OCTOBER

(OCTOBER). Krauss, Rosalind, Annette Michelson, George Baker, Yve-Alain Bois, Benjamin H.D. Buchloh, Leah Dickerman, Hal Foster, Denis Hollier, Mignon Nixon, Malcolm Turvey, Lisa Pasquariello & Catherine de Zegher, Editors. OCTOBER 103: ART/ THEORY/ CRITICISM/ POLITICS - WINTER 2003. Cambridge, MA: MIT Press Journals, 2003. First Edition. 8vo. Printed Wrappers. Journal. Near Fine. 103pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over twenty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include; An Allegory of Criticism - David Joselit; The Material of Film and the Idea of Cinema: Contrasting Practices in Sixties and Seventies Avant-Garde Film - Jonathan Walley; Solecisms of Sight: Specular Speculations - Robert Morris; Line Describing a Cone and Related Films - Anthony McCall; Other Voices for a Second Sight - Vito Acconci. A handsome copy. 0-262-75253-0 Inventory Number: 014992 $ 25.00  order/inquire     (OCTOBER). Krauss, Rosalind, Annette Michelson, George Baker, Yve-Alain Bois, Benjamin H.D. Buchloh, Leah Dickerman, Hal Foster, Denis Hollier, Mignon Nixon, Malcolm Turvey, Lisa Pasquariello & Catherine de Zegher, Editors. OCTOBER 104: ART/ THEORY/ CRITICISM/ POLITICS - SPRING 2003. Cambridge, MA: MIT Press Journals, 2003. First Edition. 8vo. Printed Wrappers. Journal. Fine. 162pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over twenty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include; Girl Love - Kaja Silverman; Reanimations (I) - George Baker; The Projected Image in Contemporary Art - Round Table featuring Malcolm Turvey, Hal Foster, Chrissie Iles, George Baker, Matthew Buckingham, Anthony McCall; The Revolutionary Energy of the Outmoded - Christian Thorne; Beauty and the Status of Contemporary Criticism - Suzanne Perling Hudson; The Jesse Helms Theory of Art - Richard Meyer; Eva Hesse Retrospective: A Note on Milieu - Mignon Nixon; Letters and Responses: Juan Ignacio Vidarte & Allan Sekula. A most handsome copy. 0-262-75254-9 Inventory Number: 014348 $ 25.00  order/inquire     (OCTOBER). Krauss, Rosalind, Annette Michelson, George Baker, Yve-Alain Bois, Benjamin H.D. Buchloh, Leah Dickerman, Hal Foster, Denis Hollier, Mignon Nixon, Malcolm Turvey & Catherine de Zegher, Editors. OCTOBER 106: ART/ THEORY/ CRITICISM/ POLITICS - FALL 2003. Cambridge, MA: MIT Press Journals, 2003. First Edition. 8vo. Printed Wrappers. Journal. Poor. (Incomplete) 150pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over twenty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include; Geometry/Labor = Volume/Mass? - Darcy Grimaldo Grigsby; A Conversation with Kenneth Frampton - Interview by Stan Allen and Hal Foster; Toward a Theory of the Architectural Program - Anthony Vidler; Involuntary Prisoners of Architecture - Felicity D. Scott; The Edge of Darkness: On W. G. Sebald - Mark M. Anderson; W. G. Sebald - Tacita Dean; Not Fade Away: The Face of German History in Michael Schmidt's Ein-heit - Michael Jennings. PLEASE NOTE: The text portion of this copy is Fine and complete, but it is entirely LACKING the front cover and spine. We have priced this example accordingly and are offering it for sale strictly "AS IS", with no returns. If you have any questions or concerns about these details, please voice them before purchasing this - we will be happy to answer any inquiry. 0-262-75256-5 Inventory Number: 018672 $ 10.00  order/inquire     (OCTOBER). Krauss, Rosalind, Annette Michelson, George Baker, Yve-Alain Bois, Benjamin H.D. Buchloh, Leah Dickerman, Hal Foster, Denis Hollier, Mignon Nixon, Malcolm Turvey, Catherine de Zegher & Lisa Pasquariello, Editors. OCTOBER 108: ART/ THEORY/ CRITICISM/ POLITICS - SPRING 2004. Cambridge, MA: MIT Press Journals, 2004. First Edition. 8vo. Printed Wrappers. Journal. Near Fine. 115pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over twenty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: On Two Paintings by Barnett Newman - Yve-Alain Bois; Barnett Newman's Stations and the Memory of the Holocaust - Mark Godfrey; Jean Fautrier's Jolies Juives - Rachel Perry; Of the Public Born: Raymond Hains and La France déchirée - Hannah Feldman; Eichmann in New York: The New York Intellectuals and the Hannah Arendt Controversy - Anson Rabinbach; Stan Brakhage (1933-2003) - Annette Michelson. A handsome copy. 0-262-75258-1 Inventory Number: 012415 $ 25.00  order/inquire     (OCTOBER). Krauss, Rosalind, Annette Michelson, George Baker, Yve-Alain Bois, Benjamin H.D. Buchloh, Leah Dickerman, Hal Foster, Denis Hollier, Mignon Nixon, Malcolm Turvey, Catherine de Zegher & Lisa Pasquariello, Editors. OCTOBER 109: ART/ THEORY/ CRITICISM/ POLITICS - SUMMER 2004. Cambridge, MA: MIT Press Journals, 2004. First Edition. 