dada & surrealism
 
 

 
 

(APERTURE) (SOMMER, FREDERICK). White, Minor, Editor. APERTURE 10:4: FREDERICK SOMMER 1939-1962 PHOTOGRAPHS. Rochester, NY: Aperture Inc., 1962. First Edition. 8vo. Stapled Printed Wrappers. Photography Periodical. Very Good -. 42pp, 30 duotone illustrations + rear cover. Designed by Frederick Sommer. In a protective clear acetate dustwrapper. This fortieth installment of Aperture from 1962 is designed and edited by, and devoted entirely to the writings and images of Frederick Sommer. The very first monograph on his work, it contains a portfolio of twenty-nine beautifully reproduced full page photographs by the venerable late American proponent of the Surrealist image. An internally bright, most handsome copy of this surprisingly uncommon item (cited on pages 162-163 of "The Book of 101 Books") showing some faint spotting to the glossy white surface of the front cover. It has been priced accordingly. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its value - we will inform you of the applicable amount at time of purchase. Inventory Number: 019948

$ 600.00 order/inquire

 

 
 

(ARTFORUM). Sandback, Amy Baker, Editor. LOOKING CRITICALLY: 21 YEARS OF ARTFORUM MAGAZINE. Ann Arbor, MI: U.M.I. Research Press, 1984. First Edition. Square 4to. Cloth in Illustrated Jacket. Fine/Good +. 342pp, profusely illustrated in b&w. Designed by Roger Gorman and Mary Beath. Beginning with an Ed Kienholz review at the Ferus Gallery from its June 1962 inaugural issue, this is an amazing compendium of articles and reviews culled from the first twenty-one years of the noted art periodical "Artforum" featuring contributions by the stellar likes of Kate Steinitz, Henry T. Hopkins, Don Factor, Robert Pincus-Witten, Dennis Adrian, John Coplans, Hilton Kramer, Harold Rosenberg, Henry Geldzahler, John Cage, Walter Hopps, Ed Ruscha, Allan Kaprow, Robert Rosenblum, Dan Flavin, Sam Wagstaff, Billy Kluver, Lucy R. Lippard, Robert Rosenblum, Roger Shattuck, Ad Reinhardt, Mel Bochner, Andy Warhol, Roy Lichtenstein, Claes Oldenburg, Barbara Rose, Manny Farber, Michael Fried, Robert Morris, Philip Leider, Hollis Frampton, Carl Andre, Richard Serra, Lawrence Alloway, Barbara Kruger, Jane Livingston, Lizzie Borden, Kenneth Baker, Laurie Anderson, Agnes Martin, Cindy Nemser, Sidney Tillim, Annette Michelson, Rosalind Krauss, Jeremy Gilbert-Rolfe, Roberta Smith, Peter Plagens, Peter Schjeldahl, j. Hoberman, Hal Foster, Richard Flood, Carter Ratcliff, Stuart Morgan, Max Kozloff, Donald Kuspit, Dan Graham, Walter De Maria, Komar & Melamid, Edit De Ak, Lawrence Weiner, Kathy Acker, Robert Mapplethorpe, Anselm Kiefer, Thomas McEvilley, Louise Bourgeois, Ingrid Sischy, and too many more to list. A most handsome copy of the uncommon hardbound edition whose dust jacket shows some overall light wear, handling and scuffing. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its weight - we will inform you of the applicable amount at time of purchase. 0-8357-1536-1 Inventory Number: 014028

$ 100.00 order/inquire

 

 
 

(BELLMER, HANS). Iwaya, Kuniyo. HANS BELLMER: THE DOLL. Tokyo: Treville Co. Ltd., 1995. First Edition. 8vo. Pictorial Boards. Photography Monograph. Fine/No Jacket - As Issued. np, profusely illustrated in color and b&w. Text in Japanese. Designed by Jun Takechi. "The Doll" is a beautiful little book published only in Japan that reproduces all of the known photographic images of "La Poupee" - Hans Bellmer's articulated, anatomically amorphous Surrealist doll that was the not so obscure object of his desire. A most handsome copy of the first edition. 4-8457-1019-6 Inventory Number: 019747

$ 110.00 order/inquire

 

 
 

(BIFUR). Ribemont-Dessaignes, Georges, Editor. BIFUR 2. Paris: Editions Du Carrefour, 1929. First Edition 1/3000. 8vo. Printed Wrappers. Literary Journal. Good. 191pp, 12 illustrations in b&w. Text in French. This is the second of eight issues of the Parisian modernist journal "Bifur". The literary contributors are Giorgio De Chirico, Lilika Nacos, Francis Picabia, Martin-Luis Guzman, Rene Daumal, Ramon Gomez De La Serna, Jean Giono, William Carlos Williams, Michel Leiris, Pierre MacOrlan, Boris Pilniak, Jean Sylviere, Pierre Minet, Nathan Altman, Robert Desnos, Gabriel Bounoure, and Caradoc Evans. Reproductions in heliogravure include works by Andre Masson, De Chirico, De La Serna, Paul Klee, Man Ray, and Germaine Krull. A presentable example of this notable Surrealist-leaning periodical whose exterior shows moderate overall wear with light soiling and creasing of the spine and covers as well as some chipping at the extremities. The textblock has toned with age (as is typical), but is quite sound with the exception of one small closed tear. It has been priced accordingly. Inventory Number: 005196

$ 125.00 order/inquire

 

 
 

(BROODTHAERS, MARCEL) (OCTOBER). Copjec, Joan, Douglas Crimp, Rosalind Krauss, Annette Michelson & Benjamin H.D. Buchloh, Editors. OCTOBER 42: ART/ THEORY/ CRITICISM/ POLITICS - FALL 1987: BROODTHAERS - WRITINGS, INTERVIEWS, PHOTOGRAPHS - LIMITED HARDBOUND EDITION. Cambridge, MA: MIT Press Journals, 1987. First Edition. 8vo. Debossed Buckram. Artist Monograph. Fine/No Jacket - As Issued. 212pp, profusely illustrated in b&w. With a bibliography. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this special monographic issue devoted to Marcel Broodthaers include: Untitled Poem, Azure, Questions of Painting, Selections from Pense-Bete, Investigating Dreamland, Gare au defi: Pop Art, Jim Dine, and the Influence of Rene Magritte, To be bien pensant...or not to be. To be blind, An Interview by the Film Journal Trepied, Ten Thousand Francs Reward, A Portfolio of Photographs - Marcel Broodthaers; Look! Books in Plaster! - Dieter Schwarz; Open Letters, Industrial Poems - Benjamin H.D. Buchloh; The Exhibition at the MTL Gallery in Brussels - Anne Rorimer; The Figures - Dirk Snauwaert; Section des Figures: The Eagle from the Oligocene to the Present - Rainer Borgemeister; Eagle/Pipe/Urinal - Michael Oppitz; Recourse to the Letter - Birgit Pelzer; DÉCOR: A Conquest by Marcel Broodthaers - Marcel Broodthaers; Bibliography - Marie-Pascale Gildemyn. A most handsome copy of the exceedingly uncommon limited hardbound edition of this important document published with the assistance of the J. Paul Getty Trust. 0-262-02281-8 Inventory Number: 020748

$ 250.00 order/inquire

 

 
 

(CORNELL, JOSEPH). Coplans, John. JOSEPH CORNELL. Akron, OH: Akron Art Institute, 1978. First Edition. 8vo. Stapled Printed Wrappers. Artist Monograph. Fine. 32pp, 21 b&w illustrations. This slender catalogue published in conjunction with a 1978 Joseph Cornell Museum retrospective is small and elegant, just like the artist's work. A pristine copy. Inventory Number: 017463

$ 27.50 order/inquire

 

 
 

(CORNELL, JOSEPH). Hartigan, Lynda Roscoe. Foreword by Elizabeth Broun and Dan L. Monroe. JOSEPH CORNELL: NAVIGATING THE IMAGINATION. Salem, MA, Washington, DC, & New Haven, CT. 2007 (: Peabody Essex Museum and Smithsonian American Art Museum in association with Yale University Press, Second Printing. 4to. Cloth in Illustrated Jacket. Artist Monograph. Fine/Fine. 390pp, profusely illustrated in color and b&w. Designed by Studio Blue. "Navigating the Imagination" is the massive, beautifully designed and executed hardbound catalogue issued in conjunction with a 2007 Joseph Cornell retrospective exhibition that traveled from the Peabody Essex Museum to the Smithsonian American Art Museum. A most handsome copy. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its weight and value - we will inform you of the applicable amount at time of purchase. 0-300-11162-2 Inventory Number: 021896

$ 225.00 order/inquire

 

 
 

(CORNELL, JOSEPH). McShine, Kynaston. JOSEPH CORNELL: BOXES UND COLLAGES. Zurich, SWITZERLAND: Gimpel & Hanover Galerie, 1972. First Edition. 8vo. Stapled Printed Wrappers. Artist Monograph. Very Good -. np (12pp), 10 b&w illustrations. Text in German. With an exhibition checklist and biography. This is the slender twelve page catalogue published in conjunction with a 1972 Swiss gallery exhibition of seventeen boxes and six collages by the late, iconoclastic American artist Joseph Cornell. A handsome copy of this uncommon item showing some slight sunning and soiling to the covers. Inventory Number: 013167

$ 90.00 order/inquire

 

 
 

(CORNELL, JOSEPH). Polko, Elise & Joseph Cornell. MARIA - ONE OF AN ESTIMATED ONE HUNDRED COPIES PRIVATELY PUBLISHED BY JOSEPH CORNELL. NP. (Queens, NY).: Salamander Editions, 1954. First Edition. 12mo. Printed Wrappers with Glassine. Artists' Book. Fine./Fine.. np (12 pp), 1 b&w illustration. This tiny gem of a pamphlet was self-published by Cornell in 1954 and distributed only sparingly. Quoting from Deborah Solomon's insightful biography, "Utopia Parkway: The Life and Work of Joseph Cornell" - "As he had once designed special issues of Dance Index, he now published two pamphlets devoted to two great divas. "Maria" (1954) was dedicated to Maria Malibran. And "Bel Canto Pet", done the next year, was his tribute to Giulia Grisi. Cornell printed the pamphlets at his own expense, in editions of 100, and sent them to his friends. While Cornell was a well-known balletomane, virtually nothing has been written about his interest in opera. Many of his bird boxes bear opera-related titles, and comments in his diary suggest that Cornell associated birds with stars from Opera's "golden age". Cornell's pamphlet "Maria" was almost as cryptic as his bird boxes. It doesn't even give the singer's last name. All text, no pictures, it consists of an excerpt from the German author Elise Polko and relates the story of an unnamed diva who becomes enraptured with a nightingale's song". While some of the copies given as gifts by Cornell contained hand-collaged elements or greetings from the artist, this is an exceptionally bright, flawless (save for some slight oxidation of the two staples) example in a glassine wrapper of this rarity, just as Cornell would have received it from the printer. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its value - we will inform you of the applicable amount at time of purchase. Inventory Number: 017037

$ 800.00 order/inquire

 

 
 

(CORNELL, JOSEPH). Silverman Gallery, Manny. JOSEPH CORNELL: COLLAGES AND BOX CONSTRUCTIONS. Los Angeles: Manny Silverman Gallery, 1996. First Edition. 8vo. Illustrated Wrappers. Exhibition Brochure. As New. One continuous 8 1/2 x 22" cardstock sheet printed offset recto and verso, folded neatly in fourths to make 8pp, 5 color illustrations. With a chronology and collections listing. This is the elegantly produced eight page brochure published in conjunction with a 1996 Los Angeles gallery exhibition of collages, boxes and assemblages by the late, great Joseph Cornell. A pristine copy of this uncommon ephemeral item that was the only printed documentation of the exhibition. Inventory Number: 021842

$ 25.00 order/inquire

 

 
 

(CORNELL, JOSEPH). Starr, Sandra Leonard. JOSEPH CORNELL AND THE BALLET. New York: Castelli-Feigen-Corcoran, 1983. First Edition. Oblong 4to. Illustrated Wrappers. Artist Monograph. Fine. 88pp, 48 b&w and 1 color illustration. Designed by the Castle Press. This is the lovely catalogue issued in conjunction with a posthumous 1983 New York gallery exhibition of Joseph Cornell boxes and collages whose imagery reflects his lifelong obsession with the ballet. A most handsome copy. LC 83-73032 Inventory Number: 016892

$ 60.00 order/inquire

 

 
 

(CORNELL, JOSEPH). Starr, Sandra Leonard. JOSEPH CORNELL AND THE BALLET - SIGNED PRESENTATION COPY FROM THE AUTHOR. Signed by the Author. New York: Castelli-Feigen-Corcoran, 1983. First Edition. Oblong 4to. Illustrated Wrappers. Artist Monograph. Fine. 88pp, 48 b&w and 1 color illustration. Designed by the Castle Press. This is the lovely catalogue issued in conjunction with a 1983 New York gallery exhibition of Joseph Cornell's boxes and collages whose imagery reflects his lifelong obsession with the ballet. A most presentable copy showing a bit of wear & soiling to the white covers, this has a five line SIGNED AND DATED PRESENTATION in black ink on the first preliminary from the author, noted Cornell dealer and scholar Sandra "Sandy" Starr. LC 83-73032 Inventory Number: 005860

$ 75.00 order/inquire

 

 
 

(CORNELL, JOSEPH). Starr, Sandra Leonard. JOSEPH CORNELL: ART AND METAPHYSICS. New York: Castelli-Feigen-Corcoran, 1982. First Edition 1/3000. 8vo. Illustrated Wrappers. Artist Monograph. Near Fine. 92pp, 15 color and 5 b&w illustrations. Designed by the Castle Press. With an exhibition checklist. This is the lovely catalogue issued in conjunction with a 1982 New York gallery show that illustrates in color each of the fifteen Joseph Cornell boxes exhibited. A most handsome copy. LC 82-71787 Inventory Number: 021265

$ 35.00 order/inquire

 

 
 

