screen to Site: Television's Material Culture, and Its Place - Anna McCarthy. A handsome copy. 0-262-75248-4 Inventory Number: 007568 $ 25.00  order/inquire

 

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