8vo. Printed Wrappers. Journal. Fine. 150pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over twenty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue featuring a special section on filmmaker Hollis Frampton include: Room-for-Play: Benjamin's Gamble with Cinema - Miriam Bratu ; They Might Be Giants: Carleton Watkins, Galen Clark, and the Big Tree - Elizabeth Hutchinson; The Invention Without a Future - Hollis Frampton; Words into Film: Toward a Genealogical Understanding of Hollis Frampton's Theory and Practice - Federico Windhausen; Hidden Noise: Strategies of Sound Montage in the Films of Hollis Frampton - Melissa Ragona; History and Ambivalence in Hollis Frampton's "Magellan" - Michael Zryd; The Music of His Music: Edward Said, 1936-2003 - Michael Wood. A most handsome copy. 0-262-75259-X Inventory Number: 012282 $ 25.00  order/inquire     (RUSCHA, EDWARD) (OCTOBER). Krauss, Rosalind, Annette Michelson, George Baker, Yve-Alain Bois, Benjamin H.D. Buchloh, Leah Dickerman, Hal Foster, Denis Hollier, Mignon Nixon, Malcolm Turvey & Lisa Pasquariello, Editors. OCTOBER 111: ART/ THEORY/ CRITICISM/ POLITICS - WINTER 2005: ED RUSCHA. Cambridge, MA: MIT Press Journals, 2005. First Edition. 8vo. Printed Wrappers. Journal. Fine. 144pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over twenty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this special issue devoted to Ed Ruscha include: Language Between Performance and Photography - Liz Kotz, "Second City": Ed Ruscha and the Reception of Los Angeles Pop - Alexandra Schwartz, Blue Collar Drawings 1992 - Ed Ruscha, Thermometers Should Last Forever - Yve-Alain Bois, Ed Ruscha and the Language That He Used - Lisa Pasquariello, "Something Else": Ed Ruscha's Photographic Books - Kevin Hatch, and Ed Ruscha's One-Way Street - Jaleh Mansoor. An most handsome copy . 0-262-75261-1 Inventory Number: 012667 $ 30.00  order/inquire     (RUSCHA, EDWARD) (OCTOBER). Krauss, Rosalind, Annette Michelson, George Baker, Yve-Alain Bois, Benjamin H.D. Buchloh, Leah Dickerman, Hal Foster, Denis Hollier, Mignon Nixon, Malcolm Turvey & Lisa Pasquariello, Editors. OCTOBER 111: ART/ THEORY/ CRITICISM/ POLITICS - WINTER 2005: ED RUSCHA. Cambridge, MA: MIT Press Journals, 2005. First Edition. 8vo. Printed Wrappers. Journal. Fair. 144pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over twenty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this special issue devoted to Ed Ruscha include: Language Between Performance and Photography - Liz Kotz, "Second City": Ed Ruscha and the Reception of Los Angeles Pop - Alexandra Schwartz, Blue Collar Drawings 1992 - Ed Ruscha, Thermometers Should Last Forever - Yve-Alain Bois, Ed Ruscha and the Language That He Used - Lisa Pasquariello, "Something Else": Ed Ruscha's Photographic Books - Kevin Hatch, and Ed Ruscha's One-Way Street - Jaleh Mansoor. An otherwise handsome copy showing a dent to the upper foredge corner that is also missing the right half of its front cover. It has been priced accordingly. 0-262-75261-1 Inventory Number: 017761 $ 12.50  order/inquire     (OCTOBER). Krauss, Rosalind, Annette Michelson, George Baker, Yve-Alain Bois, Benjamin H.D. Buchloh, Leah Dickerman, Hal Foster, Denis Hollier, Mignon Nixon, Malcolm Turvey & Lisa Pasquariello, Editors. OCTOBER 112: ART/ THEORY/ CRITICISM/ POLITICS - SPRING 2005. Cambridge, MA: MIT Press Journals, 2005. First Edition. 8vo. Printed Wrappers. Journal. Very Good. 138pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over twenty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: From The Neutral: Session of March 11, 1978 - Roland Barthes, Translated by Rosalind Krauss, Roland Barthes's Novel Antoine Compagnon, Translated by Rosalind Krauss, Notes (on the Index Card) - Denis Hollier, On Duchamp - Michel Leiris, Translated by Rosalind Krauss, Leiris / Nerval: A Few File Cards - Richard Sieburth, "These are not exercises in style": Le Chant du StyrΦne - Edward Dimendberg, Material Remains: Night and Fog - Emma Wilson, and Artists as Filmmakers in Los Angeles - David E. James. A handsome copy showing a slight dent to the crown of the spine. 0-262-75262-X Inventory Number: 019363 $ 25.00  order/inquire     (OCTOBER). Krauss, Rosalind, Annette Michelson, George Baker, Yve-Alain Bois, Benjamin H.D. Buchloh, Leah Dickerman, Hal Foster, Denis Hollier, Mignon Nixon, Malcolm Turvey & Lisa Pasquariello, Editors. OCTOBER 113: ART/ THEORY/ CRITICISM/ POLITICS - SUMMER 2005. Cambridge, MA: MIT Press Journals, 2005. First Edition. 8vo. Printed Wrappers. Journal. Fine. 134pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over twenty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: Introduction - Mignon Nixon, A Conversation with Juliet Mitchell - Tamar Garb & Mignon Nixon, Theory as an Object - Juliet Mitchell, On the Couch - Mignon Nixon, An Interview with Thomas Hirschhorn - Benjamin H. D. Buchloh, and Another Geometry: Gego's Reticulßrea, 1969-1982 - M≤nica Amor. A most handsome copy. 0-262-75263-8 Inventory Number: 013277 $ 25.00  order/inquire     (SNOW, MICHAEL) (OCTOBER). Krauss, Rosalind, Annette Michelson, George Baker, Yve-Alain Bois, Benjamin H.D. Buchloh, Leah Dickerman, Hal Foster, Denis Hollier, Mignon Nixon, Malcolm Turvey & Lisa Pasquariello, Editors. OCTOBER 114: ART/ THEORY/ CRITICISM/ POLITICS - FALL 2005. Cambridge, MA: MIT Press Journals, 2005. First Edition. 