(DALI, SALVADOR). Gerard, Max. DALI DE DRAEGER - WITH A BOLDLY SIGNED PRESENTATION BY SALVADOR DALI. Paris: Draeger Freres & Le Soleil Noir, 1968. First French Edition. 4to. Illustrated Cloth in Jacket. Artist Monograph. Near Fine/Near Fine. np, 220 illustrations in color and b&w. Text in French. With a biography. This is the copiously illustrated 1968 Salvador Dali monograph issued in conjunction with the famed Surrealist master and his management. A handsome copy of the 1968 Draeger Freres & Le Soleil Noir French first edition of this massive, delightful tome with the BOLDLY SIGNED AND DATED FULL PAGE PRESENTATION CUM DRAWING "A ..., DALI 1972" with his iconic Dali insignia with crown in Paris (for a member of The Doors' post-Jim Morrison touring band) in brown watercolor ink on the verso of the front free endpaper - directly opposite the title page - in a slightly scuffed gold foil dust jacket. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its weight and value - we will inform you of the applicable amount at time of purchase. Inventory Number: 021724

$ 1250.00 order/inquire

 

 
 

(DUCHAMP, MARCEL) (PENDU FEMELLE AKA TIM KUMMEROW). Kummerow, Tim. PENDU FEMELLE: ENCOUNTER WITH DUCHAMP. NP (Pasadena, CA).: Readymade Records, 1988. First Edition. Square 8vo. 45 RPM Single + Sleeve. Artist Multiple. Fine./Fine.. 7", 45 rpm vinyl record in unprinted white paper sleeve with a printed wrapper, 1 b&w illustration. This engaging bit of sonic mayhem was issued in 1988 by Readymade Records (RM 02) as a clear vinyl single by Pasadena Dada aficionado Tim Kummerow to coincide with the birth centenary of Marcel Duchamp. "Encounter with Duchamp" is a rollicking homage to the master that incorporates recorded fragments of Duchamp's voice with adventuresome musical accompaniment credited to "Pendu Femelle" - Kummerow, A.J. Marik and Ian Montgomery. The B-side is entitled "The Main Event". A most handsome copy of both the record and sleeve of this limited, barely distributed rarity for the Duchamp completeist. Inventory Number: 021068

$ 20.00 order/inquire

 

 
 

(DUCHAMP, MARCEL). Clearwater, Bonnie, Editor. WEST COAST DUCHAMP. Miami Beach, FL & Los Angeles: Grassfield Press in Association with Shoshana Wayne Gallery, 1991. First Edition. 4to. Embossed Self-Wrappers. Artist Monograph. Very Good. 128pp, 57 b&w illustrations. This scholarly yet engaging bit of Duchampiana was published in conjunction with a 1991 exhibition and seminar on the Dada master, his interaction with, and influences on the City of the Angels. The contributors to this handsomely illustrated tome are Francis Naumann, Naomi Sawelson-Gorse, Dickran Tashjian, Walter Hopps and Robert Pincus. A handsome copy showing a bit of light scuffing to the covers. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its weight - we will inform you of the applicable amount at time of purchase. 0-9628514-1-8 Inventory Number: 014208

$ 50.00 order/inquire

 

 
 

(DUCHAMP, MARCEL). Clearwater, Bonnie, Editor. WEST COAST DUCHAMP. Miami Beach, FL & Los Angeles: Grassfield Press in Association with Shoshana Wayne Gallery, 1991. First Edition. 4to. Embossed Self-Wrappers. Artist Monograph. Fine. 128pp, 57 b&w illustrations. This scholarly yet engaging bit of Duchampiana was published in conjunction with a 1991 exhibition and seminar on the Dada master, his interaction with, and influences on the City of the Angels. The contributors to this handsomely illustrated tome are Francis Naumann, Naomi Sawelson-Gorse, Dickran Tashjian, Walter Hopps and Robert Pincus. A most handsome copy. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its weight - we will inform you of the applicable amount at time of purchase. 0-9628514-1-8 Inventory Number: 020746

$ 60.00 order/inquire

 

 
 

(DUCHAMP, MARCEL). Clearwater, Bonnie, Editor. WEST COAST DUCHAMP - SIGNED AND DATED BY THE EDITOR. Signed by the Editor. Miami Beach, FL & Los Angeles: Grassfield Press in Association with Shoshana Wayne Gallery, 1991. First Edition. 4to. Cloth in Dust Jacket. Artist Monograph. Fine/Fine. 128pp, 57 b&w illustrations. This scholarly yet engaging bit of Duchampiana was published in conjunction with a 1991 exhibition and seminar on the Dada master, his interaction with, and influences on the City of the Angels. The contributors to this handsomely illustrated tome are Francis Naumann, Naomi Sawelson-Gorse, Dickran Tashjian, Walter Hopps and Robert Pincus. A most handsome copy of the clothbound edition in the royal blue dust jacket BOLDLY SIGNED AND DATED "Bonnie Clearwater, Los Angeles, 1991" by the editor in the year of publication in black ink on the title page. 0-9628514-0-X Inventory Number: 020332

$ 100.00 order/inquire

 

 
 

(DUCHAMP, MARCEL). Hopps, Walter. BY OR OF MARCEL DUCHAMP OR RROSE SELAVY AT THE PASADENA ART MUSEUM. Pasadena, CA: Pasadena Art Museum, 1963. First Edition 1/2000. 4to. Wrappers in Printed Acetate DJ. Artist Monograph. Fine./Very Good.. 56pp, profusely illustrated in b&w with three tipped-in color plates. Designed by Marcel Duchamp. This desirable Marcel Duchamp item was designed by the artist for this 1963 Pasadena exhibition (his first Museum retrospective) and is based on a deconstruction of Robert Lebel's Trianon/Grove Press catalogue raisonné. A bright, most handsome copy of this uncommon catalogue whose fragile printed acetate dust jacket shows some light creasing along the extremities along with two small closed tears and some fraying at the crown of the spine. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its value - we will inform you of the applicable amount at time of purchase. Inventory Number: 019382

$ 600.00 order/inquire

 

 
 

(ERNST, MAX) (ELUARD, PAUL). Ernst, Max and Paul Eluard. Translated by Hugh Chisholm. MISFORTUNES OF THE IMMORTALS. New York: The Black Sun Press, 1943. First American Edition 1/610. 8vo. Illustrated Boards. Artists' Book. Poor/No Jacket - As Issued. 46 + vi pp, 21 b&w illustrations. In a protective clear acetate dustwrapper. Designed by Caresse Crosby. Published by the renowned Surrealist abettors The Black Sun Press, this is the first English language edition of Max Ernst and Paul Eluard's charming collage/prose collaboration of 1920, "Misfortunes of the Immortals". This new version is augmented by "Three Drawings Twenty Years Later" by Ernst. Printed by handset letterpress at the Gemor Press in 1943, this unfortunately utilized exceptionally cheap wartime newsprint, which due to the high acid content has become brown and brittle with age. The paper covering the boards at the spine has chipped off entirely (albeit neatly), and both the front and back covers show some rubbing, spotting and discoloration. The inside front board bears a previous owner's ink inscription, and the endpapers show a slight bit of soiling. A few pages of the text have chipped at the edges, and the textblock is at this point fragile. Having described these flaws, it should be noted that this collaborative gem is still quite presentable, stable, and in no danger of falling apart; the pages just need to be handled gingerly. It has been priced accordingly. Inventory Number: 001891

$ 275.00 order/inquire

 

 
 

(ERNST, MAX) (SOMMER, FREDERICK). Ernst, Max & Alain Bosquet. MAX ERNST: OEUVRE SCULPTE 1913-1961. Paris, FRANCE: Le Point Cardinal, 1961. First Edition. 4to. Printed Wrappers. Catalogue Raisonné. Good -. np, profusely illustrated in b&w. Text in French. This nicely appointed catalogue features over seventy of Max Ernst's reliefs, sculptures, and masques in addition to many of his larger works; the granite sculptures in Maloja, Switzerland (at the home of Giacometti) , the alfresco reliefs and sculpture in Saint-Martin D'Ardeche, France and Sedona, Arizona. This was the first catalogue raisonné of the sculptural work, and features photographs of the Sedona environment by Frederick Sommer, as well as images by Lee Miller. A presentable copy only with a tight, bright textblock showing some wear and abrading along the edges of the spine as well as dents with attendant diagonal creases to both upper corners. It has been priced accordingly. Inventory Number: 011883

$ 85.00 order/inquire

 

 
 

(ERNST, MAX).. MAX ERNST. Tokyo. ND (Circa 1958).: Misuzu, First Edition. 8vo. Cloth in Dust Jacket. Artist Monograph. Very Good/Good +. 106pp, 44 b&w and 26 color illustrations. Text in Japanese. Published as part of a Japanese series of monographs on European and American modern artists, this volume is devoted to the work of noted Dada and Surealist icon Max Ernst. While we cannot make out the publication details in Kanji, this is a nicely illustrated survey of paintings, collages, and frottages dating to the late fifties. A most presentable copy of this uncommon item showing a bit of handling to the textblock, some chips and closed tears to the dust jacket, and the previous owner's stamp of noted artist Sam Francis on the inside rear cover. Inventory Number: 008868

$ 85.00 order/inquire

 

 
 

(ERNST, MAX). Ernst, Max. LIEUX COMMUNS: ONZE POEMES ET DOUZE COLLAGES DE MAX ERNST. Milan, ITALY: Galerie Alexande Iolas, 1971. First Edition 1/1000. Folio. Loose Prints in a Portfolio. Illustrated Book. Near Fine/No Jacket - As Issued. np (36pp), 12 color illustrations (in nine signatures) laid into the publisher's silkscreened cloth portfolio, as issued. Text in French. Limited to one thousand copies published in 1971 by Ernst's renowned art dealer Alexandre Iolas, this sumptuous livre d'artiste printed by Sergio Tosi reproduces twelve collages by the artist in vivid photolithography juxtaposed with eleven brief accompanying poems. A most handsome copy showing a few minor abrasions to the exterior of the portfolio and a light brown smudge to the inside front cover. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its weight and value - we will inform you of the applicable amount at time of purchase. Inventory Number: 003881

$ 550.00 order/inquire

 

 
 

(ERNST, MAX). Ernst, Max. MAX ERNST: PERTURBATIONS - DELICES ET ORGUES. Paris: Galerie Alexande Iolas, 1973. First Edition 1/1000. 8vo. Illustrated Self-Wrappers. Artist Monograph. Near Fine. np (52pp), 15 color and 5 b&w illustrations. Text in French. Published in conjunction with a 1973 exhibition at Ernst's longtime art dealer Alexandre Iolas, this sumptuous exhibition catalogue reproduces fifteen paintings and collages with five silver bas-reliefs by the artist in gravure on Arches watercolor paper. Limited to one thousand copies only, this is a most handsome example. Inventory Number: 008869

$ 75.00 order/inquire

 

 
 

(GUSTON, PHILIP) (DE CHRICO, GIORGIO). Taylor, Michael R. & Lisa Melandri. Foreword by Elsa Longhauser. ENIGMA VARIATIONS: PHILIP GUSTON AND GIORGIO DE CHIRICO. Santa Monica, CA: Santa Monica Museum of Art, 2006. First Edition. Oblong 4to. Illustrated Wrappers. Artists Monograph. Fine. 64pp, 26 color and 29 b&w illustrations. Designed by William Longhauser. With an exhibition checklist. This is the scholarly catalogue published in conjunction with a thoughtful 2006 Santa Monica Museum of Art exhibition that compared and contrasted the paintings of Philip Guston to those of Giorgio De Chirico. A most handsome copy. 0-9745108-2-3 Inventory Number: 021905

$ 40.00 order/inquire

 

 
 

(HUGNET, GEORGES) (DUCHAMP, MARCEL). Hugnet, Georges. GEORGES HUGNET: LA SEPTIEME FACE DU DÉ: POEMES - DECOUPAGES (COUVERTURE DE MARCEL DUCHAMP). Paris: Editions Jeanne Bucher, 1936. First Edition 1/250. 4to. Sewn Illustrated Wrappers. Livre D'Artiste. Good +./No Jacket - As Issued.. (84pp), profusely illustrated in small woodcuts along with 15 color and 5 full page monochrome collotype plates + b&w cover. Cover designed by Marcel Duchamp. Text in French. In a protective clear acetate dustwrapper. "La Septieme Face du Dé" is repeatedly acknowledged as one of the triumphs of the Surrealist illustrated book. It masterfully combines twenty of Hugnet's prose poems alongside overtly erotic, beautifully collaged and photomontaged images. The cover design and typography by Marcel Duchamp was created especially for the publication featuring a Man Ray photograph of the sculpture "Why Not Sneeze Rrose Selavy". Cited on pages 92-93 of "The Book of 101 Books", this example (number forty-four of the two hundred and fifty copies on vélin) shows soiling, patination, and wear to the wrappers - most notably a tiny chip missing from the front cover at the crown of the spine and diagonal soft-creases through each of its foredge corners. The top and bottom edges of the wrappers show some wear and abrading, and the rear cover is slightly sunned along its extremities. The contents and textblock are intact and sound, and for the most part quite bright though showing a bit of foxing to the inside front cover, the front free endpaper, and the first few pages along the foredge. The edges display typical mild age patination and soiling, and there is in addition a tiny diagonal soft-crease to a portion of the textblock at the upper foredge corner. Still in all, it is a most presentable copy of this exquisite tome (housed in a modest custom cloth chemise slipcase) that has been priced accordingly. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its value - we will inform you of the applicable amount at time of purchase. Inventory Number: 016520

$ 11000.00 order/inquire

 

 
 

(JARRY, ALFRED). De Galle, Bertrand, Waldemar Gielarek, Jose Pierre, Henri Behar, Noel Arnaud & Gabriel Mace. UBU: CENT ANS DE REGNE. Paris: Musee-Galerie De La Seita, 1989. First Edition. Square 8vo. Illustrated Wrappers. Artist Monograph. Fine. 96pp, profusely illustrated in b&w and color. Text in French. With a biography. Published in conjunction with a 1989 French Museum exhibition celebrating all things "Pere Ubu", this stylish catalogue depicts literary lion Alfred Jarry's famed creation in print, caricature, art, photography, theatre, and film. It reproduces likenesses by Jarry himself, Joan Miro, Matta, Dora Maar, Georges Rouault, Pierre Bonnard, Max Ernst, Ossip Zadkine, Victor Brauner, Gyp, and many, many more. A most handsome copy. 2-906-524-40-9 Inventory Number: 017619

$ 50.00 order/inquire

 

 
 

(LA BRECHE: ACTION SURREALISTE). Breton, Andre, Director. Robert Benayoun, Gerard Legrand, Jose Pierre & Jean Schuster, Editors. LA BRECHE: ACTION SURREALISTE 2 - MAI (19)62. Paris: Le Terrain Vague, 1962. First Edition. 4to. Illustrated Wrappers. Periodical. Very Good. 73pp, profusely illustrated in b&w. Text in French. This is the second installment (of eight total) of Andre Breton's sixties Surrealist inflected art & literary journal "La Breche". Contributors to this issue include: Toyen, Jurgen Baltrusaitis, Maurice Blanchot, Jorge-Luis Borges, Roger Callois, Mircea Eliade, Julien Gracq, Karl Jaspers, Claude Levi-Strauss, Henri Michaux, Edgar Morin, Saint-John Perse, Arnold Toynbee, Robert Benayoun & Jose Pierre, Guy Selz, Jean Markale, Micheline Bounoure, Jehan Mayoux, Alain Joubert, Gerard Legrand, Joyce Mansour, Vincent Bounoure, Radovan Isvic, Mimi Parent, Guy Cabanel, Edouard Jaguer, Jean Benoit, Andre Breton, and more. A handsome copy, showing an unobtrusive Library date stamp on the front cover, but no additional stamps, pockets or accession markings of any kind. Inventory Number: 007030

$ 50.00 order/inquire

 

 
 

(LA BRECHE: ACTION SURREALISTE). Breton, Andre, Director. Robert Benayoun, Gerard Legrand, Jose Pierre & Jean Schuster, Editors. LA BRECHE: ACTION SURREALISTE 3 - SEPTEMBRE (19)62. Paris: Le Terrain Vague, 1962. First Edition. 4to. Illustrated Wrappers. Periodical. Very Good. 80pp, profusely illustrated in b&w. Text in French. This is the third installment (of eight total) of Andre Breton's sixties Surrealist inflected art & literary journal "La Breche". Contributors to this issue include: Toyen, Alberto Gironella, Konrad Klapheck, Jacques Lacomblez, Rene Magritte, Man Ray, Matija Skurjeni, Guy Hallart, Robert Benayoun, Jose Pierre, Arrabal, Alain Joubert, Gerard Legrand, Joyce Mansour, Vincent Bounoure & Jose Pierre, Radovan Isvic, Mimi Parent, Guy Cabanel, Edouard Jaguer, Charles Cros, Oscar Panizza, Jean-Claude Barbe, Ragnar Von Holten, Jean Schuster, Roger Callois, Edgar Morin, Andre Breton, and more. A handsome copy. Inventory Number: 007031

$ 50.00 order/inquire

 

 
 

(LA BRECHE: ACTION SURREALISTE). Breton, Andre, Director. Robert Benayoun, Vincent Bounoure, Gerard Legrand, Jose Pierre & Jean Schuster, Editors. LA BRECHE: ACTION SURREALISTE 6 - JUIN (19)64. Paris: Le Terrain Vague, 1964. First Edition. 4to. Illustrated Wrappers. Periodical. Very Good -. 96pp, profusely illustrated in b&w. Text in French. This is the sixth installment (of eight total) of Andre Breton's sixties Surrealist inflected art & literary journal "La Breche". Contributors to this issue include: Toyen, James Rosenquist, Adrien Dax, Guy Hallart, Konrad Klapheck, Jean Terossian, Gabriel Der Kevorkian, Jorge Camacho, Reinhoud, Jean-Claude Barbe, Pierre-Yves Lemaitre, Philippe Audoin, Jose Pierre, Jean-Claude Silbermann, Robert Benayoun, Malcolm De Chazal, Alain Joubert, Gerard Legrand, Joyce Mansour, Elizabeth Lenk, Pierre Dhainaut, Vincent Bounoure, Jean-Louis Bedouin, Radovan Isvic, Robert Guyon, Mimi Parent, Jean Schuster, Andre Breton, and more. A handsome copy, showing an unobtrusive Library date stamp on the front cover, but no additional stamps, pockets or accession markings of any kind. Inventory Number: 007033

$ 45.00 order/inquire

 

 
 

(LAM, WIFREDO). Littman, Roberto, Roberto Cobas Amate, Severo Sarduy, Philippe Soupault, Sylvia Navarrette & Julia P. Herzberg. WIFREDO LAM 1902-1982: OBRA SOBRE PAPEL. Mexico City: Fundacion Cultural Televisa, AC, 1992. First Edition 1/1000. 4to. Illustrated Wrappers. Artist Monograph. Fine. 128pp, profusely illustrated in color and b&w. With an exhibition checklist and biography. Text in Spanish. This is the lavish catalogue published in conjunction with a 1992 Fundacion Cultural Televisa retrospective exhibition of works by the late Cuban Surrealist artist Wifredo Lam. A most handsome copy of this uncommon document (Televisa's catalogues were produced in small print runs and typically only distributed amongst Mexico City's wealthy). 968-6191-38-0 Inventory Number: 021508

$ 85.00 order/inquire

 

 
 

(MAN RAY) (PAOLINI, GIULIO) (BOLAFFIARTE). Man Ray & Giulio Paolini. BOLAFFIARTE N. 31, ANNO IV: GIUGINO-LUGLIO 1973 - WITH ORIGINAL GRAPHICS BY MAN RAY AND GIULIO PAOLINI. Torino, ITALY: Bolaffi & Mondadori Editori, 1973. First Edition 1/5000. 4to. Illustrated Wrappers. Periodical. Very Good -. 136pp, profusely illustrated in color and b&w, with two 11 3/4 x 9 1/4" original graphics laid in. Text in Italian. This is the thirty-first installment of the Italian Arts magazine "BolaffiArte". Amongst the more interesting articles here are features on American Land Art (Michael Heizer and Robert Smithson) and Hippie Communes in the Southwest - both with photographs by Gianfranco Gorgoni, collectors Dorothy and Herbert Vogel, Conceptual Art and Arte Povera 1966 - 1969, and a section devoted to Man Ray. For the issue, Man Ray was commissioned to create an original work of art utilizing the letter "R" (as part its "L'Alfabebeto di BolaffiArte" series), which was then reproduced utilizing the photolithographic process and included as a loose insert. It consists of an embossed sheet of cardstock which has been overprinted with a stylized "Man Ray" in dark green, save for the "R" printed in red. In addition, noted Italian Arte Povera/Conceptual artist Giulio Paolini has contributed an original insert entitled "Vedo, 1969 (la decifrazione del mio campo visivo)". A most presentable copy with like inserts showing a bit of overall light wear and a slight dent at the heel of the spine. It has been priced accordingly. Inventory Number: 009218

$ 150.00 order/inquire

 

 
 

(MAN RAY). Baum, Timothy, G. Ray Hawkins, David Fahey, Man Ray & Juliet Man Ray. CAFE MAN RAY . Los Angeles: G. Ray Hawkins Gallery, Inc., 1986. First Edition 1/1985. Square 8vo. Loose Contents in a Box. Photography Monograph. Fine./No Jacket - As Issued. 15 individual components housed in a cardboard box with pastedowns. Designed by Sandy Iwataki and G. Ray Hawkins. This is an exceedingly elaborate Man Ray item published in conjunction with the tenth anniversary exhibition of Los Angeles' G. Ray Hawkins Gallery. The show itself was an elaborate homage to Man Ray, and his special relationship with the city he called home for several years after the Second World War. It consisted of one hundred and eighty-two photographs, paintings, drawings, objects, and graphics. This catalogue/object contains fifteen loose elements, each unique to this publication. They are (a): title page, colophon, "Dada Manifesto" by Man Ray, printed envelope containing "A Sealed Object of Appreciation", "The Unfolding Interview" between Juliet Man Ray and David Fahey, letter from Timothy Baum, lapel button reproducing a Man Ray photographic self portrait, perforated sheet of forty-nine "Cafe Man Ray" gummed stamps - with images of artworks on them, two "Cafe Man Ray" paper match boxes, "This is Cafe Man Ray" - a large matchbook-type cover containing a silver contact print of the installed exhibition, checklist of the gallery's first ten years of activity, exhibition checklist, and an acknowledgements page. These are all housed in the publisher's black, velvet-lined cardboard box with three printed pastedowns, as issued. A most handsome copy of this unique and uncommon work. Inventory Number: 012155

$ 100.00 order/inquire

 

 
 

(MAN RAY). Powers, Dennis H. Foreword by Robert Doty & Paul Doty. MAN RAY: SELECTIONS FROM THE COLLECTION OF DENNIS H. POWERS. New York: Light Gallery, 1985. First Edition. 8vo. Printed Stapled Wrappers. Photography Monograph. Fine. np (36pp), 48 duotone illustrations. Designed by Dennis H. Powers. With an exhibition checklist. This is the catalogue produced to accompany a 1985 New York exhibition of seventy-three photographs, books, prints and objects by Man Ray drawn from the collection of Dennis H. Powers. A pristine copy. Inventory Number: 016246

$ 30.00 order/inquire

 

 
 

(MASSON, ANDRE). Masson, Andre. NOCTURNAL NOTEBOOK: ANDRE MASSON. New York: Curt Valentin, 1944. First Edition 1/665. 4to. Illustrated Self-Wrappers. Artist Monograph. Near Fine. 31pp, 14 b&w illustrations. Printed by the Marchbanks Press. In a protective clear acetate dustwrapper. "A mere witness of a sleepless night, this is all this little book claims to be. These drawings were made in a few hours one night in May 1942, and are presented in the order of their appearance". A most handsome copy of this facsimile of Masson's Surrealist sketches executed during the artist's wartime stay in New York. Inventory Number: 000728

$ 150.00 order/inquire

 

 
 

(MATTA ECHAURREN). Yares Gallery, Riva. MATTA: PAINTINGS AND SCULPTURE. Scottsdale, AZ: Riva Yares Gallery, 1991. First Edition. Oblong 8vo. Stapled Illustrated Wrappers. Artist Monograph. Near Fine. 16pp, 9 color and 4 b&w illustrations + color cover. With an exhibition checklist, biography and bibliography. This is the catalogue published in conjunction with a 1991 gallery exhibition of seventeen then recent works by the Chilean-born Surrealist artist Roberto Sebastian Matta Echaurren. A handsome copy. Inventory Number: 021365

$ 30.00 order/inquire

 

 
 

(MIRO, JOAN) (ARTIGAS, LLORENS & JOANET GARDY). Galvan, Jose M. Moreno & Jean Pierre Lemesle. LLORENS ARTIGAS, JOANET GARDY ARTIGAS - WITH AN ORIGINAL LITHOGRAPHIC COVER BY JOAN MIRO. Mallorca, SPAIN: Sala Pelaires, 1971. First Edition 1/1000. 8vo. Color Lithographic Wrappers. Artist Monograph. Very Good -. 36pp, illustrated in color and b&w. Text in Catalan, Spanish and French. This elegant little Spanish exhibition catalogue for Catalan ceramicists Llorens and Joanet Gardy Artigas features an original gatefold color lithographic cover executed by Joan Miro. A handsome copy (entry number one hundred and forty-one in Patrick Cramer's "Joan Miro: The Illustrated Books - Catalogue Raisonné) showing a bit of light soiling as well as slight bumps to both foredge corners. Inventory Number: 012903

$ 150.00 order/inquire

 

 
 

(MIRO, JOAN) (DERRIERE LE MIROIR). Miro, Joan, Pierre Alechinsky and Jacques Dupin. DERRIERE LE MIROIR (DLM) NO. 193/194 OCTOBRE-NOVEMBRE 1971: JOAN MIRO - WITH THREE ORIGINAL LITHOGRAPHS. Paris: Maeght Editeur, 1971. First Edition. Folio. Illustrated Wrappers. Art Periodical. Very Good -. 40pp, profusely illustrated in color and b&w. Text in French. This is a monographic edition of Maeght's legendary periodical "Derriere Le Miroir" (featuring the great artists and writers of the 20th Century) devoted solely to Joan Miro's 1971 exhibition of one hundred and two works on paper. It contains three original color lithographs, nine additional color lithographs after Miro, plus fifty-six black and white illustrations. A most presentable copy (entry number one hundred and forty-five in Patrick Cramer's "Joan Mirò: The Ilustrated Books - Catalogue Raisonné") showing some slight fraying to the cover at the extremities of the spine as well as a slight dent through the textblock at the heel of the spine. It has been priced accordingly. Inventory Number: 012259

$ 250.00 order/inquire

 

 
 

(MIRO, JOAN) (DERRIERE LE MIROIR). Miro, Joan, Pierre Alechinsky and Jacques Dupin. DERRIERE LE MIROIR (DLM) NO. 193/194 OCTOBRE-NOVEMBRE 1971: JOAN MIRO - WITH THREE ORIGINAL LITHOGRAPHS. Paris: Maeght Editeur, 1971. First Edition. Folio. Illustrated Wrappers. Art Periodical. Near Fine. 40pp, profusely illustrated in color and b&w. Text in French. This is a monographic edition of Maeght's legendary periodical "Derriere Le Miroir" (featuring the great artists and writers of the 20th Century) devoted solely to Joan Miro's 1971 exhibition of one hundred and two works on paper. It contains three original color lithographs, nine additional color lithographs after Miro, plus fifty-six black and white illustrations. A bright, handsome copy (entry number one hundred and forty-five in Patrick Cramer's "Joan Mirò: The Ilustrated Books - Catalogue Raisonné"). It has been priced accordingly. Inventory Number: 012258

$ 270.00 order/inquire

 

 
 