8vo. Printed Wrappers. Journal. Fine. 150pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over twenty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue that is heavily focused on Canadian filmaker/photographer/musician Michael Snow include: Touching to See - Jean Arnaud, Keaton and Snow - Erik Bullot, The Child in the Machine: On the Use of CGI in Michael Snow's Corpus Callosum - Malcolm Turvey, The Sound of Music: A Conversation with Michael Snow - Annette Michelson, The Art of Darkness: On Steve McQueen - T. J. Demos, Photography Found and Lost: On Tacita Dean's Floh - Mark Godfrey, and Photography's Expanded Field - George Baker. A most handsome copy. 0-262-75264-6 Inventory Number: 012636 $ 25.00  order/inquire     (BALAZS, BELA) (OCTOBER). Krauss, Rosalind, Annette Michelson, George Baker, Yve-Alain Bois, Benjamin H.D. Buchloh, Leah Dickerman, Hal Foster, Denis Hollier, Mignon Nixon, Malcolm Turvey & Lisa Pasquariello, Editors. OCTOBER 115: ART/ THEORY/ CRITICISM/ POLITICS - WINTER 2006. Cambridge, MA: MIT Press Journals, 2006. First Edition. 8vo. Printed Wrappers. Journal. Near Fine. 114pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over twenty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue that is heavily focused on the late Hungarian film theoretician Bela Balazs include: An Exchange on Afflicted Powers: Capital and Spectacle in a New Age of War - Retort, Terres Inconnues: Cartographies of a Landscape to Be Invented - Anthony Vidler, The Lessons of Guy Debord - Vincent Kaufmann, Guy Debord, or The Revolutionary Without a Halo - Tom McDonough, Selected Translations - Malcolm Turvey, Radio Drama - Bela Balazs, Wireless Chaos - Bela Balazs, Compulsive Cameramen - Bela Balazs, Chaplin, or The American Simpleton - Bela Balazs, Film Criticism! - Bela Balazs, On the Train at Night - Bela Balazs, On Foot - Bela Balazs, Space, Time, and "Rites de Passage": Bela Balazs' Paths to Film - Hanno Loewy, Balazs: Realist or Modernist? - Malcolm Turvey, Diary of a Buren Spectator - Silvia Kolbowski, Letters and Responses - Liam Gillick, and Letters and Responses - Claire Bishop Responds. A most handsome copy. 0-262-75265-4 Inventory Number: 018168 $ 25.00  order/inquire     (OCTOBER). Krauss, Rosalind, Annette Michelson, George Baker, Yve-Alain Bois, Benjamin H.D. Buchloh, Leah Dickerman, Hal Foster, Denis Hollier, Mignon Nixon, Malcolm Turvey & Lisa Pasquariello, Editors. OCTOBER 116: ART/ THEORY/ CRITICISM/ POLITICS - SPRING 2006. Cambridge, MA: MIT Press Journals, 2006. First Edition. 8vo. Printed Wrappers. Journal. Very Good. 126pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over twenty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: Notes on Love and Photography - Eduardo Cadava & Paola Cortes-Rocca, Paper Tigress - Yve-Alain Bois, Two Moments from the Post-Medium Condition - Rosalind Krauss, Dream Dust - Mignon Nixon, The Caves of Gallizio and Hirschhorn: Excavations of the Present - Frances Stracey, and Doctor Hypnison and the Case of Written Cinema - Pavle Levi. A handsome copy showing a slight dent to the lower foredge corner. 0-262-75266-2 Inventory Number: 013786 $ 25.00  order/inquire     (OCTOBER). Krauss, Rosalind, Annette Michelson, George Baker, Yve-Alain Bois, Benjamin H.D. Buchloh, Leah Dickerman, Hal Foster, Denis Hollier, Mignon Nixon, Malcolm Turvey & Lisa Pasquariello, Editors. OCTOBER 117: ART/ THEORY/ CRITICISM/ POLITICS - SUMMER 2006. Cambridge, MA: MIT Press Journals, 2006. First Edition. 8vo. Printed Wrappers. Journal. Fine. 126pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over twenty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: The Anthropology of Exit: Bataille on Heidegger and Fascism - Stefanos Geroulanos, Critique of Heidegger - Georges Bataille, Company - Daniel Heller-Roazen, The Gap and the Frame - Branden W. Joseph, How to Make Analogies in a Digital Age - Whitney Davis, and Suspicious Packages - Yates McKee. A most handsome copy. 0-262-75267-0 Inventory Number: 012639 $ 25.00  order/inquire     (OCTOBER). Krauss, Rosalind, Annette Michelson, George Baker, Yve-Alain Bois, Benjamin H.D. Buchloh, Leah Dickerman, Hal Foster, Denis Hollier, Mignon Nixon, Malcolm Turvey & Rachel Churner, Editors. OCTOBER 119: ART/ THEORY/ CRITICISM/ POLITICS - WINTER 2007. Cambridge, MA: MIT Press Journals, 2007. First Edition. 8vo. Printed Wrappers. Journal. Fine. 160pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over twenty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: Editor's Note - Mignon Nixon, o + x - Mignon Nixon, Eva Hesse and Color - Briony Fer, No Exit: Video and the Readymade - David Joselit, Jean Dubuffet: The Butterfly Man - Sarah K. Rich, Klein's Relevance for Today - Yve-Alain Bois, "Frank Stella is a Constructivist" - Maria Gough, Robert Ryman's Pragmatism - Suzanne Hudson, and October Portfolio Three - Sophie Calle, Tacita Dean, Renée Green, Gabriel Orozco, Andrea Robbins, Max Becher, Martha Rosler. A most handsome copy. 0-262-75269-7 Inventory Number: 012641 $ 25.00  order/inquire     (OCTOBER). Krauss, Rosalind, Annette Michelson, George Baker, Yve-Alain Bois, Benjamin H.D. Buchloh, Leah Dickerman, Hal Foster, Denis Hollier, Mignon Nixon, Malcolm Turvey & Rachel Churner, Editors. OCTOBER 120: ART/ THEORY/ CRITICISM/ POLITICS - WINTER 2007. Cambridge, MA: MIT Press Journals, 2007. First Edition. 