(MIRO, JOAN). Miro, Joan. JOAN MIRO: OEUVRE GRAVE ET LITHOGRAPHIE - WITH AN ORIGINAL LITHOGRAPHIC COVER. Geneva, SWITZERLAND: Galerie Gerald Cramer, 1969. First Edition 1/1650. Oblong 4to. Color Lithographic Wrappers. Artist Monograph. Very Good. 25pp, 9 b&w tipped illustrations. Text in French. Issued in conjunction with a 1969 Geneva gallery exhibition of fifty-one graphic works by Joan Miro, the cover of this elegant exhibition catalogue is an original gatefold color lithograph executed by the artist especially for this publication. A handsome copy (entry number one hundred and twenty-seven in Patrick Cramer's "Joan Mirò: The Ilustrated Books - Catalogue Raisonné") showing a slight dent to the lower edge of the front cover. Inventory Number: 007882

$ 225.00 order/inquire

 

 
 

(OCTOBER). Copjec, Joan, Douglas Crimp, Rosalind Krauss & Annette Michelson, Editors. OCTOBER 19: ART/ THEORY/ CRITICISM/ POLITICS - WINTER 1981. Cambridge, MA & New York: MIT Press for the Institute for Architecture and Urban Studies, 1981. First Edition. 8vo. Printed Wrappers. Journal. Good -. 122pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: The Photographic Conditions of Surrealism - Rosalind Krauss; New Translations of Flowers of Evil - Richard Howard; Velazquez' Las Meninas - Leo Steinberg; Notes on the Reemergence of Allegory, the Forgetting of Modernism, the Necessity of Rhetoric, and the Conditions of Publicity in Art and Criticism - Stephen Melville; Rymans' Tact - Yve-Alain Bois; The New French Culture: An Interview with Guy Hocquenghem - Douglas Crimp. An internally handsome copy showing a series of pinhole-sized indentations across the front cover along with a dent running through the textblock at the upper foredge corner. It has been priced accordingly. ISSN 0162-2879 Inventory Number: 021678

$ 50.00 order/inquire

 

 
 

(OCTOBER). Copjec, Joan, Douglas Crimp, Rosalind Krauss & Annette Michelson, Editors. OCTOBER 30: ART/ THEORY/ CRITICISM/ POLITICS - FALL 1984. Cambridge, MA & New York: MIT Press for the Institute for Architecture and Urban Studies, 1984. First Edition. 8vo. Printed Wrappers. Journal. Fine. 132pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: Broadness and Diversity of the Ludwig Brigade - Hans Haacke; An Unpublished Text for an Unpainted Picture - Walter Grasskamp; A Conversation With Hans Haacke - Yve-Alain Bois, Douglas Crimp & Rosalind Krauss; From Faktura to Factography - Benjamin H.D. Buchloh; Francis Picabia: From Dada to Petain - Yve-Alain Bois. A most handsome copy. 0-262-75180-1 Inventory Number: 021674

$ 40.00 order/inquire

 

 
 

(OCTOBER). Copjec, Joan, Douglas Crimp, Rosalind Krauss & Annette Michelson, Editors. OCTOBER 37: ART/ THEORY/ CRITICISM/ POLITICS - SUMMER 1986. Cambridge, MA: MIT Press Journals, 1986. First Edition. 8vo. Printed Wrappers. Journal. Near Fine. 140pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: In Praise of Horizontality - Annette Michelson; The Religion of the Caves, The Hands of Gargas - Andre Leroi-Gourhan; Originality as Repetition - Rosalind Krauss; The Primary Colors for the Second Time - Benjamin H.D. Buchloh; Ready-Made Originals - Molly Nesbit; Repetition, Obsession - Steven Z. Levine; The Origin without an Original - Linda Nochlin; Antiquity Now - Michael Fried; In Praise of Appearance - Louis Marin; Manet's Imagery Reconstructed - Klaus Herding; Painting as Model - Yve-Alain Bois. A most handsome copy. 0-262-75187-9 Inventory Number: 018280

$ 50.00 order/inquire

 

 
 

(OCTOBER). Copjec, Joan, Douglas Crimp, Rosalind Krauss, Annette Michelson & Terri Cafaro, Editors. OCTOBER 43: ART/ THEORY/ CRITICISM/ POLITICS - WINTER 1987: AIDS - CULTURAL ANALYSIS, CULTURAL ACTIVISM. Cambridge, MA: MIT Press Journals, 1987. First Edition. 8vo. Printed Wrappers. Journal. Very Good -. 272pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this special thematic issue devoted to AIDS and cultural activism include: AIDS: Cultural Analysis / Cultural Activism - Douglas Crimp; AIDS: Keywords - Jan Zita Grover; AIDS, Homophobia, and Biomedical Discourse: An Epidemic of Signification - Paula A. Treichler; The Spectacle of AIDS - Simon Watney; AIDS and Syphilis: the Iconography of Disease - Sander L. Gilman; Pictures of Sickness: Stuart Marshall's Bright Eyes - Martha Gever; The Second Epidemic - Amber Hollibaugh, Mitchell Karp, and Katy Taylor; Fighting the Victim Label - Max Navarre; PWA Coalition Portfolio; Needed (For Women and Children) - Suki Ports; Further Violations of Our Rights - Carol Leigh; Picture a Coalition - Gregg Bordowitz; Is the Rectum a Grave? - Leo Bersani; AIDS in the Two Berlins - John Borneman; How to Have Promiscuity in an Epidemic - Douglas Crimp. An internally most handsome copy showing some light overall soiling and handling along with a small diagonal soft crease to the front cover at the lower foredge corner. It has been priced accordingly. 0-262-75193-3 Inventory Number: 021667

$ 50.00 order/inquire

 

 
 

(OCTOBER). Copjec, Joan, Douglas Crimp, Rosalind Krauss, Annette Michelson & Terri L. Cafaro, Editors. OCTOBER 51: ART/ THEORY/ CRITICISM/ POLITICS - WINTER 1989. Cambridge, MA: MIT Press Journals, 1989. First Edition. 8vo. Printed Wrappers. Journal. Near Fine. 142pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: Mourning and Militancy - Douglas Crimp; Flaming Closets - Michael Moon; Kant with Sade - Jacques Lacan; From Breton to Dali: the Adventures of Automatism - Laurent Jenny; A Conversation with October - The V-Girls (Martha Baer, Erin Cramer, Jessica Chalmers, Andrea Fraser, Marianne Weems). A most handsome copy. 0-262-75201-8 Inventory Number: 021661

$ 40.00 order/inquire

 

 
 

(OCTOBER). Copjec, Joan, Rosalind Krauss, Annette Michelson & Martha Buskirk, Editors. OCTOBER 33: ART/ THEORY/ CRITICISM/ POLITICS - SUMMER 1985. Cambridge, MA: MIT Press Journals, 1985. First Edition. 8vo. Printed Wrappers. Journal. Fair. 120pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: Michel Foucault - Erotics, Rosalind Krauss - Corpus Delicti; Denis Hollier - Bataille's Tomb: A Halloween Story; Jane Gallop - Annie Leclerc Writing a Letter, With Vermeer. A presentable copy only from the library of the late R.B. Kitaj showing light overall wear and soiling as well as underlining in both pencil and ink in the artist's hand throughout. It has been priced accordingly. 0-262-75183-6 Inventory Number: 021673

$ 15.00 order/inquire

 

 
 

(OCTOBER). Krauss, Rosalind, Annette Michelson, George Baker, Yve-Alain Bois, Benjamin H.D. Buchloh, Hal Foster, Denis Hollier, David Joselit, Carrie Lambert-Beatty, Mignon Nixon, Malcolm Turvey & Adam Lehner, Editors . OCTOBER 127: ART/ THEORY/ CRITICISM/ POLITICS - WINTER 2009. Cambridge, MA: MIT Press Journals, 2009. First Edition. 8vo. Printed Wrappers. Journal. Fine. 166pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: Drawing Blanks: Notes on Andy Warhol's Late Works - Benjamin H.D. Buchloh, Flou: Rayographs and the Dada Automatic - Susan Laxton, Speak, Painting: Word and Device in Early Johns - Harry Cooper, From Abstraction to Model: George Brecht's Events and the Conceptual Turn in Art of the 1960s - Julia Robinson, "It has to do with the theater": Bruce Conner's Ratbastards - Kevin Hatch, Remarks on Abstraction - Hubert Damisch, and In Memory of Robert Rauschenberg (1925-2008) - Rosalind Krauss. A most handsome copy. 0-262-75277-8 Inventory Number: 019989

$ 25.00 order/inquire

 

 
 

(OCTOBER). Krauss, Rosalind, Annette Michelson, George Baker, Yve-Alain Bois, Benjamin H.D. Buchloh, Leah Dickerman, Hal Foster, Denis Hollier, David Joselit, Carrie Lambert-Beatty, Mignon Nixon, Malcolm Turvey & Adam Lehnner, Editors. OCTOBER 131: ART/ THEORY/ CRITICISM/ POLITICS - WINTER 2010. Cambridge, MA: MIT Press Journals, 2010. First Edition. 8vo. Printed Wrappers. Journal. Fine. 154pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: Hiroshima After Iraq: A Study in Art and War - Rosalyn Deutsche, Advertising, Rhythm, and the Filmic Avant-Garde in Weimar: Guido Seeber and Julius Pinschewer's Kipho Film - Michael Cowan, Cinema by Other Means - Pavle Levi, "Big, Middle-Class Modernism" - Richard Meyer, and Leather and Lace - George Baker. A most handsome copy. 0-262-75281-6 Inventory Number: 021215

$ 25.00 order/inquire

 

 
 

(OCTOBER). Krauss, Rosalind, Annette Michelson, George Baker, Yve-Alain Bois, Benjamin H.D. Buchloh, Leah Dickerman, Hal Foster, Denis Hollier, Mignon Nixon, Malcolm Turvey, Lisa Pasquariello & Catherine de Zegher, Editors. OCTOBER 103: ART/ THEORY/ CRITICISM/ POLITICS - WINTER 2003. Cambridge, MA: MIT Press Journals, 2003. First Edition. 8vo. Printed Wrappers. Journal. Near Fine. 103pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: An Allegory of Criticism - David Joselit; The Material of Film and the Idea of Cinema: Contrasting Practices in Sixties and Seventies Avant-Garde Film - Jonathan Walley; Solecisms of Sight: Specular Speculations - Robert Morris; Line Describing a Cone and Related Films - Anthony McCall; Other Voices for a Second Sight - Vito Acconci. A handsome copy. 0-262-75253-0 Inventory Number: 014992

$ 25.00 order/inquire

 

 
 

(OCTOBER). Krauss, Rosalind, Annette Michelson, Yve-Alain Bois, Benjamin H.D. Buchloh, Hal Foster, Denis Hollier, Mignon Nixon & Carrie Lambert, Editors. OCTOBER 97: ART/ THEORY/ CRITICISM/ POLITICS - SUMMER 2001 . Cambridge, MA: MIT Press Journals, 2001. First Edition. 8vo. Printed Wrappers. Journal. Fine. 130pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: Blinded Insights: On the Modernist Reception of the Art of the Mentally Ill - Hal Foster; Tactile Translucence: Miró, Leiris, Einstein - Charles Palermo; The Artwork Caught by the Tail - George Baker; Duchamp's Labyrinth: First Papers of Surrealism, 1942 - T.J. Demos; Remarks on Some Tendencies of the "Vienna Group" - Oswald Wiener. A most handsome copy. 0-262-75245-X Inventory Number: 014994

$ 25.00 order/inquire

 

 
 

(OCTOBER). Krauss, Rosalind, Annette Michelson, Yve-Alain Bois, Benjamin H.D. Buchloh, Hal Foster, Denis Hollier, Mignon Nixon & Carrie Lambert, Editors. OCTOBER 97: ART/ THEORY/ CRITICISM/ POLITICS - SUMMER 2001. Cambridge, MA: MIT Press Journals, 2001. First Edition. 8vo. Printed Wrappers. Journal. Near Fine. 130pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: Blinded Insights: On the Modernist Reception of the Art of the Mentally Ill - Hal Foster; Tactile Translucence: Miro, Leiris, Einstein - Charles Palermo; The Artwork Caught by the Tail - George Baker; Duchamp's Labyrinth: First Papers of Surrealism, 1942 - T.J. Demos; Remarks on Some Tendencies of the "Vienna Group" - Oswald Wiener. An otherwise most handsome copy showing two lines of whited-out annotation on page fourteen. It has been priced accordingly 0-262-75245-X Inventory Number: 021648

$ 15.00 order/inquire

 

 
 

(OCTOBER). Krauss, Rosalind, Annette Michelson, Yve-Alain Bois, Benjamin H.D. Buchloh, Hal Foster, Denis Hollier, Silvia Kolbowski, Malcolm Turvey & Catherine de Zegher, Editors. OCTOBER 84: ART/ THEORY/ CRITICISM/ POLITICS - SPRING 1998. Cambridge, MA: MIT Press Journals, 1998. First Edition. 8vo. Printed Wrappers. Journal. Very Good. 144pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: The MoMA Expansion: A Conversation with Terence Riley - Hal Foster, Denis Hollier, Silvia Kolbowski and Rosalind Krauss; Cezanne: Words and Deeds - Yve-Alain Bois; Arche-tectures: Matisse and the End of (Art) History - Alastair Wright; Figures of the Pseudorevolution - Brigid Doherty; In the Laboratory of Constructivism: Karl Ioganson's Cold Structures - Maria Gough; and Mondrian, Hegel, Boogie - Harry Cooper. A handsome copy showing some slight wear to the covers along with a slight dent to the crown of the spine. It has been priced accordingly ISSN 0162-2870 Inventory Number: 021654

$ 25.00 order/inquire

 

 
 