8vo. Printed Wrappers. Journal. Fine. 192pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over twenty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: Quai Branly in Process - James Clifford, Place: A Constructed Abstract Situation in the Urban Cultural Continuum of the 1960s - Eric De Chassey, Nauman's Body of Sculpture - Anne M. Wagner, Perpetually Out of Place: Michael Asher and Jean-Antoine Houdon at the Art Institute of Chicago - Jennifer King, Skulptur Projekte in Munster: Excerpts from Correspondence 1976-1997 - Michael Asher, The Other Side of the Wall - George Baker, sculpture in a constricted space - Tom Burr, The Artist as Historian - Mark Godfrey, Muhheakantuck: Everything Has a Name - Matthew Buckingham, and Index: Numbers 113-120 (Summer 2005-Spring 2007). A most handsome copy. 0-262-75270-0 Inventory Number: 015827 $ 25.00  order/inquire     (OCTOBER). Krauss, Rosalind, Annette Michelson, George Baker, Yve-Alain Bois, Benjamin H.D. Buchloh, Leah Dickerman, Hal Foster, Denis Hollier, Mignon Nixon, Malcolm Turvey & Rachel Churner, Editors. OCTOBER 121: ART/ THEORY/ CRITICISM/ POLITICS - SUMMER 2007: NEW VERTOV STUDIES. Cambridge, MA: MIT Press Journals, 2007. First Edition. 8vo. Printed Wrappers. Journal. Fine. 120pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over twenty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: Introduction - Malcolm Turvey , Vertov: Between the Organism and the Machine - Malcolm Turvey, Across One Sixth of the World: Dziga Vertov, Travel Cinema, and Soviet Patriotism - Oksana Sarkisova, Film Energy: Process and Metanarrative in Dziga Vertov's The Eleventh Year (1928) - John MacKay, "Our Eyes, Spinning Like Propellers": Wheel of Life, Curve of Velocities, and Dziga Vertov's "Theory of the Interval" - Simon Cook, Turning Objects, Toppled Pictures: Give and Take between Vertov's Films and Constructivist Art - Yuri Tsivian, LeWitt's Ark - Rosalind Krauss, and Letter of Correction. A most handsome copy. 0-262-75271-9 Inventory Number: 014988 $ 25.00  order/inquire     (OCTOBER). Krauss, Rosalind, Annette Michelson, George Baker, Yve-Alain Bois, Benjamin H.D. Buchloh, Leah Dickerman, Hal Foster, Denis Hollier, Mignon Nixon, Malcolm Turvey & Rachel Churner, Editors. OCTOBER 122: ART/ THEORY/ CRITICISM/ POLITICS - FALL 2007. Cambridge, MA: MIT Press Journals, 2007. First Edition. 8vo. Printed Wrappers. Journal. Fine. 132pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over twenty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: Spero's Curses - Mignon Nixon, Dorothea Rockburne: Intersection - Anna Lovatt, Make Life Beautiful! The Diabolic in the Work of Isa Genzken (A Tour through Berlin, Paris, and New York) - Lisa Lee, What's in a Face? Blankness and Significance in Contemporary Art Photography - Julian Stallabrass, An Elegy for Theory - D. N. Rodowick, Theory, Philosophy, and Film Studies: A Response to D. N. Rodowick's "An Elegy for Theory" - Malcolm Turvey, and Memory Text: Philippe Lacoue-Labarthe (1940û2007)- Susan Bernstein. A most handsome copy. 0-262-75272-7 Inventory Number: 014989 $ 25.00  order/inquire     (OCTOBER). Krauss, Rosalind, Annette Michelson, George Baker, Yve-Alain Bois, Benjamin H.D. Buchloh, Leah Dickerman, Hal Foster, Denis Hollier, Mignon Nixon, Malcolm Turvey & Adam Lehnner, Editors. OCTOBER 124: ART/ THEORY/ CRITICISM/ POLITICS - SPRING 2008: POSTWAR ITALIAN ART - A SPECIAL ISSUE. Cambridge, MA: MIT Press Journals, 2008. First Edition. 8vo. Printed Wrappers. Journal. Fine. 196pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over twenty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. This special thematic issue edited by Claire Gilman is devoted to Postwar Italian Art, and its contributions include: Introduction - Claire Gilman, From Vietnam to Fiat-nam: The Politics of Arte Povera - Nicholas Cullinan, Making Art Matter: Alberto Burri's Sacchi - Jaimey Hamilton, Pistoletto's Staged Subjects - Claire Gilman, Substantive Thoughts? The Early Work of Alighiero Boetti - Christopher G. Bennett, Industrial Painting's Utopias: Lucio Fontana's "Expectations" - Anthony White, Giovanni Anselmo: Matter and Monochrome - Rosalind Krauss, Fontana's Atomic Age Abstraction: The Spatial Concepts and the Television Manifesto - Jaleh Mansoor, The Irony of Marisa Merz - Dieter Schwarz, Disencumbered Objects - Alex Potts, and Index: Numbers 121-124 (Summer 2007 - Spring 2008). A most handsome copy. 0-262-75274-3 Inventory Number: 019721 $ 25.00  order/inquire     (OCTOBER). Krauss, Rosalind, Annette Michelson, George Baker, Yve-Alain Bois, Benjamin H.D. Buchloh, Hal Foster, Denis Hollier, David Joselit, Carrie Lambert-Beatty, Mignon Nixon, Malcolm Turvey & Adam Lehnner, Editors. OCTOBER 125: ART/ THEORY/ CRITICISM/ POLITICS - SUMMER 2008. Cambridge, MA: MIT Press Journals, 2008. First Edition. 8vo. Printed Wrappers. Journal. Fine. 146pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over twenty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Its contributions include: Art in the Face of Radical Evil - Thierry De Duve, Introduction: Markets and Networks - David Joselit, Television Art's Abstract Starts: Europe circa 1944-1969 - Christine Mehring, Television in Contemporary Chinese Art - Wu Hung, Feedback in the Amazon - Nicolas Guagnini, and A Conversation with Peter Fend - David Joselit, Rachel Harrison. A most handsome copy. 0-262-75275-1 Inventory Number: 018426 $ 25.00  order/inquire     (OCTOBER). Krauss, Rosalind, Annette Michelson, George Baker, Yve-Alain Bois, Benjamin H.D. Buchloh, Hal Foster, Denis Hollier, David Joselit, Carrie Lambert-Beatty, Mignon Nixon, Malcolm Turvey & Adam Lehnner, Editors. OCTOBER 127: ART/ THEORY/ CRITICISM/ POLITICS - WINTER 2009. Cambridge, MA: MIT Press Journals, 2009. First Edition. 