(OCTOBER). Krauss, Rosalind, Annette Michelson, Yve-Alain Bois, Benjamin H.D. Buchloh, Hal Foster, Denis Hollier, Silvia Kolbowski, Mignon Nixon, Homi Bhabha & Melissa Mathis, Editors. OCTOBER 69: ART/ THEORY/ CRITICISM/ POLITICS - SUMMER 1994. Cambridge, MA: MIT Press Journals, 1994. First Edition. 8vo. Printed Wrappers. Journal. Near Fine. 144pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: Reception of the Sixties - Round Table (Rosalind Krauss, Denis Hollier, Annette Michelson, Silvia Kolbowski, Martha Buskirk, Benjamin Buchloh); In Defense of Abstract Expressionism - T.J. Clark; Another Hesse - Anne M. Wagner; Nostalgia of the Body - Lygia Clark; Surrealist Precipitates - Denis Hollier; Introduction to the Discourse on the Paucity of Reality - Andre Breton. A most handsome copy. 0-262-75219-0 Inventory Number: 021657

$ 40.00 order/inquire

 

 
 

(OCTOBER). Krauss, Rosalind, Douglas Crimp & Annette Michelson, Editors. OCTOBER 10: ART/ THEORY/ CRITICISM/ POLITICS - FALL 1979. Cambridge, MA: MIT Press Journals, 1979. First Edition. 8vo. Printed Wrappers. Journal. Very Good. 136pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over twenty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: The Duchamp Defense - Hubert Damisch; A Conversation about Glacial Deocy - Trisha Brown and Yvonne Rainer; A Portfolio of Photographs of Trisha Brown's Work - Babette Mangolte; The Function of the Studio - Daniel Buren; Preliminary Notes on the Pragmatic of Works: Daniel Buren - Jean-Francois Lyotard; Richard Serra's Films: An Interview - Annette Michelson, Richard Serra, and Clara Weyergraf; Vision in Process - Birgit Pelzer; Earthwords - Craig Owens. A handsome copy showing some light wear and soiling to the wrappers. Inventory Number: 021684

$ 60.00 order/inquire

 

 
 

(OCTOBER). Krauss, Rosalind, Douglas Crimp, Annette Michelson & Sarah Clark-Langager, Editors. OCTOBER 15: ART/ THEORY/ CRITICISM/ POLITICS - WINTER 1980. Cambridge, MA: MIT Press for the Institute for Architecture and Urban Studies, 1980. First Edition. 8vo. Printed Wrappers. Journal. Good. 110pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: Film Review from Sur - Jorge Luis Borges; Reading Delacroix's Journal - Hubert Damisch; Nebula, The Powdered Sugar Princess - Joseph Cornell; Silently, by Means of a Flashing Light - Thomas Lawson; The New Adventures of the Avant-Garde in America - Serge Guilbaut; The Significance of Literature: The Importance of Being Earnest - Joel Fineman; The Photographic Activity of Postmodernism - Douglas Crimp; Jump over the Bauhaus - Rosalind Krauss. A most presentable copy showing some light overall wear and soiling, a slight dent through the lower foredge tip of the textblock, and a diagonal cut that has removed the upper foredge tip of the front cover. It has been priced accordingly. ISSN 0162-2879 Inventory Number: 021681

$ 35.00 order/inquire

 

 
 

(OCTOBER). Krauss, Rosalind, Douglas Crimp, Craig Owens & Annette Michelson, Editors. OCTOBER 11: ART/ THEORY/ CRITICISM/ POLITICS - WINTER 1979: ESSAYS IN HONOR OF JAY LEYDA. Cambridge, MA: MIT Press Journals, 1979. First Edition. 8vo. Printed Wrappers. Journal. Very Good. 168pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this special issue cum festschriften in honor of the seventieth birthday of the noted film historian and photographer Jay Leyda include: Walker Evans' Message from the Interior: A Reading - Alan Trachtenberg; Dr. Crase and Mr. Clair - Annette Michelson; An Interview - Mikhail Kaufman; Film's Institutional Mode of Representation and the Soviet Response - Noel Burch; Image and Title in Avant-Garde Cinema - P. Adams Sitney; El Lissitzky: Reading Lessons - Yve-Alain Bois; Stieglitz / Equivalents - Rosalind Krauss; Jay Leyda: A Portfolio of Photographs, A Brief Chronology, A Bibliography. A handsome copy of this uncommon early issue. ISSN 0162-2870 Inventory Number: 020045

$ 60.00 order/inquire

 

 
 

(PICABIA, FRANCIS). Picabia, Francis. LA LOI D'ACCOMODATION CHEZ LES BORGNES: "SURSUM CORDA" (FILM EN 3 PARTIES). Paris: Editions Th. Briant, 1928. First Edition 1/350. 4to. Illustrated Wrappers. Artists' Book. Fine. 35pp, 1 b&w illustration + color cover. Text in French. In a protective clear acetate dustwrapper. "La Loi D'Accomodation Chez les Borgne "Sursum Corda" (Film en 3 Parties)" is a 1928 film scenario by the Dada/Surrealist pioneer Francis Picabia. This is one of three hundred copies printed on Velin D'Arches paper - number 350 of a total edition of three hundred and fifty copies. An exceptionally bright, beautifully preserved example of this uncommon and fragile item showing just a bit of light handling and soiling to its white wrappers. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its value - we will inform you of the applicable amount at time of purchase. Inventory Number: 003200

$ 900.00 order/inquire

 

 
 

(SADE, MARQUIS THIBAULT DE). Bezzola, Tobia, Michael Pfister & Stefan Zweifel, Editors. SADE / SURREAL: DER MARQUIS DE SADE UND DIE EROTISCHE FANTASIE DES SURREALISMUS IN TEXT UND BILD. Ostfildern-Ruit, GERMANY & Zurich, SWITZERLAND: Hatje Cantz Verlag & Kunsthaus Zurich, 2002. First Edition. 4to. Debossed Flocked Boards. Exhibition Catalog. Fine/No Jacket - As Issued. 308pp, profusely illustrated in color and b&w. Text in German. This is the substantial, copiously illustrated hardbound catalogue produced for the 2002 Kunsthaus Zurich exhibition "Sade / Surreal" that combines essays about, and artwork related to the Marquis De Sade and his influence on Surrealist imagery. The usual suspects rounded up here include Hans Bellmer, Alberto Giacometti, Alfred Kubin, Jean-Jacques Lebel, Rene Magritte, Man Ray, Francis Picabia, Felicien Rops, Jindrich Styrsky, and many, many more. A most handsome copy of this book/object appropriately sensuously bound in debossed maroon flocked boards. 3-7757-1065-5 Inventory Number: 014741

$ 90.00 order/inquire

 

 
 

(SCHWITTERS, KURT). Hopps, Walter & Kate T. Steinitz. KURT SCHWITTERS (AT THE PASADENA ART MUSEUM JUNE 19 TO JULY 20, 1962). Pasadena, CA: Pasadena Art Museum, 1962. First Edition. Small 4to. Stapled Illustrated Wrappers. Artist Monograph. Very Good +. np (24pp), 10 b&w and 1 tipped color illustration + b&w covers. Designed by Robert Ellis. With an exhibition checklist and chronology. This is the slender yet charming twenty-four page catalogue published in conjunction with a 1962 traveling exhibition of eighty-seven works by the renowned Dada and collage pioneer Kurt Schwitters that was circulated by the forward-thinking Pasadena Art Museum under the direction of Walter Hopps. Wittily designed with a Merz-like bent, it features a striking 20 1/4 x 16" poster for the show that has been neatly folded in quarters to form the front and back covers, and brief essays by Hopps on Schwitters and his friend, colleague and collaborator Kate Steinitz who then lived in Los Angeles; and from whose collection much of the exhibition was drawn. A bright, most handsome copy of this uncommon and fragile item showing just a bit of light wear and patination along the spine and bottom edge of the wrappers. Inventory Number: 019023

$ 125.00 order/inquire

 

 
 

(SOMMER, FREDERICK). Glenn, Constance & Jane K. Bledsoe. FREDERICK SOMMER AT SEVENTY-FIVE: A RETROSPECTIVE. Long Beach, CA: The Art Museum and Galleries, Cal State University, 1980. First Edition 1/3000. 4to. Printed Wrappers. Photography Monograph. Good. 71pp, profusely illustrated in b&w and color. Designed by Lilli Cristin. This is the catalogue for the 1980 touring Frederick Sommer retrospective - circulated in conjunction with the renowned photographer's seventy-fifth birthday. It exquisitely reproduces thirty-one of the seventy five works exhibited as well as a portion of the text of the artist's 1972 poem-cum-treatise "The Poetic Logic of Art and Aesthetics". A presentable copy only showing some typical rubbing and handling to its silver covers as well as a crease across the textblock near the heel of the spine. It has been priced accordingly. Inventory Number: 017104

$ 45.00 order/inquire

 

 
 

(SOMMER, FREDERICK). Glenn, Constance & Jane K. Bledsoe. FREDERICK SOMMER AT SEVENTY-FIVE: A RETROSPECTIVE. Long Beach, CA: The Art Museum and Galleries, Cal State University, 1980. First Edition 1/3000. 4to. Printed Wrappers. Photography Monograph. Very Good -. 71pp, profusely illustrated in b&w and color. Designed by Lilli Cristin. This is the catalogue for the 1980 touring Frederick Sommer retrospective - circulated in conjunction with the renowned photographer's seventy-fifth birthday. It exquisitely reproduces thirty-one of the seventy five works exhibited as well as a portion of the text of the artist's 1972 poem-cum-treatise "The Poetic Logic of Art and Aesthetics". A most presentable copy showing some typical light rubbing and handling to its silver covers as well as a short lengthwise tear along the spine at the rear cover. It has been priced accordingly. Inventory Number: 017105

$ 52.50 order/inquire

 

 
 

(SOMMER, FREDERICK). Glenn, Constance & Jane K. Bledsoe. FREDERICK SOMMER AT SEVENTY-FIVE: A RETROSPECTIVE. Long Beach, CA: The Art Museum and Galleries, Cal State University, 1980. First Edition 1/3000. 4to. Printed Wrappers. Photography Monograph. Fine. 71pp, profusely illustrated in b&w and color. Designed by Lilli Cristin. This is the catalogue for the 1980 touring Frederick Sommer retrospective - circulated in conjunction with the renowned photographer's seventy-fifth birthday. It exquisitely reproduces thirty-one of the seventy five works exhibited as well as a portion of the text of the artist's 1972 poem-cum-treatise "The Poetic Logic of Art and Aesthetics". A bright, most handsome copy showing virtually none of the typically seen rubbing and handling to its silver covers. Inventory Number: 021125

$ 75.00 order/inquire

 

 
 

(SOMMER, FREDERICK). Glenn, Constance & Jane K. Bledsoe. FREDERICK SOMMER AT SEVENTY-FIVE: A RETROSPECTIVE - SIGNED BY THE PHOTOGRAPHER. Signed by the Photographer. Long Beach, CA: The Art Museum and Galleries, Cal State University, 1980. First Edition 1/3000. 4to. Printed Wrappers. Photography Monograph. Fine. 71pp, profusely illustrated in b&w and color. Designed by Lilli Cristin. This is the catalogue for the 1980 touring Frederick Sommer retrospective - circulated in conjunction with the renowned photographer's seventy-fifth birthday. It exquisitely reproduces thirty-one of the seventy five works exhibited as well as a portion of the text of the artist's 1972 poem-cum-treatise "The Poetic Logic of Art and Aesthetics". A bright, most handsome copy showing virtually none of the typically seen rubbing and handling to its silver covers SIGNED by Frederick Sommer in black ink on the title page at the time of publication. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its value - we will inform you of the applicable amount at time of purchase. Inventory Number: 019501

$ 400.00 order/inquire

 

 
 

(SOMMER, FREDERICK). Naef, Weston. FREDERICK SOMMER: POETRY AND LOGIC. Los Angeles: The J. Paul Getty Museum, 1994. First Edition. 8vo. Pictorial Cardstock Wrappers. Exhibition Brochure. Fine. One 8 3/4 x 32" cardstock sheet printed recto and verso, neatly folded in fourths as issued to make 8pp, 6 duotone illustrations. This is a brochure produced to accompany a 1994 exhibition of vintage prints by Frederick Sommer from the Getty's vast holdings. A most handsome copy of this uncommon ephemeral item that was the only printed documentation of the exhibition - perfect for the Sommer completeist. Inventory Number: 021202

$ 35.00 order/inquire

 

 
 

(SOMMER, FREDERICK). Nordland, Gerald. FREDERICK SOMMER. Washington, D.C. & Pasadena, CA: Washington Gallery of Modern Art & Pasadena Art Museum, 1965. First Edition. 4to. Pictorial Wrappers. Exhibition Brochure. Fine. One 10 1/2 x 15 3/4" cardstock sheet printed offset recto and verso, neatly folded in half to make 4pp, 2 b&w illustrations. With a chronology. This is the slender four page brochure for Frederick Sommer's 1965 exhibition of photographs and drawings that traveled from the Washington Gallery of Modern Art to the Pasadena Art Museum. Following the 1962 Aperture special issue devoted to his work, it is only the second monographic publication on the renowned Surrealist renaissance man. Its front cover reproduces the photographic image "Giant" from 1946, and the rear "Ravel (Smoke on Cellophane)" from 1957. A bright, most handsome copy of this uncommon ephemeral item that was the only printed documentation of the show - perfect for the Sommer completeist. Inventory Number: 021635

$ 125.00 order/inquire

 

 
 

(SOMMER, FREDERICK). Nordland, Gerald. FREDERICK SOMMER - AN EXTRAORDINARY ASSOCIATION COPY. Philadelphia, PA: Philadelphia College of Art, 1968. First Edition. 4to. Printed Wrappers. Photography Monograph. Near Fine. 28pp, 14 b&w illustrations. Designed by Richard Hood. With a chronology, bibliography and exhibition checklist. This is the elegantly designed catalogue for Frederick Sommer's 1968 show of one hundred and twenty-seven photographs held at the Philadelphia College of Art. Printed locally at the renowned Falcon Press, it is the first comprehensive Sommer publication issued in conjunction with an exhibition. A handsome copy of this exceedingly uncommon item showing some light scuffing and a few tiny spots of insect damage to its black printed wrappers. While neither signed nor inscribed, this example was acquired by us directly from the estate of the noted late Los Angeles artist / educator / collector Emerson Woelffer, and bears his discreet ownership label on the verso of the rear endpaper. Woelffer was close friends with both Sommer and curator Gerald Nordland, and is the subject of the full page image titled "Emerson Woelfer (sic) 1965" reproduced on page twenty-five of the catalogue. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its value - we will inform you of the applicable amount at time of purchase. Inventory Number: 021636

$ 300.00 order/inquire

 

 
 

(SOMMER, FREDERICK). Sommer, Frederick, in collaboration with Stephen Aldrich. FREDERICK SOMMER: THE POETIC LOGIC OF ART AND AESTHETICS + WORDS SPOKEN IN MEMORY OF RICHARD NICKEL AT A GATHERING OF HIS FRIENDS - SIGNED BY THE PHOTOGRAPHER. Signed by the Photographer. Stockton, NJ : Designed and Printed at the Carolingian Press , 1972. First Edition. Small Square 8vo. Printed Stapled Wrappers. Photography Monograph. Very Good. np (40pp), no illustrations. In a protective clear acetate dustwrapper. "The Poetic Logic of Art and Aesthetics" is Frederick Sommer's self-published item containing no photographic images that reproduces the text of his 1972 poem-cum-treatise "The Poetic Logic of Art and Aesthetics" along with the eulogy "'Words Spoken in Memory of Richard Nickell at a Gathering of His Friends". A handsome copy SIGNED by Frederick Sommer in black ink in a spidery hand on the title page showing some typical light age patination and slight discoloration along the rear of the spine. It has been priced accordingly. Inventory Number: 020357

$ 250.00 order/inquire

 

 
 

(SOMMER, FREDERICK). Torosian, Michael & Frederick Sommer. FREDERICK SOMMER: THE CONSTELLATIONS THAT SURROUND US - THE CONJUNCTION OF GENERAL AESTHETICS AND POETIC LOGIC IN AN ARTIST'S LIFE SURVEYED AND EDITED BY MICHAEL TOROSIAN - LIMITED EDITION WITH FOUR GELATIN-SILVER PRINTS. Toronto, CANADA: Lumiere Press, 1992. First Edition 1/200. 8vo. 1/4 Linen Over Boards. Photography Monograph. Fine/No Jacket - As Issued.. 36pp, 4 tipped-in b&w silver-gelatin prints. Designed by Michael Torosian. With a biography. In a protective clear acetate dustwrapper. Published in 1992 as the sixth installment of Toronto's Lumiere Press "Homage" series, this is an exquisitely produced monograph on the late American Surrealist photographer Frederick Sommer. Limited to two hundred copies, it was designed and printed by author/publisher Michael Torosian on Mohawk Superfine paper, bound in one-quarter oatmeal linen over grey paper boards with a printed spine label, and contains three small tipped-in gelatin-silver prints of images by Sommer as well as a tipped-in gelatin-silver portrait of the photographer by Edward Weston as the frontispiece. A pristine copy (cited on page 113 of "From Fair to Fine: 20th Century Photography Books That Matter") of this uncommon gem. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its value - we will inform you of the applicable amount at time of purchase. 0-921542-06-2 Inventory Number: 015155

$ 750.00 order/inquire

 

 
 

(TANGUY, YVES). Wittrock, Wolfgang & Stanley Hayter. YVES TANGUY: DAS DRUCKGRAPHISCHE WERK / L'OEUVRE GRAVE / THE GRAPHIC WORK. Dusseldorf, GERMANY: Wolfgang Wittrock, 1976. First Edition 1/1000. 4to. Debossed Cloth in Dust Jacket. Catalogue Raisonné. Fine/Very Good. np (64pp), 38 b&w and 3 color illustrations. Text in English, German and French. In a protective clear acetate dustwrapper. Published in conjunction with a 1976 exhibition by German print dealer Wolfgang Wittrock, this is a full catalogue raisonné of all thirty-three original graphics executed by Surrealist master Yves Tanguy between 1932 and 1956. An internally most handsome copy whose publisher's printed acetate overlay shows some surface abrasion along with cracking and chipping at the spine ends. It has been priced accordingly. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its value - we will inform you of the applicable amount at time of purchase. Inventory Number: 021386

$ 300.00 order/inquire

 

 
 

(TRANSITION). Jolas, Eugene, Editor. TRANSITION: AN INTERNATIONAL WORKSHOP FOR ORPHIC CREATION, NO. 22 FEBRUARY 1933. The Hague, NETHERLANDS: The Servire Press, 1933. First Edition. 8vo. Illustrated Wrappers. Periodical. Very Good -. 156pp, illustrated in b&w. Text in English. Cover by Sophie H. Taeuber-Arp. Eugene Jolas' "Transition" was a cutting-edge Modernist journal featuring articles on the most interesting art, literature, poetry, architecture, film and music of the day. The contributors to this twenty-second installment include Hans Arp, Hugo Ball, Hamilton Basso, Joe Bosquet, Jolas, Georges Pelorson, Theo Rutra, Camille Schuwer, Kurt Schwitters, Roger Vailland, James Joyce, Stuart Gilbert, Carola Giedion-Welcker, Friedrich Marcus Huebner, Max Pilver, Mariano Brull, Ivan Black, William Van Wyck, Fritz Vanderpyl, Alan S.C. Ross, James Johnson Sweeney, and Ronald Symon. Also included is a complete bibliography to "Transition" issues 1 through 32. An internally bright and sound copy showing a tiny bit of light foxing to the rear endpaper, some overall wear and soiling to the wrappers, and a bit of paper loss at the heel of the spine. It has been priced accordingly. Inventory Number: 019700

$ 125.00 order/inquire

 

 
 

(VIEW: THE MODERN MAGAZINE). Ford, Charles Henri, Editor. VIEW: THE MODERN MAGAZINE - DECEMBER 1945 (SERIES V, NO.5). New York: View, Inc., 1945. First Edition. 4to. Stapled Illustrated Wrappers. Periodical. Good. 22pp, profusely illustrated in b&w. Cover illustration by Andre Masson. Contributors to this issue of Charles Henri Ford's legendary American magazine of Surrealism and the avant-garde include: Kurt Seligmann, Paul Bowles, Ramon J. Sender, Jean Ferry, Gina Hohens, Rene Renne and Claude Serbanne, George Platt Lynes, Charles Henri Ford, Parker Tyler, Paul Goodman, Marius Bewley, Lou Harrison, etc. It also features a spectacular full page advertisement for New Directions books designed and illustrated by Alvin Lustig. A most presentable copy showing overall light wear, handling and soiling to the wrappers as well as the covers starting to split along the spine at the crown. It has been priced accordingly. Inventory Number: 018489

$ 75.00 order/inquire

 

 
 

(VIEW: THE MODERN MAGAZINE). Ford, Charles Henri, Editor. VIEW: THE MODERN MAGAZINE - DECEMBER 1945 (SERIES V, NO.5). New York: View, Inc., 1945. First Edition. 4to. Stapled Illustrated Wrappers. Periodical. Very Good. 22pp, profusely illustrated in b&w. Cover illustration by Andre Masson. Contributors to this issue of Charles Henri Ford's legendary American magazine of Surrealism and the avant-garde include: Kurt Seligmann, Paul Bowles, Ramon J. Sender, Jean Ferry, Gina Hohens, Rene Renne and Claude Serbanne, George Platt Lynes, Charles Henri Ford, Parker Tyler, Paul Goodman, Marius Bewley, Lou Harrison, etc. A handsome copy showing some overall light wear, handling and soiling to the wrappers. Inventory Number: 018355

$ 110.00 order/inquire

 

 
 

(WOOD, BEATRICE). Naumann, Francis M. With Texts By Harvey L. Jones & Kenneth Trapp. INTIMATE APPEAL: THE FIGURATIVE ART OF BEATRICE WOOD. Oakland, CA: The Oakland Museum, 1989. First Edition. 4to. Illustrated Wrappers. Decorative Arts Monograph. Near Fine. 108pp, 37 b&w and 30 color illustrations. This is the catalogue issued in conjunction with touring 1989 Museum retrospective of the figurative work by the late, great "Mama of the Dadas", Beatrice Wood. Primarily renown for her clay vessels and lustreware, this show focuses on her lesser-known drawings and ceramic sculpture. A most handsome copy. LC 89-06019 Inventory Number: 020557

$ 35.00 order/inquire

 

 
 

(WOOD, BEATRICE). Wood, Beatrice. TOUCHING CERTAIN THINGS BY BEATRICE WOOD - DELUXE HAND COLORED SIGNED AND NUMBERED EDITION. Signed and Numbered by the Artist. Los Angeles: MGM Press, 1992. First Edition 1/99 Deluxe. 4to. Tied Illustrated Wrappers. Illustrated Book. Fine. np (24pp), 12 hand colored and 1 b&w illustration + hand colored cover. "Touching Certain Things" is a girlish memoir authored and illustrated in 1992 by the late, great "Mama of the Dadas", Beatrice Wood. Primarily renown for her ceramic sculpture, lustreware vessels, and dalliance with Marcel Duchamp, this gossamer bit of erotica recounts a youthful Ms. Wood and actress pal Helen Freeman's trip to Europe to hear Jiddu Krishnamurti speak, and the amorous hijinks that ensued. From the deluxe edition of nintety-nine copies only, it contains twelve illustrations by the author, each of which (and the front cover as well) has been hand colored by her in pencil. A bright white, pristine copy of this rarity that has been SIGNED, NUMBERED AND DATED by Beatrice Wood in black ink at the rear colophon, as issued. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its value - we will inform you of the applicable amount at time of purchase. 0-9620574-5-2 Inventory Number: 017047

$ 750.00 order/inquire

 

 
 

(XXe SIECLE). Di San Lazzaro, Gualtieri, Managing Editor. XXe SIECLE (VINGTIEME SIECLE): NOUVELLE SERIE NO. 3 (DOUBLE) - JUIN 1952: ART ET POESIE DEPUIS APOLLINAIRE - WITH ORIGINAL GRAPHICS BY JEAN MIRO, ALEXANDER CALDER, HENRI MICHAUX, AND ALBERTO GIACOMETTI. Paris: XXe Siecle (Vingtieme Siecle), 1952. First Edition. Large 4to. Illustrated Wrappers. Art Periodical. Very Good. 88pp, profusely illustrated in b&w and color. Text in French. Cover design after Guillaume Apollinaire. This third installment of San Lazzaro's deluxe, semi-annual art periodical features original lithographs by Jean Miro, Alexander Calder, Henri Michaux, and Alberto Giacometti. The contents include contributions on or by Herbert Read, Guillaume Apollinaire, Futurism, Gino Severini, Poetry and Text in Art, Jean Arp, Jean Cassou, Jean Miro, Alexander Calder, Pierre Courthion, Henri Michaux, Michel Tapie, Blaise Cendrars, Max Jacob, Salvador Dali, Alberto Giacometti, Paul Eluard, Milena Milani, Wassily Kandinsky, Robert Motherwell, American Abstract Art, Michel Seuphor, Antonio Corpora, Gustave Singier, Julio Gonzalez, Amodeo Modigliani, Henri Laurens, Frank Lloyd Wright, Igor Stravinsky, Vittorio De Sica, and more. A handsome copy showing a slight soft-crease through the textblock at the lower foredge corner. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its value - we will inform you of the applicable amount at time of purchase. Inventory Number: 016582

$ 850.00 order/inquire

 

 
 

(XXe SIECLE). Di San Lazzaro, Gualtieri, Managing Editor. XXe SIECLE (VINGTIEME SIECLE): NOUVELLE SERIE NO. 8 (DOUBLE) - JANVIER 1957: ART ET HUMOUR AU XXe SIECLE - WITH ORIGINAL GRAPHICS BY JEAN ARP, JEAN DUBUFFET AND JOAN MIRO. Paris: XXe Siecle (Vingtieme Siecle), 1957. First Edition. Large 4to. Illustrated Wrappers. Art Periodical. Near Fine. 88pp, profusely illustrated in b&w and color. Text in French. Cover design after Wassily Kandinsky. This eighth installment of San Lazzaro's deluxe, semi-annual art periodical features two original color pochoirs by Jean Dubuffet, and one each by Jean Arp and Jean Miro; who also has contributed an original color lithograph (entry number forty in Patrick Cramer's "Joan Miro: The Illustrated Books - Catalogue Raisonné). The contents include contributions on or by Maria Luz, Marcel Duchamp, Robert Lebel, Jean Arp, Patrick Waldberg, Max Ernst, Pablo Picasso, Jean Cassou, Wassily Kandinsky, Pierre Volboudt, Paul Klee, Will Grohmann, Joan Miro, Pierre Gueguen, Jean Dubuffet, Georges Ribemont-Dessaignes, Gilioli, Jacques Dopagne, Jean Fautrier, Andre Verdet, Giuseppe Marchiori, Alain Boaquet, Cesar, Pietro Consagra, Umbro Apollonio, Signori, Robert Muller, Georg Schmidt, Futurism, Giuseppe Capogrossi, Fernand Leger, Henri Matisse, Manessier, Franco Gentelini, Alberto Burri, Atlan, Zoran Music, Jackson Pollock, and more. A bright most handsome copy. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its value - we will inform you of the applicable amount at time of purchase. Inventory Number: 016583

$ 850.00 order/inquire

 

 
 

Baxter Art Gallery Staff. SURREALISM IS ALIVE AND WELL IN THE WEST. Pasadena, CA: The Baxter Art Gallery, California Institute of Technology, 1972. First Edition 1/1000. Square 8vo. Illustrated Die-Cut Wrappers. Exhibition Catalog. Fine. np (48pp), 32 b&w and 8 color illustrations. With an exhibition checklist. This playful catalogue was published in conjunction with a 1972 Baxter Art Gallery survey of contemporary California Surrealism and Pop Art. The artists included are Terry Allen, Robert Arneson, Juan Badia, John Battenberg, Wall Batterton, Wallace Berman, Vija Celmins, Ciba, Bruce Conner, Paul Darrow, Levente Fodor, Lukman Glasgow, Joe Goode, Craig Grigsby, Peter Gutkin, Allan Hart, Brian Hart, George Herms, Edward Kienholz, Jerry McMillan, Cheri Pann, Sasson Pearl, Paul Re, Edward Ruscha, Paul Sarkisian, Arthur Secunda, Benjamin Serrano, Joe Steuben, Joan Tanner, William Tunberg, Stephan Von Heune, and Paul Wonner. A most handsome copy. Inventory Number: 021984