8vo. Printed Wrappers. Journal. Fine. 166pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over twenty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Its contributions include: Drawing Blanks: Notes on Andy Warhol's Late Works - Benjamin H.D. Buchloh, Flou: Rayographs and the Dada Automatic - Susan Laxton, Speak, Painting: Word and Device in Early Johns - Harry Cooper, From Abstraction to Model: George Brecht's Events and the Conceptual Turn in Art of the 1960s - Julia Robinson, "It has to do with the theater": Bruce Conner's Ratbastards - Kevin Hatch, Remarks on Abstraction - Hubert Damisch, and In Memory of Robert Rauschenberg (1925-2008) - Rosalind Krauss. A most handsome copy. 0-262-75277-8 Inventory Number: 019989 $ 25.00  order/inquire     (OCTOBER). Krauss, Rosalind, Annette Michelson, George Baker, Yve-Alain Bois, Benjamin H.D. Buchloh, Hal Foster, Denis Hollier, David Joselit, Carrie Lambert-Beatty, Mignon Nixon, Malcolm Turvey & Adam Lehnner, Editors. OCTOBER 128: ART/ THEORY/ CRITICISM/ POLITICS - SPRING 2009: POSTWAR ITALIAN CINEMA: NEW STUDIES. Cambridge, MA: MIT Press Journals, 2008. First Edition. 8vo. Printed Wrappers. Journal. Near Fine. 130pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over twenty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. This special thematic issue edited by Annette Michelson is devoted to Postwar Italian Cinema, and its contributions include: Introduction - Annette Michelson, Winners and Losers in Italy at the End of the Second World War - Roberto Vivarelli, The Cinecitta Refugee Camp (1944-1950) - Noa Steimatsky, A Regional Charm: Italian Comedy versus Hollywood - Daniela Treveri Gennari, The Problem of Public Sensibility: A Review of the Film, The Open City - James T. Farrell, A Note on The Open City: Some Comments on Farrell's Review -Meyer Schapiro, Film Reviews - Michelangelo Antonioni, On Color - Michelangelo Antonioni, and Recessional Aesthetics?. A handsome copy. 0-262-75278-6 Inventory Number: 018424 $ 25.00  order/inquire     (OCTOBER). Krauss, Rosalind, Annette Michelson, George Baker, Yve-Alain Bois, Benjamin H.D. Buchloh, Hal Foster, Denis Hollier, David Joselit, Carrie Lambert-Beatty, Mignon Nixon, Malcolm Turvey & Adam Lehnner, Editors. OCTOBER 129: ART/ THEORY/ CRITICISM/ POLITICS - SUMMER 2009. Cambridge, MA: MIT Press Journals, 2009. First Edition. 8vo. Printed Wrappers. Journal. Fine. 158pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over twenty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Its contributions include: The Spirit of Recession - Paul Chan, Raymond Pettibon: After Laughter - Benjamin H.D. Buchloh, Make-Believe: Parafiction and Plausibility - Carrie Lambert-Beatty, The Third Citizen: On Models of Criticality in Contemporary Artistic Practices - Vered Maimon, The Right to Opacity: On the Otolith Group's Nervus Rerum - T. J. Demos, A Trialogue on Nervus Rerum - Irmgard Emmelhainz, The Otolith Group, To Sing Beside - Yve-Alain Bois, Our Literal Speed - Our Literal Speed, and Index: Numbers 125-129 (Summer 2008-Summer 2009). A most handsome copy. 0-262-75279-4 Inventory Number: 018423 $ 25.00  order/inquire     (OCTOBER). Krauss, Rosalind, Annette Michelson, George Baker, Yve-Alain Bois, Benjamin H.D. Buchloh, Hal Foster, Denis Hollier, David Joselit, Carrie Lambert-Beatty, Mignon Nixon, Malcolm Turvey & Adam Lehnner, Editors. OCTOBER 130: ART/ THEORY/ CRITICISM/ POLITICS - FALL 2009. Cambridge, MA: MIT Press Journals, 2009. First Edition. 8vo. Printed Wrappers. Journal. Fine. 202pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over twenty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Its contributions include: Questionnaire on "The Contemporary": 32 Responses, Painting Beside Itself - David Joselit, "Why Would Anyone Want to Draw on the Wall?" - Mel Bochner, The Minimal Unconscious - James Meyer, and To Make an Inner Time: A Conversation with Gabriel Orozco - Benjamin H.D. Buchloh, Carrie Lambert-Beatty, Megan Sullivan. A most handsome copy. 0-262-75280-8 Inventory Number: 018422 $ 25.00  order/inquire     (OCTOBER). Krauss, Rosalind, Annette Michelson, George Baker, Yve-Alain Bois, Benjamin H.D. Buchloh, Leah Dickerman, Hal Foster, Denis Hollier, David Joselit, Carrie Lambert-Beatty, Mignon Nixon, Malcolm Turvey & Adam Lehnner, Editors. OCTOBER 131: ART/ THEORY/ CRITICISM/ POLITICS - WINTER 2010. Cambridge, MA: MIT Press Journals, 2010. First Edition. 8vo. Printed Wrappers. Journal. Fine. 154pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over twenty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Its contributions include: Hiroshima After Iraq: A Study in Art and War - Rosalyn Deutsche, Advertising, Rhythm, and the Filmic Avant-Garde in Weimar: Guido Seeber and Julius Pinschewer's Kipho Film - Michael Cowan, Cinema by Other Means - Pavle Levi, "Big, Middle-Class Modernism" - Richard Meyer, and Leather and Lace - George Baker. A most handsome copy. 0-262-75281-6 Inventory Number: 019722 $ 25.00  order/inquire     (OCTOBER). Krauss, Rosalind, Annette Michelson, George Baker, Yve-Alain Bois, Benjamin H.D. Buchloh, Leah Dickerman, Hal Foster, Denis Hollier, David Joselit, Carrie Lambert-Beatty, Mignon Nixon, Malcolm Turvey & Adam Lehnner, Editors. OCTOBER 132: ART/ THEORY/ CRITICISM/ POLITICS - SPRING 2010: ANDY WARHOL - A SPECIAL ISSUE. Cambridge, MA: MIT Press Journals, 2010. First Edition. 