$ 50.00 order/inquire

 

 
 

Cohen, Arthur A.. EX LIBRIS: A SIGNIFICANT REFERENCE COLLECTION OF FORTY-TWO CATALOGUES. New York. 1976-1985.: Ex Libris, First Editions. 8vo. Illustrated Wrappers. Bookseller's Catalogues. Very Good - or Better. np, most profusely illustrated in b&w. New York's Arthur Cohen was the premier purveyor of books and ephemera on twentieth century Modern Art movements for nearly twenty years. Ex Libris' copiously researched, scholarly, illustrated catalogues stood as unparalleled bibliographic tools at a time when there was a paucity of available reference to the documentary literature of the modernist avant-gardes. We are offering a significant collection of forty-two Ex Libris publications including a near-complete run of numbered catalogues comprising: 1 (THE MAJOR MOVEMENTS OF 20TH CENTURY ART), 3 (APOLLINAIRE TO SURREALISM), 4 (OMNIUM GATHERUM), 5 (MAJOR MOVEMENTS OF 20TH CENTURY ART II), 6 (CONSTRUCTIVISM & FUTURISM: RUSSIAN & OTHER), 7 (MAJOR MOVEMENTS OF 20TH CENTURY ART III), 8 (BAUHAUS), 9 (FUTURISM), 10 (DADA ONCE AND FOR ALL), 11 (TENTH ANTIQUARIAN BOOK FAIR), 11 (whose numbering was accidentally duplicated - this is actually 12: BAUHAUS), 13 (LISSITZKY / SCHWITTERS / TSCHICHOLD / WERKMAN / ZWART), 14 (FUTURISM: ITALIAN & RUSSIAN), and 15 (DADA & SURREALISM) along with twenty-eight of the 9 x 4" staple-bound unnumbered and undated Ex Libris offering catalogues: ALL ERNST, APOLLINAIRE / FIRST EDITIONS / FRENCH AVANT-GARDE, ARCHITECTURE & DESIGN, ARTIST'S LETTERS / AUTOGRAPHS / POSTCARDS, THE AVANT-GARDE IN PRINT PROSPECTUS, BAUHAUS, BRETON / DUCHAMP / ERNST, CATALOGUE OF CATALOGUES, DADA AGAIN, DADA NOW AND 4EVER, FUTURISM, GEORGE GROSZ AND GERMAN EXPRESSIONISM, ILLUSTRATED BOOKS OF THE 20TH CENTURY, LISSITZKY / MAIAKOVSKII, MY HEART BELONGS TO DADA, PERIODICALS, PERIODICALS 2, RARAE AVES, RARAE AVES 2, RARAE AVES 4, RARE PERIODICALS: ART & LITERATURE, RUSSIAN AVANT-GARDE RARITIES, RUSSIAN RARITIES, SECESSION / JUGENSTIL / ART NOUVEAU / ART DECO, SELECTED PERIODICALS, 60 RARE PERIODICALS, THE SURREALIST REALM, AND VICTORY OVER THE SUN. It is with one exception a most handsome group of these uncommon documents allowing for the occasional light wear or soiling, speckled top edge of the textblock, or minor annotation here or there. Only catalogue number 6 (CONSTRUCTIVISM...) shows significant condition issues with heavy wear and slight chipping to the covers, a dent to the top of the spine, and curling of the foredge corners of the textblock. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its weight and value - we will inform you of the applicable amount at time of purchase. Inventory Number: 021474

$ 2000.00 order/inquire

 

 
 

Cohen, Arthur A. & Trevor Winkfield. EX LIBRIS 3: APOLLINAIRE TO SURREALISM. New York. ND (circa 1976).: Ex Libris, First Edition. 4to. Printed Wrappers. Bookseller's Catalogue. Very Good. np (152pp), profusely illustrated in b&w. New York's Arthur Cohen was the premier purveyor of books and ephemera on twentieth century Modern Art movements for nearly twenty years. Ex Libris' copiously researched, scholarly, illustrated catalogues stood as unparalleled bibliographic tools at a time when there was a paucity of available reference to the documentary literature of the modernist avant-gardes. Catalogue number three features nine hundred and eighty-five fully described and indexed original works, photographs, posters, books, periodicals, pamphlets, and printed ephemera on the subjects of Guillaume Apollinaire, Architecture, Expressionism, Illustrated Books and Livres de Peintre, Alfred Jarry, Periodicals and Annuals, Photographs and Photogravures (including a large collection of plates from "Camera Work"), Photography and Film, and Surrealism. And while at the time of its 1976 publication the prices here seemed astronomical, thirty some odd years later they are finally downright bargains! A handsome copy of this uncommon reference showing a bit of light sunning and its title added discreetly in ink to the spine. Inventory Number: 015159

$ 125.00 order/inquire

 

 
 

Cohen, Arthur A. & Trevor Winkfield. EX LIBRIS 4: OMNIUM GATHERUM. New York. ND (circa 1976).: Ex Libris, First Edition. 4to. Printed Wrappers. Bookseller's Catalogue. Near Fine. np (74pp), no illustrations. New York's Arthur Cohen was the premier purveyor of books and ephemera on twentieth century Modern Art movements for nearly twenty years. Ex Libris' copiously researched, scholarly, illustrated catalogues stood as unparalleled bibliographic tools at a time when there was a paucity of available reference to the documentary literature of the modernist avant-gardes. Catalogue number four features nine hundred and forty-six fully described and indexed original works, photographs, posters, books, periodicals, pamphlets, and printed ephemera on the subjects of Ancient Art and Civilization, Architecture, Art History and Aesthetics, Art Nouveau and Jugendstil, Books on Books: Typography, Printing, Design, Dada and Surrealism, Expressionism, Film, Dance & Music, Literature of the Modern Movement, Movements of 19th Century Art, Movements of 20th Century Art, Periodicals and Annuals, Pre-Columbian Art and Culture, and Tribal Arts: Africa and the South Pacific. And while at the time of its 1976 publication the prices here seemed astronomical, thirty some odd years later they are finally downright bargains! A handsome copy of this uncommon reference. Inventory Number: 015161

$ 75.00 order/inquire

 

 
 

Cohen, Arthur A. & W. Michael Sheehe. EX LIBRIS 5: MAJOR MOVEMENTS OF 20TH CENTURY ART II. New York. ND (circa 1976).: Ex Libris, First Edition. 4to. Printed Wrappers. Bookseller's Catalogue. Very Good -. np (184pp), profusely illustrated in b&w. New York's Arthur Cohen was the premier purveyor of books and ephemera on twentieth century Modern Art movements for nearly twenty years. Ex Libris' copiously researched, scholarly, illustrated catalogues stood as unparalleled bibliographic tools at a time when there was a paucity of available reference to the documentary literature of the modernist avant-gardes. Catalogue number five features one thousand, four hundred and fifty nine fully described and indexed original works, photographs, posters, books, periodicals, pamphlets, and printed ephemera on the subjects of Architecture, Hans (Jean) Arp and Sophie Taeuber, Art Nouveau and Jugendstil, Autographed Letters from the Collection of Alfred H. Barr Jr. and Mrs. Margaret Barr, Dada, Decorative Arts, Marcel Duchamp: Original Works and Documentary Literature, Expressionism, Illustrated Books and Livres de Peintre, Movements of 20th Century Art, Periodicals and Annuals, Photography (including a large collection of plates from "Camera Work"), Posters, and Surrealism. And while at the time of its 1976 publication the prices here seemed astronomical, thirty some odd years later they are finally downright bargains! A most presentable copy of this uncommon reference showing some light overall wear, soiling, and sunning along the length of the spine. It has been priced accordingly. Inventory Number: 018227

$ 100.00 order/inquire

 

 
 

Cohen, Arthur A. & W. Michael Sheehe. EX LIBRIS 7: MAJOR MOVEMENTS OF 20TH CENTURY ART III. New York. ND (circa 1978).: Ex Libris, First Edition. 4to. Printed Wrappers. Bookseller's Catalogue. Near Fine. np (202pp), profusely illustrated in b&w. New York's Arthur Cohen was the premier purveyor of books and ephemera on twentieth century Modern Art movements for nearly twenty years. Ex Libris' copiously researched, scholarly, illustrated catalogues stood as unparalleled bibliographic tools at a time when there was a paucity of available reference to the documentary literature of the modernist avant-gardes. Catalogue number five features one thousand, three hundred and thirty-six fully described and indexed original works, photographs, posters, books, periodicals, pamphlets, and printed ephemera on the subjects of Architecture, Art Nouveau, Dada, Decorative Arts, Film, Dance and Theater, German Expressionism, Mondrian + Van Doesburg and Del Marle: Letters and Manuscripts, Movements of 20th Century Art, Photography: a selection of original prints and gravures, Photographic Books, Posters, and Poster Reference Books, Russian Avant-Garde, Surrealism, Jan Tschichold, and Hendrik Theodor Wijdeveld. And while at the time of its 1978 publication the prices here seemed astronomical, thirty years later they are finally downright bargains! A handsome copy of this uncommon reference. Inventory Number: 015163

$ 125.00 order/inquire

 

 
 

Filipacchi, Daniel, Nesuhi Ertegun, Jose Pierre, Rosalind Krauss, Werner Spies & David Sylvester. SURREALISM: TWO PRIVATE EYES. New York: Guggenheim Museum Publications & Harry N. Abrams, Inc., 1999. First Edition. Large 4to. Cloth in Dust Jackets, Boxed. Exhibition Catalogs. Fine/Fine. 399 + 495pp, 830 color and 50 b&w illustrations. Creative director: Agnes Cruz. With artist biographies and an index. "Over the course of almost five decades, famed French magazine publisher Daniel Filipacchi and record producer Nesuhi Ertegun assembled two of the most important groupings of Surrealist art in private hands. This extraordinary two volume set, accompanying a 1999 Guggenheim Museum show (the only public exhibition of these collections) captures the full range, paradoxical nature, and fascinating aspects of the genre. Featuring works by leading figures such as Giorgio de Chirico, Joseph Cornell, Marcel Duchamp, Salvador Dali, Max Ernst, Rene Magritte, Man Ray, and Yves Tanguy, these volumes are comprised almost entirely of full-page, full-color reproductions. Major paintings, sculpture, photographs, works on paper, rare books, and ephemera appear alongside complimentary texts, creating a complete guide to one of the most intriguing movements in art history". A most handsome copy of this uncommon set in slipcase, still in the publisher's shrinkwrap. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its weight and value - we will inform you of the applicable amount at time of purchase. 0-8109-6921-1 Inventory Number: 010516

$ 300.00 order/inquire

 

 
 

Hulten, Pontus, Editor. PARIS - NEW YORK. Paris: Centre Georges Pompidou, 1977. First Edition. 4to. Illustrated Boards. Exhibition Catalog. Very Good -/No Jacket - As Issued. 729pp, profusely illustrated in b&w. Text in French. Cover by Larry Rivers. With artist biographies and bibliographies, and a chronology (1905-1968). In a protective clear acetate dustwrapper. This is the massive hardbound catalogue published in conjunction with Pontus Hulten's landmark 1977 Centre Georges Pompidou exhibition that traced the interaction between the artistic capitals of Paris and New York during the Twentieth Century. In addition to a dazzling array of works by over two hundred artists, it includes informative textual contributions and essays by the likes of Henri Langlois, Elliott Carter, Jean Prouve, Donald Karshan, Robert Lebel, Claude Levi-Strauss, David Hare, William Copley, Robert Motherwell, Harold Rosenberg, Pierre Restany, Leo Castelli, Ileana Sonnabend, Daniel Cordier, Daniel Abadie, Alfred Pacquement, Billy Kluver, and more. A most presentable copy showing some light overall wear and handling along with the ink ownership inscription of the wife of a participating artist. It has been priced accordingly. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its weight and value - we will inform you of the applicable amount at time of purchase. Inventory Number: 000259

$ 395.00 order/inquire

 

 
 

Hulten, Pontus, Editor. PARIS - NEW YORK. Paris: Centre Georges Pompidou & Gallimard, 1977. First Edition. 4to. Illustrated Boards. Exhibition Catalog. Very Good/No Jacket - As Issued. 729pp, profusely illustrated in b&w. Text in French. Cover by Larry Rivers. With artist biographies and bibliographies, and a chronology (1905-1968). In a protective clear acetate dustwrapper. This is the massive hardbound catalogue published in conjunction with Pontus Hulten's landmark 1977 Centre Georges Pompidou exhibition that traced the interaction between the artistic capitals of Paris and New York during the Twentieth Century. In addition to a dazzling array of works by over two hundred artists, it includes informative textual contributions and essays by the likes of Henri Langlois, Elliott Carter, Jean Prouve, Donald Karshan, Robert Lebel, Claude Levi-Strauss, David Hare, William Copley, Robert Motherwell, Harold Rosenberg, Pierre Restany, Leo Castelli, Ileana Sonnabend, Daniel Cordier, Daniel Abadie, Alfred Pacquement, Billy Kluver, and more. A bright, handsome copy showing some wear and small crimps to the extremities of the boards. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its weight and value - we will inform you of the applicable amount at time of purchase. Inventory Number: 020826

$ 450.00 order/inquire

 

 
 

Hulten, Pontus, Editor. PARIS - NEW YORK. Paris. 1977 (1991).: Centre Georges Pompidou & Gallimard, Second, Revised Edition (First Thus). 4to. Illustrated Flexible Boards. Exhibition Catalog. Near Fine./No Jacket - As Issued. 956pp, profusely illustrated in b&w. Text in French. Cover by Larry Rivers. With artist biographies and bibliographies, and a chronology (1905-1968). This is the massive catalogue published in conjunction with Pontus Hulten's landmark 1977 Centre Georges Pompidou exhibition that traced the interaction between the artistic capitals of Paris and New York during the Twentieth Century. In addition to a dazzling array of works by over two hundred artists, it includes informative textual contributions and essays by the likes of Henri Langlois, Elliott Carter, Jean Prouve, Donald Karshan, Robert Lebel, Claude Levi-Strauss, David Hare, William Copley, Robert Motherwell, Harold Rosenberg, Pierre Restany, Leo Castelli, Ileana Sonnabend, Daniel Cordier, Daniel Abadie, Alfred Pacquement, Billy Kluver, and more. A bright, most handsome copy of the smaller format, redesigned 1991 Centre Georges Pompidou and Gallimard edition in flexible boards still in the publisher's shrinkwrap. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its weight - we will inform you of the applicable amount at time of purchase. 2-07-011224-1 Inventory Number: 020827

$ 150.00 order/inquire

 

 
 

Hulten, Pontus, Editor. Introduction by Jean-Claude Groshens. PARIS - PARIS 1937-1957. Paris. 1981 (1992).: Centre Georges Pompidou & Gallimard, Second, Revised Edition (First Thus). 4to. Illustrated Flexible Boards. Exhibition Catalog. Near Fine./No Jacket - As Issued. 800pp, profusely illustrated in b&w and color. Text in French. Cover by Roman Cieslewicz. With artist biographies and bibliographies, and a chronology (1937-1957). This is the massive catalogue published in conjunction with Pontus Hulten's landmark 1981 Centre Georges Pompidou exhibition that traced Parisian artistic and cultural innovations from the onset of World War II through to the Space Age. In addition to a dazzling array of works by over one hundred and fifty artists, it includes informative textual contributions and essays. A bright, most handsome copy of the smaller format, redesigned 1992 Centre Georges Pompidou and Gallimard edition in flexible boards. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its weight - we will inform you of the applicable amount at time of purchase. 2-07-011248-9 Inventory Number: 020835

$ 150.00 order/inquire

 

 
 

Hulten, Pontus, Editor. Introduction by Werner Spies. PARIS - BERLIN 1900-1933. Paris. 1978 (1992).: Centre Georges Pompidou & Gallimard, Second, Revised Edition (First Thus). 4to. Illustrated Flexible Boards. Exhibition Catalog. Near Fine./No Jacket - As Issued. 762pp, profusely illustrated in b&w and color. Text in French. Cover by Roman Cieslewicz. With artist biographies and bibliographies. This is the massive catalogue published in conjunction with Pontus Hulten's landmark 1978 Centre Georges Pompidou exhibition that traced the interaction between the artistic capitals of Paris and Berlin during the first third of the Twentieth Century. In addition to a dazzling array of works by over one hundred artists, it includes informative textual contributions and essays. A bright, most handsome copy of the smaller format, redesigned 1992 Centre Georges Pompidou and Gallimard edition in flexible boards. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its weight - we will inform you of the applicable amount at time of purchase. 2-07-011247-0 Inventory Number: 020834

$ 150.00 order/inquire

 

 
 

Hulten, Pontus, Editor. Introduction by Werner Spies. PARIS - BERLIN 1900-1933. Paris & Munich, GERMANY: Centre Georges Pompidou & Prestel Verlag, 1979. First German Language Edition. 4to. Illustrated Boards. Exhibition Catalog. Near Fine./No Jacket - As Issued. 632pp, profusely illustrated in b&w and color. Text in German. Cover by Roman Cieslewicz. With artist biographies and bibliographies. This is the massive catalogue published in conjunction with Pontus Hulten's landmark 1978 Centre Georges Pompidou exhibition that traced the interaction between the artistic capitals of Paris and Berlin during the first third of the Twentieth Century. In addition to a dazzling array of works by over one hundred artists, it includes informative textual contributions and essays. A most handsome copy of the hardbound 1979 Prestel Verlag first German language edition showing some light handling and age-toning to the covers. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its weight - we will inform you of the applicable amount at time of purchase. 3-7913-0466-6 Inventory Number: 021411

$ 110.00 order/inquire

 

 
 

Janis, Sidney, Introduction. ABSTRACT AND SURREALIST ART IN THE UNITED STATES. San Francisco, CA: The San Francisco Museum of Art, 1944. First Edition. 12mo. Stapled Printed Wrappers. Exhibition Catalog. Near Fine. 36pp, 10 b&w illustrations. With an exhibition checklist. This is the catalogue published in conjunction with the landmark 1944 touring Museum survey of contemporary Surrealism and Abstraction by both American artists and European wartime expatriates organized by The San Francisco Museum of Art. It features a brief introductory essay by Sidney Janis, and the artists included are Arthur B. Carles, Charles Demuth, Lyonel Feininger, Stanton MacDonald-Wright, John Marin, Alfred Maurer, Georgia O'Keeffe, Man Ray, Charles Sheeler, Joseph Stella, Abraham Walkowitz, Max Weber, Joseph Albers, Byron Browne, Alexander Calder, Mercedes Carles, Ralston Crawford, Stuart Davis, William de Kooning, Ray Eames, John Ferren, Adolph Gottlieb, John D. Graham, Balcomb Greene, Jean Helion, Hans Hofmann, Carl Robert Holty, Charles Howard, Gyorgy Kepes, Karl Knaths, Lee Krasner, Laszlo Moholy-Nagy, Johannes Molzahn, I. Rice Pereira, C.S. Price, Abraham Rattner, Ad Reinhardt, Kurt Roesch, Mark Rothko, Max Schnitzler, Vaclav Vytlacil, Robert Jay Wolff, Herbert Bayer, William Baziotes, Peter Blume, Joseph Cornell, Francesco Cristofanetti, Jimmy Ernst, Lee Gatch, Arshile Gorky, Morris Graves, O. Louis Guglielmi, Hananiah Harari, Dan Harris, Stanley William Hayter, Fannie Hillsmith, Gerome Kamrowski, Leon Kelly, Gina Knee, Loren MacIver, Boris Margo, Evsa Model, Robert Motherwell, Jackson Pollock, Walter Quirt, Andre Racz, Ralph Rosenborg, Janet Sobel, Dorothea Tanning, Mark Tobey, Marc Chagall, Salvador Dali, Marcel Duchamp, Max Ernst, Jacqueline Breton Lamba, Fernand Leger, Jacques Lipchitz, Andre Masson, Matta (Roberto Sebastian Matta Echaurren), Piet Mondrian, Amedee Ozenfant, Kurt Seligmann, Yves Tanguy, Pavel Tchelitchew, and Ossip Zadkine. A bright, most handsome copy of this uncommon item. Inventory Number: 021327

$ 125.00 order/inquire

 

 
 

Laurvik, J. Nilsen. IS IT ART? POST-IMPRESSIONISM, FUTURISM, CUBISM. New York: The International Press, 1913. First Edition. 8vo. Pictorial Self-Wrappers. Near Fine. 54pp, 8 b&w illustrations. In a protective clear acetate dustwrapper. This quirky document is the first lengthy critical analysis of the works exhibited at the legendary 1913 New York Armory Show. Scribe J. Nilsen Laurvik viewed the revelatory survey of modernism in New York, rushed his rather idiosyncratic perceptions into print, and subsequently sold copies of this outside the exhibition's Boston venue. As the New York catalogue lacked illustrations, this contains what very well may be the first non-newspaper reproduction of Duchamp's "Nude Descending a Staircase". It is also interesting to note that at fifty cents, it sold for twice as much as the "official" Armory Show catalogue! A bright, most handsome copy of the fragile 1913 first printing of this uncommon item showing some overall light soiling and age toning to its cream colored covers. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its value - we will inform you of the applicable amount at time of purchase. Inventory Number: 021415

$ 350.00 order/inquire

 

 
 

Neri, Louise. GO FIGURE. New York: Gagosian Gallery, 2009. First Edition. 4to. Illustrated Boards. Exhibition Catalog. As New/No Jacket - As Issued. 72pp, profusely illustrated in color and b&w. Designed by Dan Miller Design. With an exhibition checklist. This is the hardbound catalogue issued in conjunction with the summer 2009 Gagosian Gallery New York exhibition of figurative works by Richard Artschwager, Marcel Duchamp, Richard Hamilton, Jeff Koons, Roy Lichtenstein, Robert Mapplethorpe, Laszlo Moholy-Nagy, Carlo Mollino, Eadweard Muybridge, Sigmar Polke, Richard Prince, Man Ray, Gerhard Richter, James Rosenquist, and Andy Warhol. A pristine copy still in the publisher's shrinkwrap. 1-932598-96-0 Inventory Number: 018519

$ 40.00 order/inquire

 

 
 

Reed, Jr., Orrel P. & Robert Gore Rifkind. Foreword by Gerald Nordland. GERMAN EXPRESSIONIST ART: THE ROBERT GORE RIFKIND COLLECTION (PRINTS, DRAWINGS, ILLUSTRATED BOOKS, PERIODICALS, POSTERS). Los Angeles: Frederick S. Wight Art Gallery, University of California, Los Angeles, 1977. First Edition. 4to. Gilt Debossed Cloth. Exhibition Catalog. Near Fine/No Jacket - As Issued.. 380pp, profusely illustrated in b&w. Designed by Jack Carter. With an exhibition checklist and bibliography. In a protective clear acetate dustwrapper. This is the copiously illustrated, scholarly catalogue published in conjunction with a 1977 exhibition of four hundred and eighteen German and Austrian Expressionist, Dada, Bauhaus, and related European modernist prints, drawings, illustrated books, posters and periodicals drawn from the Robert Gore Rifkind Collection. Now part of the Los Angeles County Museum of Art's holdings, the collection is reputedly the most comprehensive archive of Expressionist graphics outside of Germany. Artists whose work is featured include Josef Albers, Cuno Amiet, Alexander Archipenko, Hans Arp, Ernst Barlach, Willi Baumeister, Herbert Bayer, Max Beckmann, Albert Bloch, Max Buchartz, Heinrich Campendonk, Lovis Corinth, Otto Dix, James Ensor, Max Ernst, Lyonel Feininger, Conrad Felixmuller, George Grosz, John Heartfield, Erich Heckel, Karl Jakob Hirsch, Ferdinand Hodler, Karl Hofer, Johannes Itten, Willi Jaeckel, Alexej Von Jawlensky, Wassily Kandinsky, Ernst Ludwig Kirchner, Paul Klee, Gustav Klimt, Oskar Kokoschka, Kaethe Kollwitz, Alfred Kubin, Wilhelm Lehmbruck, Max Liebermann, August Macke, Franz Marc, Frans Masereel, Paula Modersohn-Becker, Laszlo Moholy-Nagy, Ludwig Meidner, Wilhelm Morgner, Otto Mueller, Edvard Munch, Gabriele Munter, Emil Nolde, Max Pechstein, Hans Purrmann, Christian Rohlfs, Egon Schiele, Oskar Schlemmer, Karl Schmidt-Rottluff, Arnold Schoenberg, Kurt Schwitters, Richard Seewald, Arthur Segal, Max Slevogt, Georg Tappert, Emil-Rudolph Weiss, and many, many more. A handsome copy of the uncommon hardbound first edition (issued without dust jacket) whose gilt is bright and fresh showing a tiny bump to the tips of the rear board at the upper foredge corner (not affecting the textblock) as well as some light overall wear. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its weight - we will inform you of the applicable amount at time of purchase. 0-915346-27-3 Inventory Number: 016201

$ 125.00 order/inquire

 

 
 

Trauger, Susan C.. BIBLIOGRAPHY OF GERMAN EXPRESSIONISM: CATALOG OF THE LIBRARY OF THE ROBERT GORE RIFKIND CENTER FOR GERMAN EXPRESSIONIST STUDIES AT THE LOS ANGELES COUNTY MUSEUM OF ART. Boston, MA: G.K. Hall & Co., 1990. First Edition. 4to. Gilt Debossed Cloth. Art Bibliography. Fine/No Jacket - As Issued.. 276pp, 1 b&w illustration. In the nineteen seventies the Robert Gore Rifkind Collection amassed in a ten-year span several thousand German and Austrian Expressionist, Dada, Bauhaus, and related European modernist prints, drawings, illustrated books, posters and periodicals. Now the Robert Gore Rifkind Center for German Expressionist Studies at the Los Angeles County Museum of Art, it is reputedly the most comprehensive archive of Expressionist graphics outside of Germany. Artists whose work is featured include Josef Albers, Cuno Amiet, Alexander Archipenko, Hans Arp, Ernst Barlach, Willi Baumeister, Herbert Bayer, Max Beckmann, Albert Bloch, Max Buchartz, Heinrich Campendonk, Lovis Corinth, Otto Dix, James Ensor, Max Ernst, Lyonel Feininger, Conrad Felixmuller, George Grosz, John Heartfield, Erich Heckel, Karl Jakob Hirsch, Ferdinand Hodler, Karl Hofer, Johannes Itten, Willi Jaeckel, Alexej Von Jawlensky, Wassily Kandinsky, Ernst Ludwig Kirchner, Paul Klee, Gustav Klimt, Oskar Kokoschka, Kaethe Kollwitz, Alfred Kubin, Wilhelm Lehmbruck, Max Liebermann, August Macke, Franz Marc, Frans Masereel, Paula Modersohn-Becker, Laszlo Moholy-Nagy, Ludwig Meidner, Wilhelm Morgner, Otto Mueller, Edvard Munch, Gabriele Munter, Emil Nolde, Max Pechstein, Hans Purrmann, Christian Rohlfs, Egon Schiele, Oskar Schlemmer, Karl Schmidt-Rottluff, Arnold Schoenberg, Kurt Schwitters, Richard Seewald, Arthur Segal, Max Slevogt, Georg Tappert, Emil-Rudolph Weiss, and many, many more. This very limited hardbound publication from 1990 is the then complete bibliography of the Rifkind library's holdings of both research and illustrated books. A most handsome copy of this uncommon scholarly reference (issued without dust jacket) whose gilt titling along its spine is still bright and fresh. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its weight - we will inform you of the applicable amount at time of purchase. 0-8161-0494-8 Inventory Number: 018161

$ 225.00 order/inquire

 

 


 

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