8vo. Printed Wrappers. Journal. Fine. 170pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over twenty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. This special thematic issue edited by Benjamin H.D. Buchloh is devoted to Andy Warhol, and its contributions include: Introduction - Benjamin H.D. Buchloh, Spacious - Douglas Crimp, Warhol's Subject? A Response to Douglas Crimp - Ewa Lajer-Burcharth, Test Subjects - Hal Foster, "That Screen Magnetism": Warhol's Glamour - Brigitte Weingart, Like: Collecting and Collectivity - Jonathan Flatley, When Life Goes to Work: Andy Warhol - Isabelle Graw, 1962 - Branden W. Joseph, and Wonder Waif Meets Super Neuter - Catherine Lord. A most handsome copy. 0-262-75282-4 Inventory Number: 020223 $ 25.00  order/inquire     (OCTOBER). Krauss, Rosalind, Douglas Crimp & Annette Michelson, Editors. OCTOBER 14: ART/ THEORY/ CRITICISM/ POLITICS - FALL 1980. Cambridge, MA: MIT Press Journals, 1980. First Edition. 8vo. Printed Wrappers. Journal. Very Good. 120pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over twenty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include; An Introduction to the Notebook of Maya Deren, 1947 - Catrina Neiman; An Exchange of Letters - Maya Deren and Gregory Bateson; From the Notebook of 1947 - Maya Deren; On Reading Deren's Notebook - Annette Michelson; Letters from Mexico - Sergei Eisenstein; Bayreuth: The Centennial Ring - Annette Michelson; Chereau's Treachery - Jean-Jacques Nattiez; A Conversation - Pierre Boulez and Michel Fano. A handsome copy showing some light wear and soiling to the covers. ISSN 0162-2879 Inventory Number: 019764 $ 45.00  order/inquire     (OCTOBER). Krauss, Rosalind, Douglas Crimp & Annette Michelson, Editors. OCTOBER 14: ART/ THEORY/ CRITICISM/ POLITICS - FALL 1980. Cambridge, MA: MIT Press Journals, 1980. First Edition. 8vo. Printed Wrappers. Journal. Good. 120pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over twenty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include; An Introduction to the Notebook of Maya Deren, 1947 - Catrina Neiman; An Exchange of Letters - Maya Deren and Gregory Bateson; From the Notebook of 1947 - Maya Deren; On Reading Deren's Notebook - Annette Michelson; Letters from Mexico - Sergei Eisenstein; Bayreuth: The Centennial Ring - Annette Michelson; Chereau's Treachery - Jean-Jacques Nattiez; A Conversation - Pierre Boulez and Michel Fano. A presentable copy only showing light overall wear and handling, some light foxing to the front and rear covers, and a diagonal soft crease through the lower foredge corner of the front cover. It has been priced accordingly. ISSN 0162-2879 Inventory Number: 018041 $ 30.00  order/inquire     (OCTOBER). Copjec, Joan, Douglas Crimp, Rosalind Krauss & Annette Michelson, Editors. OCTOBER 22: ART/ THEORY/ CRITICISM/ POLITICS - FALL 1982. Cambridge, MA: MIT Press Journals, 1982. First Edition. 8vo. Printed Wrappers. Journal. Near Fine. 138pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: De Stijl, Its Other Face: Abstraction and Cacophony, or What Was the Matter with Hegel? - Annette Michelson; The Judgment Seat of Photography - Christopher Phillips; The De-Politicization of Gustave Courbet: Transformation and Rehabilitation under the Third Republic - Linda Nochlin; Alienating Alienation: Fredric Jameson's Revisionary Romance - Perry Meisel; When Words Fail Rosalind Krauss; Documenta 7: A Dictionary of Received Ideas - Benjamin H.D. Buchloh. A most handsome copy. 0-262-76012-6 Inventory Number: 018146 $ 65.00  order/inquire     (OCTOBER). Copjec, Joan, Douglas Crimp, Rosalind Krauss & Annette Michelson, Editors. OCTOBER 37: ART/ THEORY/ CRITICISM/ POLITICS - SUMMER 1986. Cambridge, MA: MIT Press Journals, 1986. First Edition. 8vo. Printed Wrappers. Journal. Near Fine. 140pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over twenty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include; In Praise of Horizontality - Annette Michelson; The Religion of the Caves, The Hands of Gargas - Andre Leroi-Gourhan; Originality as Repetition - Rosalind Krauss; The Primary Colors for the Second Time - Benjamin H.D. Buchloh; Ready-Made Originals - Molly Nesbit; Repetition, Obsession - Steven Z. Levine; The Origin without an Original - Linda Nochlin; Antiquity Now - Michael Fried; In Praise of Appearance - Louis Marin; Manet's Imagery Reconstructed - Klaus Herding; Painting as Model - Yve-Alain Bois. A most handsome copy. 0-262-75187-9 Inventory Number: 018280 $ 50.00  order/inquire     (OCTOBER). Copjec, Joan, Douglas Crimp, Rosalind Krauss & Annette Michelson, Editors. OCTOBER 37: ART/ THEORY/ CRITICISM/ POLITICS - SUMMER 1986. Cambridge, MA: MIT Press Journals, 1986. First Edition. 8vo. Printed Wrappers. Journal. Very Good -. 140pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over twenty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include; In Praise of Horizontality - Annette Michelson; The Religion of the Caves, The Hands of Gargas - Andre Leroi-Gourhan; Originality as Repetition - Rosalind Krauss; The Primary Colors for the Second Time - Benjamin H.D. Buchloh; Ready-Made Originals - Molly Nesbit; Repetition, Obsession - Steven Z. Levine; The Origin without an Original - Linda Nochlin; Antiquity Now - Michael Fried; In Praise of Appearance - Louis Marin; Manet's Imagery Reconstructed - Klaus Herding; Painting as Model - Yve-Alain Bois. A handsome copy showing a bit of slight wear and handling to the covers along with some light sunning along the spine. It has been priced accordingly. 0-262-75187-9 Inventory Number: 018281 $ 40.00  order/inquire     (BROODTHAERS, MARCEL) (OCTOBER). Copjec, Joan, Douglas Crimp, Rosalind Krauss, Annette Michelson & Benjamin H.D. Buchloh, Editors. OCTOBER 42: ART/ THEORY/ CRITICISM/ POLITICS - FALL 1987: BROODTHAERS - WRITINGS, INTERVIEWS, PHOTOGRAPHS - LIMITED HARDBOUND EDITION. Cambridge, MA: MIT Press Journals, 1987. First Edition. 8vo. Debossed Buckram. Artist Monograph. Fine/No Jacket - As Issued. 212pp, profusely illustrated in b&w. With a bibliography. At the forefront of contemporary arts theory and criticism, "October" has for over twenty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this special issue devoted to Marcel Beoodthaers include; Untitled Poem, Azure, Questions of Painting, Selections from Pense-Bete, Investigating Dreamland, Gare au defi: Pop Art, Jim Dine, and the Influence of Rene Magritte, To be bien pensant...or not to be. To be blind, An Interview by the Film Journal Trepied, Ten Thousand Francs Reward, A Portfolio of Photographs - Marcel Broodthaers; Look! Books in Plaster! - Dieter Schwarz; Open Letters, Industrial Poems - Benjamin H.D. Buchloh; The Exhibition at the MTL Gallery in Brussels - Anne Rorimer; The Figures - Dirk Snauwaert; Section des Figures: The Eagle from the Oligocene to the Present - Rainer Borgemeister; Eagle/Pipe/Urinal - Michael Oppitz; Recourse to the Letter - Birgit Pelzer; DÉCOR: A Conquest by Marcel Broodthaers - Marcel Broodthaers; Bibliography - Marie-Pascale Gildemyn. A most handsome copy of the exceedingly uncommon limited hardbound edition of this important monographic issue published with the assistance of the J. Paul Getty Trust. 0-262-02281-8 Inventory Number: 020748 $ 250.00  order/inquire     (OCTOBER). Copjec, Joan, Douglas Crimp, Rosalind Krauss, Annette Michelson & Terri L. Cafaro, Editors. OCTOBER 44: ART/ THEORY/ CRITICISM/ POLITICS - SPRING 1988. Cambridge, MA: MIT Press Journals, 1988. First Edition. 8vo. Printed Wrappers. Journal. Good. 120pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over twenty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include; The Philosophical Brothel - Leo Steinberg; The Word of God: "I am dead" - Denis Hollier; Foucault's Art of Seeing - John Rajchman. A handsome copy from the library of the late R.B. Kitaj showing light overall wear and handling as well as some checkmarks and annotations in ink in the artist's distinctive hand throughout the Leo Steinberg contribution. It has been priced accordingly. 0-262-75194-1 Inventory Number: 018045 $ 35.00  order/inquire     (OCTOBER). Copjec, Joan, Douglas Crimp, Rosalind Krauss & Annette Michelson, Editors. OCTOBER 47: ART/ THEORY/ CRITICISM/ POLITICS - SUMMER 1988. Cambridge, MA: MIT Press Journals, 1988. First Edition. 8vo. Printed Wrappers. Journal. Near Fine. 116pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over twenty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include; Uneven Development: Public Art in New York City - Rosalyn Deutsche; Homeless Vehicle Project - David V. Lurie, Krzysztof Wodiczko; Conversations about a Project for a Homeless Vehicle - Daniel, Krzystof, Oscar, and Victor; Walter Benjamin and the Theory of Art History - Thomas Y. Levin; Rigorous Study of Art - Walter Benjamin; The Garden of Scopic Perversion from Monet to Mirbeau - Emily Apter. A most handsome copy. 0-262-75197-6 Inventory Number: 018147 $ 45.00  order/inquire     (OCTOBER). Krauss, Rosalind, Annette Michelson & Douglas Crimp, Editors. OCTOBER 7: ART/ THEORY/ CRITICISM/ POLITICS - WINTER 1978: SOVIET REVOLUTIONARY CULTURE - A SPECIAL ISSUE. Cambridge, MA: MIT Press Journals, 1978. First Edition. 8vo. Printed Wrappers. Journal. Very Good. 128pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this special issue devoted to Soviet Revolutionary Culture include: A Specter and its Specter - Annette Michelson; Russian Diary 1927-28 - Alfred H. Barr, Jr.; Gogol-Meyerhold's The Inspector General - A.V. Lunacharsky; Discovering Meyerhold: Traces of a Search - Paul Schmidt; Vladimir Tatlin: Form / Faktura - Margit Rowell; The Factory of Facts and Other Writings - Dziga Vertov. A handsome copy showing some light overall soiling and age-toning along with a short surface abrasion to the front cover. ISSN 0162-2879 Inventory Number: 020237 $ 85.00  order/inquire     (OCTOBER). Krauss, Rosalind, Annette Michelson, Yve-Alain Bois, Benjamin H.D. Buchloh, Hal Foster, Denis Hollier, Silvia Kolbowski, Homi Bhabha & Melissa Mathis, Editors. OCTOBER 78: ART/ THEORY/ CRITICISM/ POLITICS - FALL 1996. Cambridge, MA: MIT Press Journals, 1996. First Edition. 8vo. Printed Wrappers. Journal. Very Good. 124pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over twenty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include; The Death of Paper: A Radio Play - Denis Hollier; Formless: A User's Guide, Excerpts To Introduce a User's Guide - Yve-Alain Bois; A User's Guide to Entropy - Yve-Alain Bois and Rosalind Krauss; Informe without Conclusion - Rosalind Krauss; Obscene, Abject, Traumatic - Hal Foster. A handsome copy. ISSN 0162-2879 Inventory Number: 013122 $ 25.00  order/inquire     (OCTOBER). Krauss, Rosalind, Annette Michelson & Douglas Crimp, Editors. OCTOBER 8: ART/ THEORY/ CRITICISM/ POLITICS - SPRING 1979 . Cambridge, MA: MIT Press Journals, 1979. First Edition. 8vo. Printed Wrappers. Journal. Very Good. 128pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: Lecture in Inauguration of the Chair of Literary Semiology, College de France - Roland Barthes; Forms of Violence - Leo Bersani and Ulysse Dutoit; Sculpture in the Expanded Field - Rosalind Krauss; from Americans on the Move - Laurie Anderson; Stuart Sherman: Object Ritual - Berenice Reynaud; Pictures - Douglas Crimp; Seven Prolegomenae to a Brief Treatise on Magrittan Tropes - Jean Clair; About Snow - Annette Michelson. A handsome copy. ISSN 0162-2879 Inventory Number: 018145 $ 65.00  order/inquire     (OCTOBER). Krauss, Rosalind, Annette Michelson & Douglas Crimp, Editors. OCTOBER 9: ART/ THEORY/ CRITICISM/ POLITICS - SUMMER 1979 . Cambridge, MA: MIT Press Journals, 1979. First Edition. 8vo. Printed Wrappers. Journal. Very Good. 128pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: Jacques Derrida - The Parergon; Craig Owens - Detachment from the parergon; Rosalind Krauss - Grids; Louis Marin - The "I" as Autobiographical Eye: Reading Notes on a Few Pages of Stendahl's Life of Henry Brulard; Yvonne Rainer - Working Title: Journeys from Berlin / 1971; Hans Magnus Enzensberger - Civil Liberties and Repression in Germany Today. A most presentable copy showing some light overall soiling and handling. ISSN 0162-2879 Inventory Number: 015014 $ 75.00  order/inquire     (OCTOBER). Krauss, Rosalind, Annette Michelson, Yve-Alain Bois, Benjamin H.D. Buchloh, Hal Foster, Denis Hollier & Carrie Lambert, Editors. OCTOBER 93: ART/ THEORY/ CRITICISM/ POLITICS - SUMMER 2000 . Cambridge, MA: MIT Press Journals, 2000. First Edition. 8vo. Printed Wrappers. Journal. Fine. 153pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over twenty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include; Mea Culpa - Mary Kelly; Agriculture, Industry, and the Birth of the Photo-Essay in the Late Weimar Republic - Michael Jennings; The Art of the Day (1925) - Nikolai Tarabukin; Tarabukin, Spengler, and the Art of Production - Maria Gough; Portrait of the Artist as a Monkey-Hand - Paul Galvez; Camera Obscura: Socialist Realism in the Shadow of Photography - Leah Dickerman. A most handsome copy. ISSN 0162-2879 Inventory Number: 012280 $ 25.00  order/inquire     (OCTOBER). Krauss, Rosalind, Annette Michelson, Yve-Alain Bois, Benjamin H.D. Buchloh, Hal Foster, Denis Hollier, Mignon Nixon, Carrie Lambert & Catherine de Zegher, Editors. OCTOBER 95: ART/ THEORY/ CRITICISM/ POLITICS - WINTER 2001. Cambridge, MA: MIT Press Journals, 2001. First Edition. 8vo. Printed Wrappers. Journal. Near Fine. 130pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include; 'A Duplication Containing Duplications': Robert Rauschenberg's Split Screens - Branden W. Joseph; 'We Want to Organicize Disintegration' - Jaleh Mansoor and Piero Manzoni; Post-Cagean Aesthetics and the 'Event' Score - Liz Kotz; Fugitive Signs - Craig Dworkin; Gray Zone: Watching Shoot - Frazer Ward. A most handsome copy. 0-262-75245-X Inventory Number: 007565 $ 25.00  order/inquire     (OCTOBER). Krauss, Rosalind, Annette Michelson, Yve-Alain Bois, Benjamin H.D. Buchloh, Hal Foster, Denis Hollier, Mignon Nixon & Carrie Lambert, Editors. OCTOBER 97: ART/ THEORY/ CRITICISM/ POLITICS - SUMMER 2001 . Cambridge, MA: MIT Press Journals, 2001. First Edition. 8vo. Printed Wrappers. Journal. Fine. 130pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over twenty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include; Blinded Insights: On the Modernist Reception of the Art of the Mentally Ill - Hal Foster; Tactile Translucence: Mir≤, Leiris, Einstein - Charles Palermo; The Artwork Caught by the Tail - George Baker; Duchamp's Labyrinth: First Papers of Surrealism, 1942 - T.J. Demos; Remarks on Some Tendencies of the "Vienna Group" - Oswald Wiener. A most handsome copy. 0-262-75245-X Inventory Number: 014994 $ 25.00  order/inquire     (OCTOBER). Krauss, Rosalind, Annette Michelson, George Baker, Yve-Alain Bois, Benjamin H.D. Buchloh, Hal Foster, Denis Hollier, Mignon Nixon, Lisa Pasquariello & Catherine de Zegher, Editors. OCTOBER 98: ART/ THEORY/ CRITICISM/ POLITICS - FALL 2001. Cambridge, MA: MIT Press Journals, 2001. First Edition. 8vo. Printed Wrappers. Journal. Near Fine. 111pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over twenty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include; Round Table: Tate Modern - Briony Fer, Antony Hudek, Mignon Nixon, Alex Potts and Julian Stallabrass; Bridget Riley's Eye/Body Problem - Pamela M. Lee; Filming Israel: A Conversation - Amos Gitai and Annette Michelson; Chabrol and the Execution of the Deed - Jean-Claude Polack and Annette Michelson; From Screen to Site: Television's Material Culture, and Its Place - Anna McCarthy. A handsome copy. 0-262-75248-4 Inventory Number: 007568 $ 25.00  order/inquire

 

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